It's not great by any means, but it's a pretty good movie that didn't leave me filled with regret for investing time in it.

It's a mild crowd pleaser for people who are exhausted by blockbusters.

It is interesting even when nothing much happens, which is for most of its 3-hour running time. Read full review

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

Steve Martin, a man pursuing a dream of finding oil in the Gulf of Mexico, had no idea what he would be getting into when he and his partner, Johnny Gambi arrived at the sleepy fisherman town in Louisiana to meet Kermit McDonald, the head of a firm at the brink of bankruptcy.The new arrivals are clearly not welcome by the small fishing community, suffering from bad years for the lack of shrimp, their principal source of income. Afraid of the way Martin will change the source of their livelihood, create an unforeseen animosity among the oil people and the locals. The situation escalates when Johnny Gambi falls in love with the daughter of a well liked man."Thunder Bay", a 1953 Universal picture, was seen recently on a cable channel. Directed by Anthony Mann, the film keeps the viewer involved, as the action keeps building up. The enactment of a storm in the Gulf area looks real, even though special effects then, were not what they are today. Thanks to Mr. Mann and his crew, things keep moving at a good pace, building on the strength of a dire situation and a deadline for finding the oil.James Stewart does not disappoint with his Steve Martin. After all, Mr. Stewart always delivered, as is the case here. Dan Duryea playing against type, is fun to watch. Joanne Dru has some good moments as Stella. Gibert Roland appears as a shrimp boat owner.

Anthony Mann/James Stewart collaboration does not work as well here, in contrast to the successful westerns ("Bend of the River" - 1952, etc.). It's about a conflict between shrimp fisherman and oil drillers, with usual bad guy Dan Duryea playing a good guy role (he's better bad, a brilliant actor), as Stewart's business partner. Somehow blue-eyed WASP beauties Joanne Dru and Marcia Henderson are the daughters of latino Antonio Moreno. For shrimp harvesters, the women are surprisingly glamorous, well-groomed, and unfazed. Dru's character does sulk quite a bit, still dazzlingly beautiful, but not the best role for her, while Henderson is chipper, petite, and fun. Gilbert Roland is hammy and forgettable. Some of the color photography is pretty good, but it's a dull, contrived misfire. (Note to prior reviewer: the film was produced in aspect ratio 1:37 to 1 in 1953, on the cusp of widescreen, and formatted in the Academy Ratio, yet released "wide", by inadequate cropping,).

"Thunder Bay," strictly a man's picture, may be considered a Western, with boats and oil substituting for horses and guns, on the Gulf Coast off Louisiana...Stewart and Mann considered as regular partners begun for what they thought were fresh pastures... Stewart is properly tough, wild and laconic as the enthusiastic engineer convinced that oil reserves might lie beneath the Louisiana waters, and Duryea have come up with a drilling platform that resists the fury of even the worst storms... Away they go to find offshore oil, with the encouragement of Jay. C. Flippen willing to ramp up, pumping money on exploration...The drilling clashes with the plans of shrimp fishermen who are opposing the test on the fishing grounds... It may have an adverse affect on their marine life...Duryea adds more complications to the action-drama by falling in love with the girlfriend of one of the fishermen, whose sister, Joanne Dru (echoing the sentiments of Janet Leigh in "The Naked Spur") is putting her eyes on Stewart... But the machinations of the two girls seem worthless material against the struggles between the guys, which are actually the main force of the movie...After several obstacles, violent storms, romantic distrust, and the retraction of magnate Flippen, who has lost faith in the project, all ends wonderfully when Stewart (hard to believe) discovers not only oil but an abundant source of shrimp...Subsequently the lovers pair off, and the former enemies become allies as they share their beneficial trades...Photographed in Technicolor, "Thunder Bay" is a well-produced movie, an entertaining piece of film making...

From the director/actor team that brought us many of the great westerns of the 1950s, Thunder Bay teams Anthony Mann and James Stewart in what could easily be called a modern western. Stewart plays Steve Martin, an oil driller with a dream. His goal is to build an off-shore drill in the Gulf of Mexico. He receives the financial backing of oil tycoon Kermit MacDonald (Jay C. Flippen) and begins work.He sets out from a small fishing community that has been on hard times lately. They are leery of Stewart and his partner Johnny Gambi (Dan Duryea) at first, and become more so when the two start blasting in the middle of their shrimp beds. To make matters worse, Johnny falls in love with a local girl who is already engaged to one of the fisherman.Tension builds as the fishermen continue to have bad luck and the drill progresses. One disgruntled fisherman attempts to blow up the drill platform during the middle of a hurricane. Stewart, who had stayed on the platform to see how it would withstand the storm, catches him just in time to save it. A slippery fight ensues, during which the fisherman and Stewart fight not only each other, but a constant onslaught of water. As in the typical western, the hero (Stewart) wins and the villain dies.The fight scene is one that dates the film. The special effects seem very archaic in wake of such recent films as Titanic and The Perfect Storm. Other than that, the film presents an interesting story on what, at the time, was a very taboo subject.Aware of the controversy the film would stir-up, the film was carefully crafted to prove that two industries could exist side by side. As the fishermen resolve to destroy the well, Stewart discovers that his well has uncovered a new bed a shrimp. When the fishermen learn this they decide that the well is indeed an asset to their community and all live happily ever after.As usual Stewart steals the film. His acting is subtle and believable. The simple story did not push him as an actor, but he is properly harried, tough and laconic. Overall this is an interesting film, enhanced by the beautiful location shots filmed in Technicolor by William Daniels. Truly, an intriguing and different take on the western genre.