R-Point
On 07 January 1972, the South Korean base in Nah-Trang, Vietnam, receives a radio transmission from a missing platoon presumed dead.
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- Cast:
- Kam Woo-sung , Son Byung-ho , Park Won-sang , Oh Tae-kyung , Lee Sun-kyun , Son Jin-ho , Mun Yeong-dong
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Reviews
Overrated and overhyped
Nice effects though.
How sad is this?
All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
The movie does have its faults, but not being creepy scary is not one of them. A military group is sent to investigate a missing company that mysteriously vanished and now is sending radio signals. They go there and nasty stuff begins to happen.The reason the film is so effective is because it doesn't skimp away on the character development. Each person has a name, a way they react to one another and are plausible characters. It adds to the viewer's compassion that everyone except the lieutenant are poor uneducated saps trying to get home to their families and villages. Then they die.The feeling of hopelessness is both a strong and weak part of the movie. On one hand, if you are in the middle of things you can hardly just give up, but on the other hand, if you see there is nothing you can do, why bother? And if the characters are obviously ill equipped to deal with the situation, the details are irrelevant for some viewers.As usual in the latest Asian horror, the ghosts are hardly interested in the logic of things. There is no right or wrong, they just need to separate people from their lives and they do it in the most creepy way. I believe R-Point is pretty scary and would have a maximum effect while watched at night with no lights on.
PLOT: A squad of Korean soldiers is deployed on a search & rescue mission after a radio transmission is received from a missing team, killed by unknown forces.REVIEW: R-Point does well in establishing an ominous atmosphere at the beginning of the film. The initial reconnaissance by the team unfolds with foreboding and tension, and the viewer is both eager and frightened to see what they will discover. Unfortunately, this tension quickly morphs into boredom. Little happens for much of the film, and the mood set by the introduction is lost. It doesn't help that the characters are unengaging and for the most part interchangeable. The performances quickly become annoying: everyone seems to be constantly hysterical, with characters grabbing each others' lapels and shaking them, or dropping to their knees and sobbing, every other minute. Most frustrating is that for all the buildup, the tale turns out to be a pretty generic ghost story, and not a very exciting or scary one. R-Point starts with an intriguing premise, but wholly fails to deliver.
Vietnam,1972.A troop of South Korean soldiers are urged by a mysterious radio signal to locate a missing patrol unit in the location called R-Point.Finding far more to fear than snipers,these carefully conceived characters,each with his own involving emotional history,discover that the miseries of war aren't confined to the physical territories of the jungle-they also resonate throughout the dark depths of the unknown."R-Point" totally creeped me out.It features some truly scary moments that will linger in the memory of viewer for a long period of time."R-Point" scores most of its points in the last half hour,when the situation escalates into full-blown bloody madness and the final desperate stand-off is a perfect end to the film.Highly recommended.9 out of 10.
R-Point is an example of the rare genre hybrid of the war/horror movie. Other notable examples include Apocalypse Now and Jacob's Ladder; however, R-Point is a more direct war/horror hybrid, with supernatural goings-on and your traditional Asian she-ghost.Although the premise of the film holds a lot of potential for the exploration of war themes, particularly in regards to reflections on the sins committed during war and the slow descent into madness that's well exhibited in Apocalypse Now as well as other issues dealing with the horrors of war. And although the film does deal, to some degree with the horrors of war, the film is primarily a horror film set against a war backdrop.Specific weaknesses of the film include poorly developed characters (it's difficult to be afraid if you're not attached to the characters), stereotypical and predictable horror moments (including reveals that aren't exactly surprising, considering the non-mysterious nature of the supernatural forces), and somewhat contrived script which sets things up too conveniently for the events of the movie.The story could've been better, along with the execution. There are some thrills and chills and that slow creepy Asian horror vibe that some people enjoy, so it's not a total loss. The primary problem with the film is that it looks like it's trying to make a larger comment on Korean involvement in Vietnam, but it fails because it spends too much time focusing (somewhat poorly) on the supernatural horror elements of the film.It's okay. You could do better, as far as horror and war films go, but if you're interested in an East Asian take on the war/horror film, this is all you have to choose from. 6/10