Good story, Not enough for a whole film

Absolutely the worst movie.

I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...

Ralph Nelson's hard hitting adaptation of Rod Serling's teleplay features a grotesque performance by Anthony Quinn as a punched drunk boxer struggling to come to terms with the fact that his career is over. He's helped (in vain) by employment placement specialist Julie Harris and stymied by shifty manager Jackie Gleason. The film is all about the acting and it's top notch. Quinn, who at times is a bit inaudible, carries the film and is in virtually every scene. Harris is terrific in an unlikely role and Gleason is very potent as a degenerate gambler facing mounting financial woes. The stunning B&W cinematography is by Arthur J Ornitz and there's a dynamite score by Laurence Rosenthal. Mickey Rooney, Stanley Adams and Madame Spivy (as "Ma") co-star.

With a title like "Requiem for a Heavyweight" you certainly aren't expecting an upbeat movie! But, here, there ends up being little point to watching the film. The film starts with the heavyweight of the title, Anthony Quinn, badly losing a fight. The fight doctor declares him unable to fight anymore, since he could lose sight in his left eye if he goes back in the ring.What follows is the expected downward spiral, instigated by the thoroughly unscrupulous manager played by Jackie Gleason. He's deep in debt to bookies and has no issue in using Quinn's fighter in any way he can to make a buck. He certainly plays a reprehensible character very well.I love black-and-white cinematography, and it is beautifully done here, on location in New York. Unfortunately, we get to see little of the city during the course of the movie, since the drama takes place almost entirely in interiors.The script is by Rod Serling, who always showed skill with various genres. The movie is staged well by Ralph Nelson, a veteran TV director, who helmed the original TV version of the story in 1956.The performances are excellent all around. It is amazing to see how beaten up Mickey Rooney looks at 42! His appearance definitely sells him as the worn-down "cut man" of the team. The make up is by Dick Smith, to me the greatest make up artist ever in film. He is most famous for creating Brando's "The Godfather," as well as doing make up effects, like in "The Exorcist." Here, he's billed as Richard Smith.Overall, an interesting movie for what it is. But, you can see all the beats coming before they happen.****** (6 Out of 10 Stars)

This is an obvious remake/revision of "The Harder They Fall" 1956 with Humphrey Bogart, his last film. The story may slightly vary but the plot is the same. I'm surprised Serling gets credit for an original teleplay. If you haven't seen the first version do yourself a favor, both Bogart and Steiger's performances are noteworthy if not classics. Some feel it was Bogart's finest dramatic role. And although I'm a huge fan of Gleason I must say it's not quite that of Bogart's interpretation of the character. Bogart explores the darker and scandalous side of the boxing realm far deeper and more intense in my view. But perhaps I'm bias since I prefer originals over remakes.

It's easy to pick out Jack Dempsey and Muhammed Ali, but there are many others in the cast. The movie fades in on a tracking shot running the length of a hotel bar, examining the faces of a bunch of retired boxers watching the Clay-Rivera fight on TV. In order of appearance: Alex Miteff (wearing a beret), Abe Simon (with an eyebrow bandage), Gus Lesnevich (holding a cigarette lighter), Steve Belloise (bald guy; he later plays the hotel bar desk clerk in a short exchange with Mickey Rooney), Rory Calhoun (black guy with a beer), Paolo Rossi (big Italian-looking guy with a beer), Willie Pep (wearing a fedora), and Barney Ross (the older guy in the suit, sweater, and tie).