People are voting emotionally.

How sad is this?

best movie i've ever seen.

Blistering performances.

I am a huge fan of Shirley Henderson. And this is a great movie to watch her in. She seems so fragile, so pitiable, so perpetually in need of a hug. Although her counselor cares for her, Kath still becomes more and more distraught, and the viewer does begin to fear for her sanity and her life. Rightly, as it turns out.I have to discuss the ending (hence the spoiler warning). At first I was annoyed; we don't seem to get an explanation. After she breaks into the CCTV place, the guy there seems to think that she has discovered some secret of his. So he goes to her house and tries to make her open the door. But what is it he thinks she's discovered? She then calls up her sister's boyfriend and tells him that she's found out something new about Annie's murder. When they meet in the morning, he apparently thinks that Kath knows that HE is the murderer (which she doesn't, or she certainly wouldn't have been there to meet him), and he kills her. In the same way Annie was killed.And then there's the thing with the roller-coaster picture appearing on the CCTV footage. Very weird.I haven't figured out the truth yet, but there is clearly some kind of reversal going on. When Kath finally confronts Annie, it turns out that it isn't Annie, but Kath herself. This has to mean that Kath (being "frozen") is dead, and has probably been so throughout the movie. She is somehow a ghost investigating her own death. We never see Annie's face; maybe Annie doesn't exist, she's just an invention of the ghost, to trick herself into not confronting the fact that it is she - Kath - who is dead. I don't know, but it's something like that.I like the movie a lot. It makes you think, and it has a wonderful performance by Henderson, who keeps it interesting throughout. I had no problem with the slow pace; as long as Henderson is in view, there's always something to enthuse about.This is a good DVD to own.8 out of 10.

This is Shirley Henderson's film through and through. If "Frozen" does nothing else it must surely let casting agents see that Henderson can be stretched further than we have ever seen before and that she will deliver the goods. Her performance has already been recognised in the BAFTA Scotland Awards in 2005 where she (rightly) picked up the Best Actress prize. This is the first time that she has carried a film as the star that she is. Here there are no places to hide since she is on screen in mostly every scene. With a flawless Lancashire dialect (she is Scottish) and a paper-thin fragility, she convinces us that she is trapped in this bleak but beautiful (and rarely filmed) place as she searches for the truth behind her sister's mysterious disappearance.The film is slow though well paced, stark and bleak, but never dull, but would have been a whole lot better if the end wasn't so obfuscated and needlessly confusing. In a whodunit (and this is) you can't short change the audience by not telling them what happened. From what I can tell, about half the audience when I saw it really liked the film. Others were disappointed and without doubt this is not a commercial film by any standard, but it is one worth seeing just for Henderson's tour de force.

I looked forward to seeing this film as it features the Scottish actress, Shirley Henderson, who I have really admired for years and who finally gets a starring role here. This story of a woman's search for her missing sister feels quite relevant to today's newspaper stories of disappearing women. As the grieving Kath (Henderson) begins her search, the film takes on the form of a thriller and this story unfolds in a measured way that becomes totally mesmerising. The escalating tension is well judged, never letting the audience get ahead of the plot. What is pleasantly surprising are the strong performances that director Juliet McKoen gets from all her actors in her debut film. As expected, Henderson is superb, but I would also single out Richard Armitage as the Port Authority boss who helps Kath with her investigations into CCTV footage of her sister and who gives a performance of some subtlety. The treatment of Kath's encounters with the counsellor, movingly played by Roshan Seth, also treads a fine line emotionally.The sense of place in this film is palpable and is one of director McKoen's real achievements. You feel she knows the territory. The film is set in the port of Fleetwood which makes the film visually very distinctive. There are also strong scenes on Morecambe Bay producing some beautiful images of desolation that are quite haunting. The scenes of Kath and her fellow workers at the fish factory are well handled, though I would have liked to see some of these actors given more to do. It is a tribute to McKoen's casting efforts that many of these smaller parts are played by actors who have a track record in British TV drama. But it is Henderson, with an impeccable Lancashire accent, who carries the full weight of this film as she appears in virtually every scene. With some powerful close-ups of her expressive face, we really get inside this character's mind. There is a seriousness about this film which is to be applauded in an era when I, for one, find many filmgoing experiences instantly forgettable. There is plenty to think about here and this is one that stays with you

I recently saw 'Frozen' at the 2005 RiverRun International Film Festival, and I must say I enjoyed it. However, I don't think it's a film you'll watch over and over again... explanation: The basic synopsis of 'Frozen' is a girl, Kath, is curious about what happened to her sister, Annie. Is she alive? Dead? Living a new life? When Kath finds some evidence showing Annie the day she went missing, she becomes almost obsessed with finding her. It's not the most original plot you've ever heard of, but it is pulled off very well for what it is.Along Kath's "journey," you'll meet a few central characters, though after all is said and done, I find some of the characters --or more importantly, the one emphasized most (a therapist/priest character)-- has little to no real relation or development to the plot and could've been done without or built upon in many areas. Though the acting is convincing throughout, it's because of this that some of the exchanges can feel as if they're unnatural or dragging (even at a 90min. runtime.) What the previously mentioned slacks on, 'Frozen' more than makes up for with visuals and sound. The film uses lots of blues and dark greens, which give it a very cold feeling. This pulls you in to relate to the character, who describes herself multiple times as feeling "frozen." The camera work itself is good as well, with some very good shots scattered about. The sound is equally cold as the visuals. There's not much use of music here, which further helps with the feeling of isolation.Overall, the movie is nothing amazing, but even considering the flaws, 'Frozen' is a very good and interesting watch in the thriller category (especially considering what's been passing as "thrillers" lately.)