Appointment with Death

PG 6.1
1988 1 hr 42 min Drama , Thriller , Crime , Mystery

Emily Boynton, the stepmother to three children, blackmails the family lawyer into destroying a second will of her late husband that would have freed the children from her dominating influence. She takes herself, the children, and her daughter-in-law on holiday to Europe and the Holy Land. At a dig, Emily is found dead and Hercule Poirot investigates.

  • Cast:
    Peter Ustinov , Lauren Bacall , Carrie Fisher , John Gielgud , Piper Laurie , Hayley Mills , Jenny Seagrove

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Reviews

ThiefHott
1988/04/15

Too much of everything

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Vashirdfel
1988/04/16

Simply A Masterpiece

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Bereamic
1988/04/17

Awesome Movie

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Voxitype
1988/04/18

Good films always raise compelling questions, whether the format is fiction or documentary fact.

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mark.waltz
1988/04/19

You thought Piper Laurie was nasty as Carrie's mother? Wait until you meet her character of Emily Boynton, the nastiest of all wicked stepmothers. A former prison warden, she runs her home as the wealthy widow as if it were Riker's Island, keeping tabs on each of her stepchildren to the point that they wish her dead, unaware that it was her manipulations that left them to wait for her death rather than share in the estate of her late father. Determined to keep tabs on them, she "suggests" a European vacation followed by a trip to the Holy Land, and there, some very unholy activities lead to murder, and a most predictable conclusion.Peter Ustinov is back as Hercule Poirot, and if his trips to the Nile and the Adriatic Sea weren't enough to warn people to watch what they say when he's a mile within vicinity, nothing is. Lauren Bacall plays an American widow of a British nobleman who somehow became a member of the British Parliament, with Hayley Mills as an aspiring archaeologist and Jenny Seagrove as a doctor who has several run-ins with the obnoxious Laurie. Her character is a bit hard to take, seemingly directed to overact in every scene she's in. Carrie Fisher, John Gielgud and David Soul are other familiar faces among some relatively unknown actors as the unfortunate step-children. The highlight of the film is Ustinov's revelation of the killer as the culprit watches from afar, their feeling of doom and self-destruction erupting into making you actually feel sorry for them.

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ma-cortes
1988/04/20

Suspense and intrigue with Poirot on holidays in Jerusalen . This whodunit deals with Hercules Poirot (Peter Ustinov) as the Belgian sleuth man in he case of killing a rich , unpopular heiress in an archaeological dig during a luxurious vacations . He investigates the travelers and as numerous suspects , all support cast ( Carrie Fisher, Nicholas Guest , David Soul , Hayley Mills , John Terlesky , Lauren Bacall and Jenny Seagrove married to Michael Winner). Who is the killer? , can he find the guilty? . Hercules Poirot is helped by a British Colonel (John Gielgud). After the clues have been shown we will get a chance to give the answer with Poirot finding out about the culprit at a twisted finale with outstanding surprises but are taken the murders from different viewpoints of everyone which it makes a little bit boring, pedestrian , endless and overlong.The film is a detective story in which you are the detective . In the picture there are mystery , emotion, love story , suspense and wonderful outdoors from Jerusalen , Italy and the rout on the cruise ship . The movie gets a lush costume design ( John Bloomfield ) and magnificent production design . Colorful and sunny cinematography by excellent cameraman David Gurfinkel . Sensitive and atmospheric musical score by Pino Donaggio . Actors 's interpretation are first-rate , Peter Ustinov acting is similar to Albert Finney ( Murder on the Orient Express). Ustinov starred various Hercules Poirot films as : ¨Evil under the sun¨(Guy Hamilton), ¨Death on the Nile¨(John Guillermin) and for TV with low budget as : ¨Murder in three acts¨,¨Dead man's folly¨ and ¨Thirteen at dinner ¨; but the best considered is Death on the Nile .This film is professionally directed by Michael Winner though contains some flaws and poor edition . After directing the successful ¨Death wish¨ he made worst sequels in which Bronson-Paul Kersey goes on to torture robbers , all of them inferior and the violence could be deemed excessive , are the following : ¨Death wish II¨ with Jill Ireland and Vincent Gardenia , ¨Death wish III¨ with Ed Lauter and Deborah Raffin. Subsequently Michael Winner career was failed , alternating some hit as ¨The sentinel¨ and various flops as ¨ Firepower, The big sleep, The wicked lady, Appointed with death, A chorus of disapproval, and Bullseye ¨. The flick will appeal to suspense lovers and Agatha Christie-Poirot novels buffs .

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Mgme Gelta
1988/04/21

Peter Ustinov is the best Poirot since Poirot has been on film. Even though Agatha Christie says she pictured Poirot more like Albert Finney in Murder On The Orient Express, Ustinov is much less annoying and a lot more fun. He's sarcastic and funny and pulls the best Belgian accent i've ever seen. These movies have amazing plots(thanks to Dame Christie :)) and the casts are outstanding. For all you Christie readers, these are the best Poirot movies out there. I suggest you see them in order(even though you don't have too, it makes them even better. Albert Finney did it good, David Suchet did disgustingly and Peter Ustinov did it amazing.

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greenheart
1988/04/22

If you're an Agatha Christie fan then you'll enjoy this whodunit, a Christie tale with all her classic ingredients. The locations are superb, as are the period costumes and surroundings. The plot certainly rolls along at a good enough pace and there's enough change of location to keep the whole thing interesting. The cast list is spectacular and........you're probably waiting for the'but!'. Well, the 'But' is that the acting in all honesty, with the exception of Bacall, Mills & Seagrove, is decidedly average. Ustinov was undoubtedly talented, but does not put across the little mannerisms that make Poirot such a classic character. David Soul is very disappointing, as are several other of the leads. Michael Winner seems to have concentrated so much on location and period that he forgot about the performances. This is an enjoyable enough romp but if you're looking for classic acting, this is not the movie for you.

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