The Dark Past
A gang hold a family hostage in their own home. The leader of the escaped cons is bothered by a recurring dream that the doctor of the house may be able to analyze.
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- Cast:
- William Holden , Nina Foch , Lee J. Cobb , Adele Jergens , Stephen Dunne , Lois Maxwell , Berry Kroeger
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Reviews
Very very predictable, including the post credit scene !!!
Sadly Over-hyped
Just what I expected
Although it has its amusing moments, in eneral the plot does not convince.
This little film is word-for-word, almost shot-for-shot the same as the earlier "Blind Alley" and, I'm sure, the play that film was based on. The few differences all work in this later film's favor. Lee J. Cobb is better as the psychologist than Ralph Bellamy, and William Holden is more subtle if less comfortable in the tough-guy shoes than Chester Morris. Both films are stagey in the extreme, the interest coming mostly from the two main performers, (particularly Lee J. Cobb, who dominates his scenes,) and the better direction of Rudolf Maté. TNT is showing both films this afternoon, in order of their filming. Both are triumphs of craft over weak material.
"The Dark Past" is a Psych 101 class disguised as a film noir.William Holden plays Al Walker, notorious criminal who has escaped from prison and, along with his girlfriend (Nina Foch) and assorted goons, takes a family hostage in their country home while waiting for his getaway. The family patriarch (Lee J. Cobb), however, happens to be a criminal psychologist, and he begins to deconstruct Holden's psyche, eventually rendering him helpless when the ultimate showdown with the police occurs.This isn't a terribly interesting film, either in style or subject matter. A good portion of the film is spent in Cobb analyzing a recurring nightmare of Holden's, acknowledging it as the key to Holden's anti-social tendencies. But the dream itself is basic Freud, all about anger towards father figures and love for a lost mother. This all might have seemed cutting edge at the time, when psychology as an area of study had become trendy to address in film, but it has a been-there-done-that quality now.Holden isn't very good in his role, overacting to the hilt, and he's not convincing as a bad guy. But it is nice to see both he and Cobb playing against type for a change. Cobb especially is refreshing, for once playing a character quietly and reservedly rather than as a bellowing lout.Director Rudolph Mate and his screenwriter could have done all sorts of things to explore the group dynamics of a situation like this, but they don't. For a much better family-taken-hostage story, watch "Key Largo," released the same year as this film.Grade: B-
As soon as I heard the opening narration, I realized that it was the voice of John Forsythe to which I was listening. After a few minutes,however, I thought that it might, in fact, be Lee J. Cobb doing the voice-over for his own character ... until the scene where Cobb is leaning back on his office chair, "reminiscing" ... and when the voice-over comes in, it's subtly (but clearly) different than Cobb's voice. I don't see Forsythe credited anywhere, yet I know that voice so well from the Charlie's Angels TV show, amongst many other things. I feel confident that it's Forsythe ... or am I having auditory hallucinations? ;) Does anyone have any information on this? I'd love to know if I'm right. Thanks, in advance.
As others have mentioned the new psychology era and traumatic war experiences had been analyzed to death even by 1948. However the performances make this well worth watching this seldom televised film.William Holden is very believable as a tormented gangster. He hijacks a dinner party in the doctor's (Lee J. Cobb) hunting lodge. Basically the theme is routine, we have seen "Suddenly" and other similar films with people held hostage. Lee J. Cobb is again excellent as a psychiatrist probing the past of the criminal (Holden) why, what causes this behavior?.My generation is just re-discovering actors such as Holden. It is unfortunate some cable companies STILL do not broadcast these films (Turner Classics is a must, for me anyway).Nina Foch is also very good as Holden's girlfriend, attempting to help. Her fine performance contrasts with the two women servants tied in the basement,one screaming shrilly and seeming ridiculous.I liked this better than "Spellbound"; this is a bit more pedestrian but true to life. It is easier to believe Lee J. Cobb as a psychiatrist (he was also the redeeming performance in the film "The Three Faces of Eve" also starring Joanne Woodward). Recommended for anyone who likes suspense and psychological drama. 8/10.