Pretty good movie overall. First half was nothing special but it got better as it went along.

Exactly the movie you think it is, but not the movie you want it to be.

Blistering performances.

It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

Not being a fan of the Hellboy franchise I might be a bit bias here but I gave this animated effort a go and walked away rather unimpressed.First of all I was struck how childish it all was, this is closer to a Saturday morning cartoon than an anime or anything of Hellboys general demographic.Thankfully the full movie cast do in fact reprise their roles which certainly gets it points.The story however gets few, being an over convoluted tale of Japanese demons trapped within a samurai sword.The fanbase is clearly there, writing this in 2017 and people are still pining for a third movie.I'd say this is one for the Hellboy fans and the Hellboy fans alone.The Good: Original cast The Bad: Liz & Abe look weird Story simply isn't very good Weirdly "Kiddie" Things I Learnt From This Movie:Nothing, I just had it reconfirmed that I find Hellboy a bit of a bore

The latest incarnation of the Mike Mignola's once underground, now seemingly omnipresent and unstoppable, comic book masterpiece, 'Hellboy', now comes into the world of animation. The first of the several planned animated films, 'The Sword of Storms' takes Hellboy and drops him in a fantasy world of Japanese folklore. The voice acting is excellent. Ron Perlman has now become the de facto voice of Hellboy, and if this ever becomes an animated series, his presence will be crucial for its success. More surprisingly, considering her usually rather flat and whiny voice, Selma Blair delivers a finely nuanced performance. The best of all however, is Doug Jones. Seemingly perennially cursed by his background as a mime, the man has been seen in several great films in recent years but never heard. He has a pleasant, deep-ish voice, which entirely suits Abe Sapien. David Hyde Pierce acquitted himself well in Hellboy but will not be missed in the sequel. Hopefully Mr Jones' fine performance here will encourage studio execs to leave him be as the voice of the Silver Surfer. The character designs are deliberately different from Mignola's and in my opinion, that is a smart decision. Hellboy himself remains relatively faithful to the original concept, but shown in a more stylised form, reminiscent of Bruce Timm's drawings. For the most part, this works, apart from an occasional slip where Hellboy's face takes on an exaggerated facial expression, lapsing into caricature. Abe Sapien, Liz Sherman and a few of the supporting characters are more radically redesigned and remind of the current pseudo-manga style of 'The Batman' or 'Jackie Chan Adventures'. Personally, I am not a great fan of this particular approach, but I acknowledge it is popular and in context, effective. Mike Mignola's original drawing style is not completely ignored and is most clearly evoked in the design of Hellboy's various skeletal and monstrous opponents. There are also some attempts to emulate the comic's use of shadows (most notably in the "Heads" sequence). There are however, some problems. The animation itself is very hit and miss, and apart from the already mentioned weird facial expressions, there are occasional strange and unnatural movements from the characters. Some scenes feature noticeably poorer animation quality than the overall film. They appear jerky and cheap and look as though they were completed in a rush. The plot itself is not overly engaging. Although a story about cursed ancient lovers shows promise, it is severely underdeveloped, in favour of some nonsense about Thunder Gods and Dragons. The majority of the actual film shows Hellboy wandering around Wonderland (or something), fighting assorted monsters. Some of these action sequences are great fun but it all gets repetitive so that the overall effect is episodic and only occasionally compelling (I'm going to mention "Heads" again here – that segment is excellent). The other half of the film deals with Abe and Liz, but they are not given much to do, and their action sequences are nowhere near as interesting as Hellboy's. There is some attempt to deal with Liz's distrust of her powers but it largely falls flat, especially compared to the comics and film. However, the fact that there is some characterisation at all, as well as the presence of some rather mature themes and some unflinching violence mark this as more than just a kids-only film. Hopefully, the creators are just hitting their stride, and some of the wrinkles will be ironed out by the next instalment.

I'm a fan of Hellboy. I'll get that out of the way first. But the Live Action movie was painful. So I wasn't surprised when I liked Sword of Storms better, but it was still sorely lacking.While I like that Hellboy got to swear occasionally, and I love the dialog, a lot of this movie seemed to fail to live up to the award-winning style and substance of Hellboy as a comic book. For one thing, the animation was a little childish to me. It seemed too much like they were watering down the Hellboy world to make it appealing to kids. Unfortunately, they then include a lot of blood and some swearing to make it inappropriate for kids. The dialog seemed very forced in some places, like the voice actors were just reading lines and not interested in the characters at all.Some of the little "episodes" that Hellboy goes through, though, are enjoyable. The scene where he faces the disembodied heads is almost straight out of the comic books, and the real highlight of this otherwise disappointing tale. What really damaged this movie for me, though, was the clumsy attempt at characterization. Liz Sherman woes about being pyknotic, the psychic guy is thoroughly annoying, and the big bad demons at the end are more reminiscent of stereotypical anime theme villains than actual threats to the world. While I applaud the attempt, this one just didn't work for me. I do hope they work a little harder on the next ones and really develop the potential they have here.

Supposedly only 75 minutes long, but it feels nearly twice that, Sword of Storms is exactly what you don't want the Hellboy movie to be. It manages the trifecta of bad animated movies, to wit:1.) Bad Voice-Acting - Someone apparently told Selma Blair to growl all her lines (deadpan), and while Perlman and Doug Jones were great, they weren't enough to make up for the rest of the straight-to-video players. I really don't need to hear Phil Lamarr do his stock suburban white kid voice ever again.2.) Clunky, Boring Animation - I can accept that the native Hellboy style probably wouldn't work in an animated movie, but why would you go with this? It's as if a low-budget anime and Ultimate Avengers had a particularly ugly child. I wouldn't be surprised if Sword of Storms shares an animation studio with Ultimate Avengers, it's crap.3.) More minutes than story - There's a gigantic lull in this movie, worse than any Bond Film, nestled neatly between the beginning and end. This part is especially disappointing because Mignola actually wrote this incarnation of Hellboy. Combind with the clunky, slow, thrill-less animation style the movie utterly fails to redeem itself with the climax. I was too deep in my coma/stupor to enjoy Hellboy punching things, and that's saying something.This is the kind of movie you can only enjoy as light background music, the instant you take an interest in the story it will disappoint.