Naked Alibi
Questioned as a murder suspect, solid (but drunk) citizen Al Willis attacks his police questioners, is beaten, and swears vengeance against them. Next night, Lieut. Parks is murdered; Willis is the only suspect in the eyes of tough Chief Conroy, who pursues him doggedly despite lack of evidence. The obsessed Conroy is dismissed from the force, but continues to harass Willis, who flees to a sleazy town on the Mexican border. Of course, Conroy follows. But which is crazy, Conroy or Willis?
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- Cast:
- Sterling Hayden , Gloria Grahame , Gene Barry , Marcia Henderson , Max Showalter , Billy Chapin , Chuck Connors
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Reviews
Truly Dreadful Film
Plot so thin, it passes unnoticed.
Absolutely brilliant
A Brilliant Conflict
****SPOILERS*** Being arrested and roughed up by the police especially after smashing Let. Park's, Casey Adams, face in with a coffee cup accused vagrant and drinking in public Al Willis, Gene Berry, is released due to lack of evidence. It's the next day that Parks is gunned down by an unknown assailant and a few days later two other cop are killed in a car bombing that has Willis, who claimed to get even with the police department for manhandled him, arrested as a suspect for all three murders. As we see Willis is as he always claims to be as innocent as the morning snow or is it dew but it's Chief of Detectives Joe Conroy, Sterling Hayden, who doesn't buy Willis' story.Going overboard in trying to arrest Willis for the murder of the three cops has Conroy suspended from the force and ordered to get a forced, by the department, psychological examination before he's allowed to get back to work. While on ice, or suspension, Conroy goes out on his own to get the goods on Willis whom he's sure is the one who murdered his three fellow policemen. This lead to this honky tonk town on the Mexican/USA border where Willis who works as a baker on the US side is the head mob boss there. There's also Willis' girlfriend Marianna, Gloria Grahame, who can't stand the guy but is terrified of leaving him in that if she did he'll murder her! ****SPOILERS*** Working behind the scenes, until he's discovered, Conroy gets to have Marianna, with a couple of free drinks, to talk about her boyfriend Willis' crimes including the one where he gunned down Let.Parks and even more important where he hid the murder weapon. Which is all the proof that Conroy needs to arrest him. Besides being a cold blooded murderer Willis isn't that bright either. Where he could have easily disposed of the gun he murdered Parks with he instead hid it in of all paces a local church! That Willis he attended not to pray but use as a alibi for where he was at the time that he in fact murdered Let. Parks. With the murder weapon recovered by Conroy Willis makes a run for it not on the street but on the neighbor rooftops where he's a perfect target for the perusing police. Gene Barry in one of the most craziest roles in his entire both film & TV career does a great job playing the Dr. Jekyll & Mister Hyde-like Al Willis who's so crazy it's a miracle that he can hold down two jobs, as a baker and mob boss, at the same time without anyone around, with the exception of the mentally and physically abused Marianna, noticing just who unstable he is. It's the suspended Chief of Detectives Joe Conroy who saw right from the start just how dangerous Wilis was and never stopped for a moment in trying to get the goods on him as well as have him arrested. That had the already not that on the ball, in his mental capacity, Willis crack and thus blow his cover as him being a perfectly normal and law abiding citizen which has him blown away at the end of the movie.
Naked Alibi is directed by Jerry Hopper and adapted to screenplay by Lawrence Roman from the story "Cry Copper" by Gladys Atwater and J. Robert Bren. It stars Sterling Hayden, Gloria Grahame, Gene Barry and Marcia Henderson. Music is by Joseph Gershenson and cinematography by Russell Metty.Urgh! It's one of those lesser grade film noir movies from the classic cycle that should have been super, but isn't. It's also a Sterling Hayden film that gives his knockers ammunition to call him wooden, yet the tedious direction of Hooper and all round over staging of the production is what's at fault here.Plot has Barry (over acting) as a suspected cop killer who walks free to apparently wreak more misery on the police force. Hayden's stoic and robust detective is not having a bit of it and becomes obsessed with bringing Barry's edgy character to justice. Grahame slinks into view in shapely fashion after half hour of film, to naturally stir the hornet's nest still further.The potential is there for a hot-to-trot noir of psychological substance, a peek under the skin of men teetering on the thin line separating good and bad. Sadly it's all so laborious and fake, the male actors indulging in what I call auto-cue acting as they act out badly staged scenes. Grahame comes out of it relatively unscathed, while Metty gives the production an atmosphere it doesn't deserve with some slats and shads dalliances. But really it's average at best and the cast are wasted. 5/10
For the first half of this movie we get a rather ordinary policier, with "innocent" Gene Barry seemingly the victim of Bad Lieutenant Sterling Hayden's obsessive violence- Hayden suspects Barry of being a cop killer. Hayden's temper gets him the sack. Things perk up considerably when Barry goes on the run to the border and seeks out old flame Gloria Grahame - and her advent livens things up immensely. We first see her in a sleazy border bar miming and shimmying her way through "ace in the hole", spaghetti straps straining, mouth pouting, earrings dangling. Its an amazing entrance and the director knows it - following her after the number finishes as she fends off drunks and exits the bar to wander back to her room, where Barry surprises her - her complaints about his negligence in the lover department are stilled by a swift slap round her chops - and she of course kisses him more passionately and drags him into the room... discreet fadeout. That whole sequence is essence of Gloria - its all there - the masochistic sexuality, the wisecracks, the wiggling, the face half in shadows, the tawdry glamour, - and my god - that shimmy . The remainder of the film offers few surprises, including Gloria stopping a bullet to aid the hero and expiring glamorously in his arms but it was designed as a follow up to The Big Heat and the public liked it enough to make it a hit.
Has this ever happened to you? I go into my local video store and see a few new arrivals in the "film noir" section. I spy a copy of a new arrival of a film I have never seen called NAKED ALIBI. Its from one of those mail order video companies that offers (mostly) "dupey" looking copies of hard to find titles. The description on the box sounds good. The film has players I like (Sterling Hayden, Gloria Grahame, and Gene Barry). So I take it home and watch it. About ten minutes into this film I started having second thoughts. About half way through this film I started to dislike it. By the time the film ended, I not only disliked it, I despised it. The film opens with cops questioning Al Willis on suspicion of robbery. Other than being drunk, the police have nothing on him. When he pushes a cop and demands to be allowed to go home, the cops beat him up. Detective Conroy arrives, lets the cops finish the beating and then announces Willis is in the clear. Willis swears he will get revenge. Later one of the police officers is shot dead. With no evidence other that Willis is "sore" about the beating, Conroy make Willis his sole suspect, despite the fact that his boss names a pair of mobsters as suspects. Conroy arrests him, but for lack evidence Willis is released. The next day two more cops are killed by a bomb. This time Conroy goes to the Bakery that Willis owns and tries to beat a confession out of him. Conroy doesn't know it but a local newsman whose paper has been accusing Conroys department of police brutality snaps a picture of Conroy trying strangle Willis and Conroy is fired. But Conroy continues his pursuit and Willis flees to Mexico where Willis has a mistress. Conroy manages to convince his mistress (who Willis treats rather rough) to help him prove Willis is a killer. What this film lacks is a convincing script. The script looks as if only a rough draft was written and shooting began before a finished script was completed. Things happen, characters personalities change, plot twists occur for no real reason other than that script calls for it. Other than the fact that Willis likes to tip a glass now and than, there is nothing in the early part of the film to make us think that he is a crazy killer that cheats on his wife. He treats his wife, his kid and employees well. Early in the film, one gets the impression that its Conroy is the one whose is a loose cannon. He seems to casually approve of police brutality. Conroy, for no reason is convinced from the very start Willis has criminal past. He seems to operate on the motto of the old Communist Bulgarian secret police; "Everyone is guilty of something, we just have not found out about it yet." Later Conroy shows kindness to Al's mistress and young son, now we are supposed to like him. Sorry! The early impression I got of Conroy stuck with me too long. And he is also a dumb cop. Only after he is fired and goes to Mexico does he run a background check on Willis and discovers that a warrant is out for him issued in Maryland. Why didn't he think of this before? Because this film hadn't used up enough running time. The cast is good. Gene Barry does well considering how poorly conceived his role of Al Willis is. I'm big fan of 40's and 50's crime thrillers but not only did I not think this film was good, it left a bad taste in my mouth (something many modern films do, but older films rarely do).