The Gal Who Took the West

NR 6.2
1949 1 hr 24 min Western

In order to gain passage to the West, a woman poses as an opera singer, and causes a feud between two cousins.

  • Cast:
    Yvonne De Carlo , Charles Coburn , Scott Brady , John Russell , Myrna Dell , James Millican , Clem Bevans

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Reviews

Rijndri
1949/09/01

Load of rubbish!!

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Moustroll
1949/09/02

Good movie but grossly overrated

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MoPoshy
1949/09/03

Absolutely brilliant

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Zandra
1949/09/04

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

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Alex da Silva
1949/09/05

Yvonne De Carlo (Lillian) rides into town and becomes the focus of attention for two cousins - Scott Brady (Lee) and John Russell (Grant) - who really don't like each other. They are both super powerful and run half of Arizona each. They are just waiting for old-timer Charles Coburn (General O'Hara) to pop his clogs and then they can battle it out to take complete control of the state.The story is told in flashback as three old-timers relate their viewpoint of how De Carlo interacted with the two cousins and we learn what happened in the gaps between the stories. The film is basically about the rivalry between the two cousins with the added interest of who De Carlo will ultimately choose to procreate with. That's what we watch for - who will she choose?The cast are pretty unpleasant - including De Carlo - apart from Coburn who is the funniest as is to be expected. He shines whilst the others don't in this completely unrealistic story. Throw in some terrible songs as well. Not a particularly good film.

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mark.waltz
1949/09/06

...And who better to do it than slow eyed vamp Yvonne de Carlo, then exotic, exciting and new. She's the lily of the valley of the old west in this fun colorful western, a subject of confusion who three old codgers who can't agree on how their territory was settled. Regardless of what the truth is, one thing is clear. De Carlo doesn't have to go out and demand equal treatment in this man's world; she gets it simply by being smart, independent and determined...and a little bit of femininity didn't hurt either!Scott Brady and John Russell are the feuding cousins who vie for de Carlo's hand, adding to their already existing animosity. Trying to end this is their feisty big daddy like grandfather Charles Coburn, not because he wants to see them get together, but simply because unlike other generations of the family, in his mind, they don't have a genuine motive! Old codger Coburn is so sly and scheming himself, it's surprising that he doesn't make a play for Yvonne himself! As usual, Coburn is a masterful scene stealer.Getting to sing an Irish ditty, de Carlo sounds just like she would 22 years later when she introduced the Broadway standard "I'm Still Here!" in "Follies". Like that song, de Carlo often comes off as a bit camp, even breaking into a lively version of "Frankie and Johnny". Like her "McClintock" rival Maureen O'Hara, she's made for Technicolor, and every inch a man's equal. In fact, in westerns, she's just like what Barbara Stanwyck described women to be: just as important as the men out there settling the land. Colorful, funny and yet historically believable, this is a unique western in the sense that this could simply be set anywhere in the unsettled United States: north, south, east or west.

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gridoon2018
1949/09/07

A clever framing device (flashbacks telling the story from the perspectives of three different characters, who however do not contradict but complete each other - each account gives one more piece of the puzzle) leads to some unusual moments: did you expect to see a helicopter in an Yvonne De Carlo Western?! And Yvonne herself has a role that suits her just fine, as it taps into her comedic side, and gives her two fun songs (in which she parodies "operatic" singing). The problem is with the story itself: it's really quite tiresome and repetitive (we get it, the two cousins don't like each other; now what?). And after a point you realize that this is a clear-cut comedy, and nobody is going to get (seriously) hurt anyway. ** out of 4.

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ronnmullen
1949/09/08

The fun of this film is telling the story from three different viewpoints -- each version diametrically opposed to the others -- what is the truth? probably a mixture of all of them -- it's a fun film with DeCarlo in fine form and the feuding brothers fighting it out for her affections is half the fun.

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