Pretty Good

Although it has its amusing moments, in eneral the plot does not convince.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

Worth seeing just to witness how winsome it is.

Sunday IN THE PARK WITH GEORGE was the first, if memory serves, Broadway musical based on a painting. This sensitive and moving look at the artist Georges Suerat, through his most famous work, "A Sunday Afternoon on the Island of Le Grand Jatte", was unlike anything Broadway had seen up to this point. Suerat serves as sort of a narrator and Greek chorus, as well as the main character, as James Lapine's smart book takes what little was known of the artist's life and fleshes out characters from the people in the painting. Broadway's most gifted composer, Stephen Sondheim, crafted a lilting and beautiful score filled with clever lyrics and lush melodies. Sondheim is the best lyricist in the theater because he writes as people talk, not as they sing. The first act follows the relationship between Suerat, electrically portrayed by Mandy Patinkin and his model/mistress Dot, the luminous Bernadette Peters, as their on again off again relationship is constantly challenged by his obsession with his work. The second act features Patinkin as Suerat's grandson and Peters as his grandmother as we see the modern sculptor struggling with a heredity he continues to deny until a fateful trip to the island where the original painting had been done. Director Terry Hughes has lovingly captured this intimate story on video and given us close-ups and sweeping camera shots that were not possible to experience seeing the show onstage, making the show even more personal and involving. Mandy Patinkin commands the stage as George with a stylish stage presence and magnificent singing voice that fills the theater as well as the television screen and is matched note for note by Peters, who makes Dot a tragic and fragile heroine and brings a lovely touch of humanity to the ditzy grandmother, Marie. It should be noted that at the time this was filmed, Ms. Peters was vocally and physically exhausted. She had already left this show and was in rehearsals for the show that would finally win her a Tony Award, SONG & DANCE. Some vocal strain can be noted with Peters, particularly in one unmerciful close-up where her voice just gives out on her, but Peters is a pro and delivers a performance of opening night quality. Though not for all tastes, Sunday IN THE PARK WITH GEORGE is a lush and lovely musical theater experience that all those with a passion for the genre should experience.

Yep, this is just absolutely brilliant. The new DVD has great quality as well, that's the way to see this if you missed it on stage. There's a reason this musical got the Pulitzer Prize, and it's evident in this astonishing film of the play. Patinkin and Peters are perfectly cast and do brilliant work. I can't speak highly enough of this- go and rent it, you'll see. True, it's a bit thick in the beginning, but it's worth the ride.

Working in a music library, I first encountered Stephen Sondheim's work in 1995 - and hated it!I was shown this movie and changed my mind completely. As a piece of theatre it is superb and as a 'movie musical' - well there has been a lot worse. The music tells the story. If you've ever encountered Sondheim and hated him, please, please, please take a look at this show. If you can, check out 'Into the Woods' and 'Sweeney Todd'. The man's a genius. And so are Prince and Lapine. Performances by Mandy Patinkin and Bernadette Peters are brilliant and very real. You can feel their emotions; worry, obsession, regret. Even if you don't usually watch musicals, give this one a go. You won't regret it.P.S. Star Trek : Next Generation Fans - check out Brent Spiner in a very non-Data role. I nearly didn't recognise him, and it proves he can sing.

This is a masterpiece. Sondhiem and Patinkin: American theatre's greatest talents in their fields, join forces in a show of tremendous complexity and humanity. For the uninitiated this can be a hard one to warm up to; but stick with it. It's a play about how disjointed pieces of life and art, some of which are individually unappealing, can come together with such beauty, if the eye arranges them in a certain way. Patinkin is, as usual, amazing, Peters is heartbreaking, and Sondheim's score and lyrics take musical theatre to a new level. "Finishing the Hat" is the best marriage of song and singer in the history of the stage. What a wonderful meditation on art and life!