How sad is this?

everything you have heard about this movie is true.

The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.

This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

This is a great movie. It has great acting. It also has a great story line. The first movie of 976 evil is better. But still this a good movie. See it. It is very scary. It is one the best horror movies from the 90's

We start with a blonde coed being stalked from pool to shower room, through school, before finally being supernaturally killed in the theater. Pretty typical horror movie stuff.Over the credits, we find Spike, our hero & sole survivor from the first movie, motoring toward the college town. He stops at a café, with a look of determination, love for diner fries, and horrible hair. He picks up a ringing payphone, which self-dials 666 & recites his horoscope. Obviously having experience with this before, he tells them off and hangs up, not falling into the trap. He is rewarded with a sign from God. He continues on his way toward Slate River.The basic back story for this flick is that there is a phone number to Evil. Those who call it, become possessed, but, in a way, get their wishes & powers granted. The cost for this service is human sacrifice, and boils deforming the damned soul's body. Like most late 80s/early 90s horror, it has gore galore and bad puns from the villain. And, this killer learns astral projection to stalk his victims (they later break the rules they set for this feat, FYI). For the time it was made, the special effects are decent. Also, having worked on films, I have a new appreciation for movies that are well-lit w/good sound. This film has both.A teacher, Mr. Grubeck, is arrested for the coed's murder, after the school's drunk janitor identifies him. As he's led away, Robin, hot daughter of the police department's psychologist passes by. Poor Mr. Grubeck actually started this damning pact because of his obsession with her. He'll do anything he can to have her. There are some creative bits in this movie. One victim is thrust into a movie that crosses between "It's a Wonderful Life" & "Night of the Living Dead", after flicking between those two movies. There is a poster at the school's auditorium that advertises a performance of Faust directed by Joe Bob Briggs. This is a 'Faustian' tale, and Joe Bob has hosted horror movies for many years. There is also a fun, yet creepy special guest appearance by Brigitte Nielsen. So, Spike joins with Robin, who's somehow gained a psychic connection to Grubeck, to try to kill Grubeck's physical body while he's distracted astrally. Oh, and, let's not forget, he still has access to his one phone call. One guess what number he dials...There were two things that just distracted me far too much to give this a higher rating. The first - our hero's hair. It's just plain awful! Seriously, I think they spent more of the movie's budget on the stylist and products than special effects. He takes off his motorcycle helmet, and it floops 3 inches over his head. It's the one element I just can't suspend my disbelief on.The second distraction? Rabbits! Yes, the director either has an obsession or inside joke with the long-eared mammals. I had started to wonder if I was imagining this placement after the first two, then BAM! A third shows up. Then fourth, fifth, and sixth. I didn't get it & spent half of the movie looking for them, and the other half wondering why in the hell they were there, and vowing to watch the first movie again to see if they were present.Two ADD elements aside, it really was a decently made & directed horror movie - definitely worth a viewing!

The fiendish mastermind behind the 976-Evil number is at it again, and this time he's got a demented college dean, Mr. Grubeck (Rene Assa) doing his bidding. Grubeck is arrested after a witness is able to pinpoint him as a killer, but no jail is going to keep Grubeck from doing his homicidal duties. You see, he's now given the power of astral projection. So his spirit can be out and about murdering people while his body catches some z's in his prison cell. But opposing him is Spike (Pat O'Bryan), who fans of the first film know has been through all this before. Spike hooks up with Robin (Debbie James), a stunning college student, and together they set out to stop Grubeck. Overall, a decent sequel to a decent first film, "976-Evil II" is rough going for a while, but greatly improves once it comes up with its major set piece which ingeniously melds "It's a Wonderful Life" and "Night of the Living Dead". Too bad the rest of the movie isn't that clever. Still, it does deliver one pretty good runaway car sequence, and the climactic action boasts one Hell of an impressive explosion. The makeup effects are fairly effective, although other visual effects are so bad as to be laughable - in a good way, for this viewer. Director Jim Wynorski serves up a generous serving of both cheese and crud in a movie that is reasonably amusing for what it is. O'Bryan manages to keep a straight face while working overtime to project a sense of "cool". Bubbly blonde James, a former Miss Teen USA and Miss Colorado and Miss USA finalist, is appealing and acts her little heart out as the gal who segues from potential victim to heroine. Wynorski works with some of his regulars, such as Paul Coufos, super sexy Monique Gabrielle, and the very funny Ace Mask, and other familiar faces include Rod McCary, Karen Mayo-Chandler, Mindy Seeger, ever hilarious George "Buck" Flower in a somewhat more substantial part than usual, and Brigitte Nielsen in a special guest appearance as the seductive proprietress of a bookstore specializing in the occult. Chuck Cirino's music score is great and there are even some songs credited to the actor Vincent D'Onofrio! A heads up for people who like in jokes: pay attention and you'll see the names Joe Bob Briggs and Roger Corman (Roger "Gorman", actually), who was Wynorski's boss for many years, on a poster. This could be best described as the kind of movie that does have its moments. One has to give Wynorski credit, as he sticks some eye candy with Mayo- Chandler right near the beginning of the movie. The ending is one of those deals where people will either appreciate it or be annoyed by it. At least it's not a predictable one. Six out of 10.

I remember watching this one some time back and I can't say as it really struck me, but since it appeared on one side of a double header along with Home Sweet Home, I was happy to see it again. I've never seen the original and it'll likely be some time before I do since it was cut in the UK (sadly where I live) and even in the US the DVD release is apparently missing footage from the original release. 976 Evil 2 goes for a supernatural slasher vibe, we have a school principal by the name of Stefan Grubek granted dark powers by the nefarious 976 line and its "horrorscopes". Locked up on suspicions of murder, he uses the power of astral projection to exit the confines of his cell and avenge himself on those who sent him down, as well as tormenting the pretty policemans daughter that is our heroine. Director Jim Wynorski gets things off to a storming start, tits and a taut chase scene ending in inspired, verging on operatic murder. Its an Italian style flourish and very nearly brilliant, if the grue were upped just a couple of degrees it surely would be. Still a memorable opening that gets the film off on just the right footing. It stays there too, with a bustling pace and exciting chain of events, though the film often traverses cheesy territory, there's real gusto and commitment to it, we get evil chat on the telephone, a decaying and delightfully hammy villain, supernatural slaying and one whoop making sequence of a possessed kitchen going on the offensive. Rene Assa wigs out in fine fashion as Grubek, oozing arrogant malevolence he is quite splendidly hissable, while on the side of the angels Patrick O'Bryan returns from the original and does perfectly well going through typical "cool guy with leather jacket and motorcycle" motions, Debbie James is a perfectly cute heroine and we get a pleasingly barmy little cameo from Brigitte Nielsen. Regrettably the film doesn't move up through the exploitation gears after its splendid opening, we get no more nudity and it's a shame, though as I recall Wynorski always had a thing for falsies so it might not be such a bad thing that he doesn't indulge here. More unfortunately, there ain't much gore here, and a couple of the killings are off screen too. Sure, Grubeks increasingly grody visage makes up a little for this, but still I would have liked a little more blood in this party. Also the ending is a bit weak and the final moments don't really come off. Still, for the most part this is a kinda neat little film, worth a watch for fans of cheesy late 80's supernatural horror trash.