Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

I have no gripe about this movie. The plot is an adaptation of what The Great Gatsby, which I love.Anyone who says that the beginning gives away the end, probably has attention deficiency disorder and didn't pay attention to the actual story. There were many instances in which you suspect the movie would end with the opening scene, but it just didn't.And I don't agree with anyone saying that the characters are "stereotyped." There are many types of blacks portrayed in this movie, from the "straight from the ghetto and 'real' about it" to the reserved, cool "gangsters" to the type that wants to conform to "higher" society. The rowdiness and uncouthness of the people in Summer G's party are necessary in keeping the feeling of the book The Great Gatsby, where the newly-rich in Gatsby's party are unaware of the etiquette of blue-blood society.And to those who said "there is no hip hop," I believe that I did hear some rap/hiphop played several times throughout the movie. You don't expect to have an entire music video film, do you? Overall, I thought this movie was great. There was some arguably unnecessary material sprinkled throughout the film, but it should definitely get higher than a 4.4.

It was good to see Chenoa Maxwell, the girl from Have Plenty, in this movie. Why was every character in this movie a jerk? Why did that crazy guy kill Sky at the end of the movie? He should have killed that Phillipine man who took his fly friend from him. And speaking of his fly friend, that was some on the most monotonous acting I have ever seen in my entire life! Blair Underwood was a lucky man. He got to cheat on his wife with a fly woman and get with a fly woman! And his wife did the exact same thing! She cheated on him with an ex boyfriend who happens to be a record executive. And what was the point of putting Sky's cousin Tracy in this movie. He was pointless throughout the movie. And the "rapper" who tried to talk to the fly lady with children. There were so many stereotypes in this movie! And we should have known that the cigarette smoking lady was going to sing a solo at Sky's funeral.

G, The Hip-hop Great Gatsby opened the Kansas Film Festival and I got a ticket. I'm not at all a fan of Hip-hop (although Hustle and Flow was terrific!). Regardless "G" is great! Keep in mind the question the Journalist (narriator) asks everyone, "Does Hip-hop have heart?". He finally gets an answer with the last line of the movie. Richard T. Jones was mesmerizing as a "Puffy" Rap Mougel slumming in the Hamptons. If your definition of evil is selfishness carried to its logical conclusion then Blair Underwood played a true monster. Great acting job since he is such a sweet person. The movie is a bit uneven in some of the pacing and the reason why the female lead, Sky does what she does is puzzling but an extremely good-looking cast and a great soundtrack make this a movie to watch for. Writer-director Christopher Scott Cherot was at the film and gave a 30 minute Q&A on what he went through to raise the money and get the film made is so good that I hope he will repeat it on the DVD. You can tell when a studio has over-processed a film more than Spam and this is Cherot's film from star to finish. Even if you don't like Hip-Hop see it.

Andrew Lauren Productions rocks the screen with this sexy and sophisticated interpretation of the American Classic, The Great Gatsby. The cast is simply superb, while jammin' rap seated next to a sultry film noir saxophone elevate the film above its blasé contenders. This new form of Bourgeois Hip Hop embodies familiar issues of love, betrayal, and jealously, giving universal> thematic understanding and sympathy for the characters. And who better to portray the elegant complexity of Gatsby than Richard T. Jones. All in all, `G' presents a sort of filmic intelligence never before investigated, executing racial and socioeconomic devices that purge the Hamptons of it's white-bread communal exclusivity. If you thought Lizzie Grubman caused a stir, check out `G'!