Sadly Over-hyped

Absolutely Fantastic

This movie was so-so. It had it's moments, but wasn't the greatest.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

There are a lot of white blues musicians heavily influenced by black blues legends and yet ironically display racists views. Cough, Eric Clapton for example although he claims he was drunk at the time.In the same vein, Wigan is one of the most racists town in Britain. I went there once with an Asian friend and it was eye popping the blatant racism on display and the people of Wigan seemed to be rather proud of this. Then again what do you expect when the town's rugby supporters would throw bananas on the pitch for one of their own highly paid black rugby players.This kind of prejudice is always conveniently overlooked when programme makers examine the history of the Wigan Casino. Still the Wigan Casino has attained legendary status as the dance mecca for 1960s American soul music, daring dance moves and later on giving a new lease of life to the soul legends of yesteryear.SoulBoy gives a slice of life in the 1970s when a young lad, Joe (Martin Compston) from Stoke discovers the joys of Soul music, dancing, Wigan Casino, getting girls and popping pills. He falls for a blonde but its a brunette who is his true soul mate. Along the way he crosses swords with a nasty ace dancer who is the boyfriend of the blonde one and Joe's fellow work mate has a thing for the wife from the local chip shop whose husband is the jealous and violent type.There are several cast members who have ended up later in the BBC TV series Line of Duty, so you have here a few familiar faces if you watch Line of Duty.SoulBoy is a low budget movie, filmed in Stoke. It has a slight storyline but there is a lot of heart in the acting. It does try to be a Staffordshire version of Saturday Night Fever although the final dance off does look a little weak.The film did miss a nice humorous twist where it should have had a present day scene when all the now aged dancers from the Wigan Casino days are lining up at the local hospitals waiting for their hip and knee replacement surgery!

Once again we are presented with many different versions of the helpless, bumbling, western male until the lead male 'does a little dance' in order to impress a member of the opposite sex in the hope of some kind of redemption and therefore place in society and reason to exist. The film struggles to find a consistent tone, verging from someone getting a horrible beating in the toilets of the casino to the male lead's inane grinning throughout the film. Further variations in tone range from someone receiving oral sex in a car to real life memories of the northern soul scene shown over the credits. The music takes a back seat to clique-ridden window dressing.

Soulboy is directed by Shimmy Marcus and written by Jeff Williams. It stars Martin Compston, Felicity Jones, Alfie Allen, Nichola Burley, Pat Shortt and Craig Parkinson. Music is by Len Arran and photography by Vladimir Trivic.1974, Stoke-On-Trent, and Joe McCain (Compston) is tiring of his humdrum, repetitive life. Then one day, prompted by his work colleague Brendan (Shortt), Joe finds the gumption to seek a date with pretty hairdresser Jane Rogers (Burley). She opens up a new world to him, a burgeoning music scene in the North of England known as Northern Soul, the epicentre of which is the Casino Club in Wigan. But as Joe begins to find his identity in a blast of all night dancing and friendship, drugs, violence and matters of the heart begin to hover over him like dark clouds waiting to unload.Be Young, Be Foolish, Be Happy.It's best just to say it straight off, this is hardly a film to do Northern Soul justice. The movement itself is forming the backdrop to a very basic, run-of-the-mill, coming of age romantic tale. Which is sad, that the plot is so weak and poorly written, because the music, dancing and period awareness is joyous. But at least its heart is in the right place, as it's always charming and quite often funny before things get serious in the final third; even if a dance off sequence in said final third is unintentionally daft. From the 70s vibe of Stoke-On-Trent, with the terrace houses and the potteries buildings, to the recreation of Wigan's famous Casino Club (it sadly burnt down in 1981), Marcus and his team really have an eye for period milieu (impressive given Marcus is a born and bred Dubliner). Shaggy hair cuts, platform shoes, tank-tops and Brut 33 aftershave, all keep us firmly in the time of setting, while vintage vehicles, although in short supply because of the small budget, also give the film that vital 70s edge.Tainted Love.Performances are mixed, but lead lad Compston (Red Road) does a grand job of conveying a 17 year old guy in limbo. With a killer smile and a good helping of dexterity for the dance sequences, he's engaging and provides a characterisation that's easy to get on side with and follow through to the end. Burley (Donkey Punch) is under written in what is meant to be one of the main parts, but this does allow the lovely Felicity Jones (Cemetery Junction) to shine through and bounce of off Compston's energy to great effect. Parkinson (Control) is badly miscast as dance floor bully Alan, while a fledgling romance between Jo Hartley (This is England) and Pat Shortt (Garage) doesn't offer much to the plot, which is a shame since both are more than capable actors. Vladimir Trivic's photography leans more to grime than glitz, which actually serves the film well, sort of paying homage to the working class roots of the main players. The sound track, picked by the likes of Paul Weller, is excellent.It's not all it can be, mainly because plotting and writing is too weak. But it has great moments of levity and vitality (watching those kids dance is a real treat), to ensure it's enjoyable and never dull. 7/10

I was really excited about this film being released, based round the northern soul scene, the recreation of the Wigan Casino and all that, so was very pleased to see it was showing in Portsmouth to coincide with my visit.I left feeling disappointed. It is basically a boy meets girl out of reach, boy chases girl out of reach etc. He tries to impress her and win her by getting involved and interested in the club she travels from Stoke to, The Wigan Casino.The cast do well with a script that follows the well worn scenarios we've seen before in other films and the nostalgia is great. Seeing the sign of the Casino Club as they got off the coach genuinely put the hairs on the back of my neck up and some of the indoor dance scenes were OK too, even if they relied too heavily on the old documentary shots from the seventies to fill. I thought they had brought in loads of dancers from the current scene to film? Surely they could have used more of these? The music choice was great and there were some genuinely funny moments, but overall I felt it was more a film that started as a storyline and they needed a cult scene to base it round to fill seats because without it there wouldn't be much of a film and chose northern soul. That is probably not right but I just felt that.I also spent the film wondering why everyone was so bowled over by this blonde girl he was besotted with when the brunette that fancied him was far better looking.Not a great film but an enjoyable one if only for the nostalgia, just don't watch it expecting it to be about the northern soul scene as such, two quick examples to that, the dance off at the end was embarrassing and not something you'd have seen at Wigan, same with someone spinning on their back, but it is a harmless ninety minutes if you want an easy film to watch.