Really Surprised!

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

A camp melodrama/comedy about Sexilia (a nymphomaniac), Sadec (a gay Islamic terrorist), Riza Niro (the son of the emperor of Tiran), and Queti (the daughter of a dry-cleaner). When Riza Niro discovers that Sadec and his colleagues are after him, he disguises himself as a punk rocker, and falls in love with the stunning Sexilia, his first straight relationship.This film is rarely seen in American because, so far as I know, it has never been released on DVD here. That is somewhat surprising given the major name Almodovar has become. And to have Antonio Banderas as a gay terrorist is something that is so out of character with how we might think of him today (2017).By American standards, the film may be considered soft-core pornography. There is a fair amount of nudity, with men and women... and men on men. No doubt this was risqué in its day, and some might still consider it so. Whether Americans are prudes or Europeans are perverts, I do not know.

Reviewing a film is also reviewing the period that a movie was made. And besides that it also said something about the reviewer himself. Laberinto de Pasiones was made in 1982. All kind of taboos were already broken in the late sixties and seventies by directors like Pasolini, Verhoeven en Peckinpah to name just a few. In Spain the situation was different. Until 1975 the country was a dictatorship under General Franco, a strict Roman Catholic. Censorship was common and Spain missed the cultural changes the rest of Western Europe made completely. So when Spain turned into a democracy after the death of Franco the new freedom people enjoyed led to a period in culture where all boundaries were explored. In Laberinto de Pasiones a lot of things are shown which wouldn't be possible under the regime of Franco. Homosexuality, nymphomania and incest are just a few of the practices shown in this film.Of course I was aware of the films by Aldomovar, I have seen Todo Sobre Mi Madre and Hable Con Ella which are excellent movies made by a mature director who understands human nature and is possible to combine drama with humor. I have also seen Atame! which shows the exploration of the sexual behavior of humans more than his later works. But I wasn't really prepared for the overflow of sexual perversions which is Laberinto. Aldomovar provokes here and he is exaggerating. Victims are the plot and the acting. As a viewer you're completely lost in about thirty story lines about people whose only purpose in life seems to be to fulfill their sexual obsessions. The mood of the film has most in common with the kind of movies that are not shown on IMDb, seventies porn flicks and that is not a compliment to this film. It all looks very amateurish to me. On the contrary the movie is not without humor. The scene in the music venue were Aldomovar himself sings a song in drag is really hilarious and probably the highpoint of the film. And it is special to see a young Antonio Banderas as a gay special agent, a role he wouldn't consider these days.So Laberinto de Pasiones is probably an important film to free Spain from some boundaries in their cultural mindset but that doesn't make it a good film. Mediocre acting, a ramshackle plot and the mood of a porn movie prevents this from being an early hint of greatness of this director.

In his two first movies (and I would count the third one too -Entre Tinieblas-) Almodóvar was more a kind of outsider, someone who needed to express himself freely in a country that had suffered a Dictatorship for almost 40 years. Neither "Pepi, Luci..." nor "Laberinto de pasiones" tell any story in particular, at least none that's interesting. They're rather a collection of gags and sketches that are meant to scandalize and to drive up the wall all that right-winged people. Almodovar uses topics such as incest, gay power, Islamic terrorism, drugs abuse... 100% punk attitude, basically. And though Spain is much more liberal nowadays some of the passages of Almodovar's first movies couldn't be accepted by the society. How come? Well, because of the "political correction" stuff (isn't it some kind of censorship too?? I mean, self-censorship).Anyway, this movies have to be understood in the right context (just like John Water's first films). If you don't take that into account you'd better go and watch any other thing.5.5/10

Very typical Almodóvar of the time and, in its own way, no less funny than many of his later works. And why is that? There is nothing to be provoked or shocked about, and I guess any such effect is more coincidental than intentional. No, the great humor stems from an underlying, almost surreal, absurdity that is woven into the scenery: The characters' nearly complete lack of taboo. It's the same kind of 'comic suspense' you find in his later works, though you'll find it in a more rough version here. He's building up for masterpieces to come, but is not yet there.The sole reviewer who commented on this movie before I did, claimed that it had to be a "very select" group of people who'd find this movie hilarious. I do.