Permanent Vacation

NR 6.2
1981 1 hr 15 min Drama

In downtown Manhattan, a twenty-something boy whose Father is not around and whose Mother is institutionalized, is a big Charlie Parker fan. He almost subconsciously searches for more meaning in his life and meets a few characters along the way.

  • Cast:
    Chris Parker , Leila Gastil , John Lurie , Richard Boes , Sara Driver , Jane Fire , Ruth Bolton

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Reviews

Kattiera Nana
1981/03/06

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

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TinsHeadline
1981/03/07

Touches You

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Smartorhypo
1981/03/08

Highly Overrated But Still Good

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Mandeep Tyson
1981/03/09

The acting in this movie is really good.

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grayghost-40225
1981/03/10

As a long time Jim Jarmusch fan, I'm only finally getting to his older work. Permanent Vacation was a pleasant look at his roots and early style, but is seriously lacking in substance. The film plays like a character study. There isn't much of a story, and the movie is short enough that it's over before you realize it is. The voice over could have worked, but the script was weak and occasionally cliche, and no one in this movie was a professional actor. What this movie does have is an enthralling soundtrack and raw sound. The combination of sound and grainy footage gives the movie a powerful atmosphere that can be hard to find in recent Hollywood films. However, Jarmusch's later movies like Ghost Dog and Only Lovers Left Alive reproduce the urban jungle, with the added bonus of being better films overall. This is not a movie for the uninitiated, and it offers little that wasn't improved in Jarmusch's later work.

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igorfado
1981/03/11

This movie might be a gift for some with sophisticated and unusual gusto. However it lacks many details that are important for making a movie a fully fledged oeuvre and make it easy for a wide range of viewers to appreciate. So I would better tell about it's merits. 1. Stunning, perplexing, pervasive, strange atmosphere. It's a very atmospheric movie.2. The protagonist may be annoying but this is the way he is! This is such a kind of a person so you have an opportunity to grasp it.3. Weird soundtrack helps you feel the atmosphere and dissolve the viewer's mind in the atmosphere of the film.4. The settings (images) which is pretty rare to see elsewhere.5. If you live fresh raw simplistic movies, this one is a good example.6. Raw sounds make you feel inside the movie.

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dooleyben
1981/03/12

The monologue in the middle of this film is just about the most beautiful story I have ever heard. The only fault in the whole of this film is the point at the end where he says "I guess I'm just... on a Permanent Vacation, " and the fault here is really the actor's for overplaying this line, not Jarmusch's.

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121212
1981/03/13

This film which is, as far as I know, the first one by Jarmusch, when he still studied to become a film director, is original in its way to reinstall 'realism' – somebody would say 'surrealism' – into film art. He tries to make us understand a special psychological type of our time, a 'tourist in life' on 'permanent vacation'. People having decided to follow that life strategy don't engage themselves in anything or anyone. They just do what they 'feel like', not caring about what that means to others. Others are not really human. They are looked upon as a tourist might look upon an exotic and alien tribe.However, they themselves also feel alienated and estranged, indeed. Why engage in anything? The home where I was born was bombed out 'by the Chinese', my mother is crazy, my father is dead, and there is no hope for the future.Jarmusch is convincing in his description of this psychological type which might be typical of our time. It might be a descripton of himself. But that is not what makes the film original. It is rather the way he succeeds in making that description.Already in this film he uses stationary cameras with horizontal, and sometimes vertical, views, and depicts the world, as exemplified by New York City, as ugly as it is to all of us, if we do not embellish it.What Jarmusch has to tell might be banal to some but it is certainly something that exists and is quite difficult to make understandable to us. Exactly like the opinion of the main character. But I think he has been successful in mediating such an understanding to us who have chosen a different life strategy.

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