Better than most people think

Close shines in drama with strong language, adult themes.

The film never slows down or bores, plunging from one harrowing sequence to the next.

Close shines in drama with strong language, adult themes.

A former cop named... no, not Joe Smith or Jim Jones, but... Tiger Sharp (Michael Sopkiw), retires to the country side. He meets some local rednecks led by Tom (George Eastman) and doesn't like the way they are hunting animals, just to sell some parts to China for medicine production. When they kill his pet, he beats them up, and that's just the beginning of their troubles. Tiger Sharp is joined by Connie (Valentina Forte), a daughter he hasn't seen or cared about for many years, but when the rednecks kill her, Tiger Sharp gets out a very big gun with a great selection of powerful ammo to blast all the bad guys to kingdom come, one man against a whole army...The sources of inspiration are obvious, "First Blood" meets "Deliverance" - "Blastfighter" was even shot at some of the same locations. But it's all created with good craftsmanship for the fans who like the genre. Sopkiw, who starred only in 4 pictures before he retired from the movies, is a cool action hero here. Flawless (violent) entertainment provided by director Lamberto Bava.

How many movies were inspired by the horror classic "the most dangerous game" ?Even such recent works as Gibson's "Apocalypto" were . This one is not worse than the others ,and if the two leads had shown more emotion ,had they "played" ,it could have been even endearing.As an action movie ,it's moderately entertaining ,with a hackneyed screenplay -just one thing "happens" which would not generally happen in this kind of superman flick-And it's after "it " happens that the movie has nothing more in store for the viewer.Well filmed in nice landscapes which recall " Deliverance" another movie "blastfighter" borrows from.And the same horrible cliché that claims that country people are savage uneducated brutes.

Italian Cinema from the 1970s onwards is littered with examples of rip-offs of big-budget Hollywood productions, from THE GODFATHER (1972) to THE EXORCIST (1973) and from JAWS (1975) to DAWN OF THE DEAD (1978); this one here is, believe it or not, a lamentable attempt at a FIRST BLOOD (1982) clone! To start things off, leading man Michael Sopkiw hardly has the adequate physique to survive some of the harder ordeals he goes through in this film and his character is made even less interesting than Stallone's John Rambo by having him a disgraced police officer with a teenage daughter who eventually tags on for the wild ride with her fiancée' and her father's pal!! What is this - shades of DELIVERANCE (1972), now? Incidentally, the backward kid in that film's celebrated "Duellin' Banjos" sequence also makes a cameo appearance here very early in the film (as does the camera equipment, twice, in a poorly-executed car chase towards the end)! Anyway, predictably, Sopkiw is left all alone before long and he exacts a terrible revenge on his increasing horde of trigger-happy pursuers via his ultra-sophisticated multipurpose rifle which, unfortunately for the viewer, he only decides to use ten minutes before the end credits!! Euro-Cult staple George Eastman plays Sopkiw's old hunting buddy whose younger brother (along with his beer-guzzling cronies) is causing all the mayhem. What this film does have that makes it stand out ever so slightly is its unusual (for its time) pro-ecological stance since the trouble literally starts over the merciless mistreatment and exploitation of deers and the wildlife in general by the greedy, ignorant rednecks.

Scenic locations and great action really make this italian entry into the Hicksploitation genre stand out. It's somewhat reminscent of Rambo: First Blood, but I actually like it better than that movie. Micheal Sopkiw really shows his talent as a versitile action star here. See it along with After the fall of New York and Massacre in Dinosaur Valley to really get a sense of Sopkiw's talents.