Too much of everything

Perfect cast and a good story

Excellent, Without a doubt!!

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

I had never heard of this movie. It was only perchance that I saw it in Lucas Black's role credits. I watched it all the way through and found it was a charming, very funny but not in a harmful way, foot tapping film. It was not going to win Oscars but anyone can watch this and end up smiling all the way through. Sometimes it doesn't matter whether you take films seriously as long as you enjoy the 90 minutes without looking at a clock. This film will cheer you up and make you take life not too seriously which is sometimes what people need in this day and age. I like Oscar winning films or serious films as much as the next person but people are so desensitised to emotions that they forget that life is too short and you should relax & enjoy yourself along the way. Smile, it won't hurt you!

I went and saw the Movie Killer Diller in Columbia, Missouri and thought that it was an excellent movie. I was really excited to see it because I attend the school that the movie was filmed on. Watching the movie was really awesome because I saw several people that I knew or had classes with. Anywho this is a really awesome movie. I love the music!!! Several scenes take place behind Linn Memorial church which is located on our campus. The concert at the very end was filmed inside our field house. In one part of the film it looks like there is a building being worked on in the background. that is where one of the towns pizza shops was but the summer before it burned down and they are rebuilding. I also recognized some of the actors which made viewing the movie cool. One of the actors I don't know his name. I'm pretty sure that he was on the t.v. show Sister, Sister on the Disney Channel.

First and foremost this film is about the blues and the story of a juveniledelinquent stuck in a baptist halfway-house who must play in a sappy christian band with fellow halfway-house delinquents when they really just want to play the blues. In this respect, the film was interesting and relatively well made. The story arc was laid out plain and predictable, but still enjoyable enough.My criticism of the film comes when the film's autistic character Verne enters the story as a piano prodigy with an affinity for driving an invisible fantasy car. To me, this portrayal of autism is marred by typical on-screen half-truths that breed ignorance in understanding this unfortunate disorder. I will state plainly,however, that I am certainly not an expert in defining autism, nor do I know any autistic people. However, it is clear to see that Killer Diller was not accurate. They started with trueish conceptions of autism: that those who have it havecommunication disorders, preoccupation with fantasy, repetitive acts andattachment to objects.However, Verne, the autistic character in this film, was more less portrayed as a late-teens autistic child who has apparently never received significant treatment for his condition and thus he is basically just a socially awkward kid who drives an invisible car, shakes all the time, has to pee all the time, and goes beserker when anyone questions his "rocking." But in the end, with just a little bit of socializing and positive feedback about his piano skills, Verne is another autism success story, able to at once overcome what would have been severe speechimpediments, years of social disfunction and other problems all withouttreatment, therapy or any real help.The problem with this is that it looks like the film makers just watched Rainman and watered down the formula. All autistic children, of course, will overcome their most severe problems sometime in adulthood through random coincidenceand socialization. Afterall, their speech impediments are never really all that limiting, really just idiosyncrasies to be overcome with a few laughs. But this is resonable since all autistic people are really just idiot savants in hiding.Rainman is a counting genius and Verne from Killer Diller is a piano prodigy.This, to me, is dangerous, the concept of always simplifying disorders into cute, manageable characters who can overcome their "hang-ups" in 90 mins or twohours. I'm not saying either cases are inconceivable, but the sad truth is that the communication problems caused by autism are typically overcome afterconsiderable work with a doctor, etc. from EARLY childhood. Verne, especially, is a case that in which the character is supposedly not treated or not thoroughly treated at all and can suddenly overcome speech impediment once he acceptshis surrounding social situation. He really has no vocabulary or pronounciation problems, just a little stumbles here and there, a few quirky repeats, a few off- kilter statements, a few simplistic, childish speeches. I think that if Verne was real, he would unfortunately never be able to carry on a conversation withtypical language. His chances of being a piano prodigy wouldn't be tooexcellent....okay, you get the idea.One last criticism: the acting of Verne in this film was not very strong. I realize this was a low budget feature with no real "name" actors attached, etc. However, Dustin Hoffman is an accomplished actor who takes his character studies to the limit. His taste for reseach and observation/immitation almost always bringsbelievability-- at least a considerable degree--to his roles, Rainman being no exception. In this case, the actor to play Verne seemingly went to little more trouble then to take cues from the director just before the take. "Ok, actors ready. Verne, umm...., rock back and forth....and act like you need to go to thebathroom. Okay? Okay. Roll Sound. Roll Camera."And so on... anyway, I honestly don't know how much research went into therole of Verne, and it very well may have been treated with care. But I honestly didn't get that impression. Verne's place in the film ranged from comic relief to agency for change for the main character to superficial change into a sociable, well-adjusted guy. I just didn't think he was treated with respect. The onlymention/serious handling of his condition was with a doctor of sorts who spoke on his autism only in passing. If you wanted to leave this film as is, why not just cut that scene and claim that Verne is just a kooky, weird guy instead of acharacter with autism, a guy who would have been dealing with a seriouscondition all of his life and probably wouldn't have come out so socially apt.

I almost didn't see the movie because of the title, then I read the description in the SXSW directory, and I'm glad I did; it's up there amongst my favorite films from the 2004 selections.A real killer diller, can really play, according to Vernon (Lucas Black), an austic savant at piano, who crosses paths with Wesley (William Lee Scott), a car thief sent in a halfway house. Wesley has a way of getting into trouble, but this time, manages to get something right, by striking up a friendship with Vernon, and turning the halfway house gospel group into a rockin band. The music is real killer diller, the acting engaging, and the crisis is plotted out very realistically. Scott and Black both do outstanding jobs in their roles, and they have chemistry as unlikely friends; you believe the bond. W. Earl Brown is equally believable as the gruff, loving father who does what he can to love and protect his son. Fred Willard, as the director of the halfway house, provides comic relief by believing in his mission to help the kids and in joyfully spiting his brother, who doesn't think a bunch of criminals belong in their community. The music is outstanding; director Tricia Brock got the blues, by bringing in real bluesmen like Keb Mo' and Tree Adams to work the soundtrack and to work with the Killer Diller Blues Band. And actress Niki Crawford does her own singing (and the SXSW audience heard live proof of it). I hope there is a soundtrack released; the music is hot, rocking blues. See this movie!