Admirable film.

This film is so real. It treats its characters with so much care and sensitivity.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

The film may be flawed, but its message is not.

Chuck Connors is an unlikely "Geronimo", depicted here as a deeply principled traditionalist whose cunning and apparent reckless fearlessness leads his people to the brink of oblivion. This version (there are several films on the subject) concentrates on his time both on and at times off the imposed reservation following his surrender, with arrogant cavalry captain Pat Conway goading him into retaliation after repeated mistreatment and degradation of his people.More temperate types (pre-Batman Adam West as a uniformed pacifier) attempt to cajole Geronimo back to the safety of the reservation, culminating in a tense climax. Larry Dobkin, John Anderson, Ross Martin and Denver Pyle (20 years pre "Dukes of Hazzard", but still recognisable) have supporting roles, but Connors chews the scenery as hero, with Conway firmly painted as the antagonist (a charismatic actor, it's a great shame his career never reached its full potential before his untimely death).Not especially gripping, the atmosphere is typical clichéd Hollywood gloss and aside from some impressive horse-riding and wrangling stunt-work, there's little else to recommend.

You have got to give a compliment to Chuck Connors for making this fine film...he was at the height of his popularity in 1961 when this film was made as "The Rifleman"...a very successful TV western....Connors checked in his rancher duds for an Indian wig and clothes and this is one of the very best westerns made in the 60s... The story concerns the Indian chief Geronimo who outfought, outwitted and outmaneuvered the US army for a few years during the 1880s in the western US and parts of Mexico. Geronimo, a fierce warrior reluctantly accepts a parcel of land for him and his warrior band as part of a peace treaty...Little did he know in this film that a crooked army captain and crooked reservation politician was scheming to sell off his land due to a crooked land deal that paid them a considerable amount of money. Geronimo learns of this crooked deal and escapes with his warrior band and goes on the run....outwitting and out fighting the US army at every turn. Pat Conway, who formerly starred as the "Sheriff of Tombstone Territory" is cast as the crooked and nasty army captain....look for a young Adam West a few years before his Batman days as a young army lieutenant with a conscience, who feels betrayed by his crooked army captain in the treatment of Geronimo and his band. A beautiful young Indian lady, Kahali Devi is the wife and lady love of Geronimo. Look for Ross Martin as the chief friend of Geronimo, Mangus......this film is nearly two hours of good solid western entertainment albeit Chuck Conners does not look the real part of an Indian, despite all the makeup. In the end the US government realizes that the Indians have been done wrong by the government and the army and submits a peace treaty with dignity that Geronimo can accept. You will really marvel at how devious in the film Chuck Connors is in making his warrior band live and learn off of the land to survive. This is a western you will not want to miss.

The film begins with Geronimo (Chuck Connors) "surrendering" by agreeing on a treaty that gives his Apaches land on a reservation in Arizona. However, things quickly go wrong while on the reservation. Geronimo leaves with a band of warriors and declares war on the United States. The majority of the film is the story of this war, told from Geronimo's perspective.While the script and direction are fairly pedestrian here (with the exception of a few fantastic shots of sunsets and landscapes), Geronimo works because of a number of excellent performances, including Connors, Ross Martin (as Mangus), Kamala Devi (as Teela), Pat Conway (as Captain William Maynard), and Adam West (as Delahay).The film is also surprisingly complex in terms of sociological subtexts. With one clear exception (having to do with a subversive sale of land), there are no clear "bad guys" and "good guys" here. Rather, the conflicts of the film are portrayed as resulting from cultural dispositions, duty and necessity. Each character or group of characters is responsible for some behavior that is a fairly serious crime (legal or moral) in the eyes of other characters, and each is seeking an improvement of their lot, mostly with a desire that the other parties understand their position better.However, there's no need to expect heavy-handed intellectualism from the film. On the surface, this is a quality western with a great deal of suspense, although perhaps too lacking in big battle scenes for some western fans. There are a number of smaller battles, but the focus is always on the strategy behind them rather than the battle itself, and in my eyes, that makes them interesting and suspenseful in a way that more clichéd action scenes wouldn't achieve. Geronimo is much more about a clash of cultures, and successfully spends a lot of time on Geronimo's relationships with Mangus and Teela. An 8 out of 10 for me.

Well meaning but wooden story of how Geronimo, with fifty Apaches, came to stand off the U.S. Army. Chuck Conners gives a creditable performance as a wooden Indian, and his soon-to-be real life wife plays the woman who loves him. Most amusing for Ross Martin as a wise-cracking sidekick and Adam West, four years before he became a wooden Batman, as a sympathetic army officer.