hyped garbage

Tells a fascinating and unsettling true story, and does so well, without pretending to have all the answers.

The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

Blistering performances.

Poor Koko. Her pigheaded trainer, Penny Patterson, has not only demanded that Koko communicate using only human sign language (instead of ape grunts), but she has also reduced Koko's gorilla-integrity even more by having her tart herself up with make-up and, with feather duster in hand, go around dusting and tidying up her living space. Talk about total humiliation for poor Koko.And, when it all came down to this annoying, incessant needling (5 years of it) from Patterson for Koko to "sign! sign! sign!" - I ask you - What good did it all do for the benefit of Koko, as a wild animal, who belongs in the jungle, hanging out with her own kind - Instead of "signing" and playing with dolls.You know, this 1978 documentary actually riled me a lot more than I initially thought that it would - 'Cause what I saw the self-righteous Penny Patterson doing (all in the name of scientific research) was completely destroying the gorilla in Koko.What this documentary really needed was for someone to come forward and intelligently argue to the contrary of what Patterson was doing with this ape's head.Yes. There was a bit of argument to this effect, but from my perspective, it just wasn't anywhere near enough to satisfy this decidedly irked off viewer.

Meet Koko, all-American girl-rilla.... The reason why I refer to Koko as I do has to do with Koko's trainer, Penny Patterson's justification for why (as a scientific researcher) she is teaching this gorilla to communicate as a human being by using sign language.Believe me, what Patterson says in her rationale is totally laughable (and embarrassing), especially since she says it with such straight-faced sincerity.Anyway - For the most part, this 1978 documentary was an fairly interesting view, which certainly had its equal share of good points, as well as its not-so-good points.But, from where I am sitting - I'm dead-set against this whole idea of trying to make another animal view the world from a strictly human perspective. What I saw Penny doing was destroying the gorilla in Koko and, with that, turning her into just another spoilt, pampered, American, brat.I really felt sorry for Koko having to endure Penny in her face all the time, demanding that she "talk" (sign) and, otherwise, behave like a human instead of a gorilla.Yes. The viewer does hear both sides of this whole argument, regarding Koko's language learning, etc. - But, if you ask me - Way too much bias was shown towards Penny's side, as though what she was doing with Koko was the "right" thing.Anyway - See for yourself. And then, you can be your own judge on the matter.

It's extraordinary that a thought-provoking film like this can vanish so completely from public view that it prompts only three reviews on IMDb. Schroeder, a French film-maker, heard about the controversy over a "talking" gorilla that had become pawn in a struggle between academia and the comparatively stupid zoological garden industry. He hurried to San Francisco and managed to get interesting film of Dr Jenny Patterson turning her adopted pet into a performing dog-ape. Thirty years later, she is still at it with Koko, and no one could call her a quitter. Meanwhile, Koko remains obstinately at a mental age of about three, just a little bit better than the age-two of the typical hound. Nevertheless, the film is a tantalising glimpse of the past of our own species, and the film initiates an ongoing discussion about the 'human' rights of animals, one that becomes increasingly urgent as the great apes, big cats, etc., approach complete extermination by mankind.

Undeniably entertaining! Only a director with Barbet Schroeder's gumption could find a topic as otherworldly as a sign language speaking gorilla and make it this enthralling, even a little suspenseful. What begins as a rather benign PBS-ish documentary on KOKO's unusual gifts soon becomes a game of he said, she said as young doctor Penny Patterson attempts to protect KOKO from zookeepers who want to exploit him by having him on display...but isn't SHE doing the same thing by wanting to domesticate him to the point of becoming an especially well trained sideshow act? You decide. Schroeder makes nobody the bad guy, letting Penny and the rest of the talking heads explain themselves while revealing themselves, on occasion, to be real nitwits.A very good and very enlightening documentary on a very unusual subject.