This is How Movies Should Be Made

Lack of good storyline.

Disturbing yet enthralling

The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

This documentary is more thrilling and touching than any movie I've seen in 2017. It's the story of a charismatic, courageous man who decided to take on the mighty and the powerful with humor.If you've ever heard and believed the expression "the pen is mightier than the sword", you'll find it is even more true when you understand the literal (original) meaning of pen is feather. For the sword-bearers in this film seem to be even more afraid of a tickling feather than they are of the written word.Humor and laughter are the most disarming weapons against dictators, but sadly, the times where at least the fool was allowed to speak the truth to the king seem to be long gone.This film tells one of the most captivating stories I've come across in a long time, and I highly recommend it to any film fan, but in particular to fans of political satire and intelligent comedy. 9 stars out of 10.Favorite films: IMDb.com/list/mkjOKvqlSBs/Lesser-Known Masterpieces: imdb.com/list/ls070242495/Favorite Low-Budget and B-Movies: imdb.com/list/ls054808375/Favorite TV-Shows reviewed: imdb.com/list/ls075552387/

A film by the sarcasm Bassem Youssef presents the stage of the development of the satirical program that he presented in Egypt from the beginning of his activity until he stopped working. Youssef is considered one of the most famous personalities in Egypt. He always speaks in the language of the people and says what people can not express .. We hope the programe come back

I liked That Movie , It Make Me remember That Beautiful Days Watching You , You Make Me Hope To Be As You ! Bassem You Are The Best If You Can Return Return Man All Of Us Recognized That We Was Wrong We wasn't Rolled By A President We Were Roling By Bala7a ! Bassem I Say It Again Man , Reeeeturn <<<<3333

Saw this at the Leiden International Film Festival 2016 (LIFF, website: leidenfilmfestival.nl/en), where it was part of a program Humor in Islamic Countries, in addition to The Lizard (Kamal Tabrizi, 2004) shown earlier that day. Luckily, there was an introductory speech that explained some aspects we would easily have overlooked otherwise, some of the advantages of a festival above a "normal" screening in a cinema around the corner. A few weeks earlier, before and after the screening of Clash (original title: Eshtebak) at the Film Fest Ghent 2016, we learned from director Mohamed Diab that humor is a normal vehicle for Egyptians to escape from bitter circumstances, even at funerals or other sad moments. Knowing that, both Clash and Tickling Giants leave us with the impression that satire is Egyptian history for now. Humor may still serve its purpose in-house, but it cannot be used anymore against authorities or governmental institutions.Back to Tickling Giants: Spanning several years, it gave a good impression how the political climate in Egypt changed, and how little elbowing room there was eventually left for satire or critical remarks against authority. Opponents of Youssef's talk show argued that it was a feeble time for upcoming democracy in Egypt, that trust in authority was better not disturbed. In other words, later there will come more room for free speech. We cannot have it now, certainly not at this very moment with a fresh democracy under construction.The TV network broke under the pressure and even sued the presenter (cannot imagine why, but they said he broke his contract), though the president stated on TV that this premature ending was not his doing. Who are we to believe?? This is certainly the morale of this movie, even if we refuse to see conspiracies all around. We know of countries where you can be locked away nowadays as a journalist because of doing what you are paid to do. It is something we previously thought was typical for underdeveloped third-world countries. That is not true anymore.