Don't listen to the negative reviews

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Blistering performances.

It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...

Permanent Midnight seems at first like another film you will love. It's the story of a drug- addicted real-life semi-celebrity, it's directed with slick style and a fast pace, and it provokes emotion with its increasingly gloomy atmosphere and R-rated subject matter. The "but" or the "however" is hard to place, because there is no real reason why it can't live up to the expectations based on what I just described. The only real way to say why it isn't the contemporary classic or young moviegoer's classic that it should be is to say that it doesn't have as much intensity that one would expect from it. It allows itself to indulge in the formula elements of a movie like this.There are formula elements to every genre and subgenre, even the fast-paced stylized biopic and the drug film, even though they don't seem like they would. Why would they? They're usually based on true stories and real lives, or they go in directions most other films don't take. Still, a real life and a true story can still either turn out the way so many similar ones do, or their adaptations do. Permanent Midnight is a formula film of its subgenre.That doesn't stop it from being enjoyable and powerful on a substantial level. It's directed well and Stiller's performance is fantastic. It's loaded with dark humor, Scorsesian music placement and jump cuts disguised as techno music and fade outs, and attention-grabbing supporting players like Owen Wilson and Maria Bello. If only its storytelling took another avenue, or if only it were tighter and more extensive.

Funny man Ben Stiller is more than just a comedian. Comedy is at many times, harder to capture than drama. American knows him as the funny and over the top actor who has made his "mark" in movies like There's Something About Mary and Meet the Parents. In Permanent Midnight, Still is still funny but also convincingly dramatic. Having to play the role of the Hollywood writer who is without passion, except for his drug habit, Stiller is amazing from beginning to end. Many of the Ben Stiller Show alumni return to do cameos including long time friend Owen Wilson. A great cast and a great story, the movie is enjoyable because there is no lying. This is an "In you face" true story. Stiller has no need to have to prove himself to Hollywood that he is a great actor who has faith in his craft.

Permanent Midnight is a good film all things considered. Though when watching Stiller as the Stahl character one may regret that this movie isn't incredible. Ben Stiller has proven himself to be one of the top comedic actors in the game (zoolander, meet the parents) but according to Permanent Midnight Stiller's weakness may be the people that he works with. David Veloz let a brilliant and emotional performance and auto-biography do way less than it should've. Throughout the film Stiller's performance gets more and more intense but the direction goes nowhere. The cinematography is flat and the editing is dull and inconsistent. It's a classic case of an actor being more involved in a film than his director. Would i recommend this movie? If you like Stiller you need to see it but just keep in mind that once the end credits roll and a song by none other than Everclear wraps up what's a nice little emotional ending it's time to press mute and put on ANY OTHER BAND. I'll tell ya there's nothing quite like the belting emotional vocal stylings of Art Alexakis to ruin a nice little film about heroin addiction. "Yeah-ah! No-oh! Everything is wonderful now!!!" .....kill me

SPOILERS - Even thought this is a pseudo-autobiography, in the movie it is presented as the story of Jerry (Ben Stiller) in recovery, meeting a girl (Maria Bello) in recovery, and the two of them trying to figure out if they can make a go of it, initially meeting at a cheap motel for casual sex, and by the end of the movie realizing they love each other. Their conversations result in a number of Jerry's memories which are shown in flashback form.Whether this is a good movie depends on what one expects to get out of it. "Permanent Midnight" tries to be entertaining in spots. To wit, Jerry picks up a German girl, they have meaningless sex, and at climax she yells, "My God, my God, I'm being f**ked by a Jew!" Very marginal humor. This is not a very entertaining film, but it is gripping simply for the realization that some people actually try to navigate their lives that way. During this period, the real Jerry Stahl was writing for popular 1980s series like "Moonlighting", "Alph", and "Northern Exposure." Anyway, during his addiction phase Stahl represents himself as a person with little self-control, lying, needing drugs to get through any stressful situation. Then, when he first tries to rehabilitate, bad friends drag him down. I am glad I saw this film, however I cannot recommend it strongly. However, I now realize that thirty-something Maria Bello might be my new favorite female actress, after seeing her here, in "Coyote Ugly" and in "Duets." She is uniquely attractive and a very natural actress, I think I could enjoy watching her in anything!