When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

If you think the title is strange wait until you actually see the film. First of all, the synopsis for Bad Turn Worse is not entirely accurate. It's not three young adults fleeing small town Texas to find a better life, it's actually just two. One of our main characters, B.J. (Logan Huffman) is losing both his girlfriend, Sue (MacKenzie Davis) and best friend, Bobby (Jeremy Allen White) to college. So, he takes them both out for a wild night of partying and drinking at a local bar and hotel to celebrate. However, in Bad Turn Worse, nothing is really what it seems. ***SPOILER ALERT*** The money B.J. is freely throwing all over the place for his girl and best friend is actually stolen from his boss (or is it?) And Bobby and Sue? Well, there's more to their leaving than just college. What unfolds is a big series of plot twists that could have been pretty good - except the horrible script by Dutch Southern and mediocre to bad acting got in the way. ***END SPOILER*** This is one strange movie, I'll say that again. For one, the plot tends to drag along with all the enthusiasm of a turtle, and a good deal of what happens seems illogical. Why writers make these characters so clueless, especially characters who are supposed to be intelligent, is mind-boggling. It doesn't help that most of the performances were dry - as if the cast conceded early on that this will never be anything more than a B-rated film. I guess some of the blame can be shifted to the directors, Zeke and Simon Hawkins. While they do an excellent job capturing the gritty feel of rural Texas, they don't do so well with directing the cast. Dialogue between characters is also pretty horrible. Often, a character will start rambling on with some parable that takes up entirely too much time; guess the writers intended for these stories to be awe-inspiring but they only leave the viewer confused. Little of these heart-to-heart chats actually tie in well with what's going on in Bad Turn Worse, which actually ends with a references back to one of these little parables/speeches (or whatever the writer wants to call them) that happened early in the film. Let me tell you, it wasn't an effective strategy. Anyway, I give it a 4 out of 10 because I think the plot, though strange, was overall pretty good. With some cleaning up of the script and better directing/acting, Bad Turn Worse could have been a winner. Oh, and maybe had they gave it a better name, too...

Well I don't know whose rating these movies so high but must be someone involved with the production and on IMDb. Pathetic.One of THE worst movies I have seen this year, couldn't wait for it to end.Simple plot - boy steals money, no reason why, spends the money stupidly in some bars (not the real underworld mind you) and nothing amis here just some frat boys handing out in a country bar.Nothing happens in the middle of the movie, it's a love triangle. Anytime its 2 dudes and a girl, love triagle presumed. Well this one doesn't disappoint.Bad dudes are non-existent in thie movie, so is acting generally - mostly just sitting around and boring dialogue.Who rates this piece of crap 6+ Give your head a shake, one of THE worst movies I have ever seen.

*****May Contain Spoilers***** The tale tells of a story that takes place in a small town in Texas where there isn't much to do except to figure out how to leave town or to get into some trouble, and that pretty much describes our three coming-of-age main characters. Sue & Bobby would like nothing better than to leave this town in favor of college, and BJ knows that college just isn't for him and manages instead to get into trouble with some of the wrong people. BJ steals money from a man named Giff and because of this Bobby, Sue, and BJ all end up all on the hook for it. Giff wants them to commit another crime in order to make up for this one, and if they don't come through they will have to answer to Giff's boss who's known simply as 'Big Red'.Well people these first time filmmakers brought to Toronto not only a well-crafted story, but a quality looking film as well. These brothers collaborated extremely well with director of photography Jeff Bierman, and together they expertly capture the look, feel, and texture of small town Texas. In "We Gotta Get Out of this Place" they show you these long, wide, and barren shots of literally nothing to do, and all of this adds to the main characters main problem of seclusion. Even in the film's beginning the absence of a musical score just compounds to the loneliness and solitude of this location. They all must have known exactly what kind of visual tale that they wanted to tell, and that's because the end result is very smooth for the viewer. Other complements go out to these two brothers for their very cool use of transitioning the film from one scene to the next, and they also made use of good lighting, shadows, and silhouettes throughout the movie.This now takes me onto the performances, which by the way are all above average. The three main players are all solid, but I will start with the film's villain and best performance in "We Gotta Get Out of this Place". The film's main antagonist is Giff, and he is brought to vivid life by the very talented Mark Pellegrino. He creates a scary southern low-life creep, but whenever he is on screen you can't help but give him your full attention. He's scary and funny all at the same time, and throughout the feature he has many priceless lines that he delivers with a perfect hint of "Deliverance". On the flip side Jeremy Allen White plays Bobby and is the film's central and lead character. He more than pulls off an innocence and charm that make him very easy to side with. He also gives us a sense of always wanting to do the right thing if the right thing is even a possibility considering their current situation, and put simply you can't help but really like the kid.The other two leads are BJ & Sue played by Logan Huffman & Mackenzie Davis. BJ is above average as the troublemaker of the three, and this young actor brings an edge to this person that makes you never fully like or accept him. He is very credible as an actor and shows a wide array of emotions in the character of BJ. Finally Sue is the girl of the love triangle, and is the driving force of what the other two guys will do going forward. However I can honestly say that she is so much more than a love interest, and provides the film with a sexy and solid passion that proves very effective. She continually strives to better herself and that is the motivation for the film's title "We Gotta Get Out of this Place".Now seeing so many films back-to-back day after day in Toronto…well sometimes you go into the theater not knowing what the movie is even about or who's in it. This fell into that category and was a welcomed and pleasant surprise of a crime thriller, and that genre is not easy to pull off. This film is like "Blood Simple" meets "Last Man Standing" meets "Twilight", and what could've been a real missed opportunity is anything but. With a fraction of a Hollywood budget and almost no known stars the Brothers Hawkins have done a fantastic job taking an already tight script, and turning it into an even tighter film.Okay just a few minor 'Nick-Picking' issues to touch base with. The first is why did they have to give us the standard "Twilight" love triangle because that has been done to death…no pun intended. Next there were more than a few times where convenience seemed to be the driving force of the script, but you'll have that I guess as well. Then there were 2 montages that I felt did nothing but add length to the feature, and at least one of them could've been cut in favor of more screen time for William Devane.At right around 1 hour and 45 minutes "We Gotta Get Out of this Place" was much better than average, and I would love to see this film get some recognition. I absolutely love when filmmakers manage to get a lot out of a little, and that is the definition of what we have here. A solid crime drama with rich and believable characters all wrapped up in a great looking film…well I don't know what else you could ask for? Nick's Reel Screen Review is a very highly recommended 3 ½ stars out of 4, and that's for the crime thriller "We Gotta Get Out of this Place".

I saw this film at the Toronto Film Festival and it was without question, the finest film there. I hope this film gets wide theatrical release! For first time directors the Hawkins Brothers have produced a very tight film that treats the viewer with respect. The cinematography is stunning, particularly given that the film is shot in a rather bleak part of Texas. The film was intense from start to finish. Mark Pellegrino has taken the world of bad guys to a new level. He's a local for sure, but was an original. Quite frankly, all of this cast was top rate. While there are three relatively new actors involved, I expect that we shall be seeing them all down the road - and I would certainly include the directors in this statement, as well. If you get the chance, see this gem.