I wanted to but couldn't!

I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

In the scene where Rory & Martin get shot Aurora runs outside and instead of getting her phone from the car to call the police for help and an ambulance she runs across the road in a very dangerous situation...Who does that or is the audience just supposed to be a bunch of idiots?

The sixth in the Aurora Teagarden Mystery film series made for television. The final film for now, until the next one comes out. Based on the book named 'A Fool and His Honey'. Fourth director to helm a film in the franchise. So far I've enjoyed all the films. They all were decent, as I say, for the small screen standards. Produced for Hallmark channel, surely the target audience is women. But the whole family can enjoy them, I meant including kids, since it has less violence.Surely a nice storyline for a literature. The film too was not bad, but it depends on the viewers. For instance, if you take me, I've seen many similar films. I'm not talking about crime solving themes, but this same platform with different characters, locations and a style of narration. That's why it is a television film, aimed for those viewers who are less familiar with the thematic. But I appreciate the effort. The production quality to the writing, music, performances, all were better. Especially the Hallmark's common cliché, the romance had got ridden. You will be happy for that if you are a male audience.Another case where Aurora did not choose, but it chose her. It was slightly different than all the previous ones. Because she did not know what she's looking for. A young woman with a newborn baby had come to her house saying she's her boyfriend's niece. But the twist was a few moments later, she went missing and a stranger dead on her front porch. The baby was left behind. It was closely linked case, due to her relationship with Martin. It's good that way, because intensifies the atmosphere and no room for mistakes.❝Did you come with an instruction book? Because I am very good with books.❞There was a basic flaw. It was where the whole platform constructed on. Only at the end you will realise that. That it all would have been solved easily by those involved in it, before dragging Aurora and others into it. Even if it is in a life threatening situation. Because of what we predict, those possibilities, the theories, particularly against those people, are not strong enough. It was those young people, who wrongly handled the situation. That's why the original source material rightly titled, calling a fool.Everything's about the baby. The baby gives the reason for this story, and also to solve the mystery. From the opening to the mid- section, it was a nice film. They did all they could improvise the narration, but the end was average. The film flourished only for its suspense. The answers were all the time in front of us, in front of Aurora. The writers just dragged it with the kind of character design, with somewhat a convincing reason. The romance parts, either it was Aurora and Martin or Aida and John, did not go anywhere. Joining hands, doing the investigation, that's one way to improve their relationship.This is not the best in the series. At least better than the previous one. A new director, though nothing much has changed. The regular cast steered it with their best. It was a better film series than I'd anticipated. I had a nice time with them in the last one and a half weeks. The Hallmark Movies & Mysteries giving a new dimensional entertainment for the home audience. I mean, can you name a few crime/murder mystery titles with rating General. I don't know when the next one is coming out, but looking forward to it. In the meantime, I would suggest it, but not for all. Just lower your expectation and enjoy it.7/10

Two things about this Aurora Teagarden story. First she spends minimal time at the library and none at all with her mystery book club. Secondly she makes several false starts in trying to figure this business out before she gets it right in the final half hour.Candace Cameron Bure is back as our mystery solving librarian and her relationship with Yannick Bisson is going good and strong. But the two of them really play fast and loose with an obstruction of justice charge. In fact they conceal the presence of a person of interest in the case and get him shot later on because of it.It all starts when an old friend of Bure's Sarah McKillip arrives with a husband and a baby and Bure agrees to put them up. Later on McKillip disappears, the husband is killed and she's left with the baby. And a mystery to solve.It all has to do with black market babies and the intricate lengths people will go to avoid the lengthy adoption process. But in the end Bisson and Bure decide that their babies will be done naturally.

Having watched another Aurora movie I found myself very annoyed at 2 of the female characters in this one . AT is indeed self absorbed to the point of wondering how she will ever keep her job - It appears she works part time and is frequently late, or wanting to leave early and By the way, how does she afford to buy that lovely home ? She involves herself into every aspect of the crime and is irritating - nothing like Jessica Fletcher . Her care of the baby was indeed ludicrous foisting the baby off on other every chance she got to pursue her needs. Spoiler >>>>>>>>>>>>>>>>Maybe One of the most irritating moments was for me is when John proposed again to her mother and during the proposal she turned her back on him to answer the phone .The one nice moment was seeing Yannick Bisson released from his duties at the Toronto Constabulary