Night Will Fall
When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".
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- Cast:
- Helena Bonham Carter , Jasper Britton , Alfred Hitchcock , Billy Wilder , George S. Patton
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Reviews
Overrated and overhyped
I'll tell you why so serious
In truth, there is barely enough story here to make a film.
The acting is good, and the firecracker script has some excellent ideas.
This film describes in detail what we already knew about the Nazis. The details of their horrible atrocities need not be gone to in detail here, except as to the contents of the film, itself. Few people realize the immediate effects of the initial sight of the camps on American Generals. Patton toured one camp and emerged so outraged that several adjutants said that they had never seen him so angry. Eisenhower toured a camp and remarked that many US soldiers didn't know what they were fighting for, but now, he could show them what they were fighting against. The large responses to the holocaust were, "oh, it'll never happen again, now!" Look at Uganda 1994, and Serbia 1995. This will never stop unless somebody intercedes. It is the opening of the gateway to hell, with evil piloting the way. If this is not stopped in its tracks, the armies of darkness will march across the earth. It could happen to any one of us, if we don't meet the measures of a tyrannical police state.
NIGHT WILL FALL is a shocking film indeed, containing as it does plenty of real-life 'death footage' from the Nazi concentration camps. Only strong stomachs need apply here, as the film features close-up clips of numerous dead bodies being thrown around and disposed of. It's certainly the most shocking WW2 footage that I've yet seen. It's disturbing and makes for incredibly harrowing viewing, but at the same time it's incredibly worthy. Lest we forget, and all that.The structure and narrative of this documentary is less revealing. There's a tenuous link to Alfred Hitchcock here, even though he had little to do with the actual production of the concentration camp films (other than acting as an adviser). Still, when the material is this distressing, the images speak for themselves, making NIGHT WILL FALL unmissable viewing.
This is a miraculous film...miraculous in that it exists, but more than even that; miraculous in it's unadulterated depiction of the worst of humanity in wartime.The dichotomy of war is depicted here. In Bergen-Belsen we see life struggling to be what life is and just feet away from piles of death as the corps were strewn. How can these two depictions of life occur so physically close? Only in the worst of war can such atrocities be present, if diversely repugnant. See this film and only trust your moral center as everything must be judged by inherent good.The old adage that we are doomed to repeat history unless we learn from it comes to heart. Right now we have ISIS, a modern day Nazi style faction. Can we sit idly by and let evil fester. This film makes it clear that the cost will only exponentially multiply if good men sit by and do nothing. See this, weep for those lost at the hands of evil in the past, and renew your resolve that we must stand for good at this later day time where evil once more rears a powerful head.
A fascinating film. A horrifying film. To be clear this is not the documentary about SS concentration camps that was left unfinished, and suppressed after the war. That film can be seen elsewhere. To be clear, having seen that film, this documentary does leave out just a few key elements. The original film goes out of it's way to say these camps were not only for Jews and lists all the nationalities and religions that came to be killed here. So to say that film is about the Holocaust is not entirely true and is specifically not the point of the original film.What this film does is set the discovery of the camps and the aftermath into context both large--the governments involved, and small--the military camera crews and even some camp survivors who are seen both now and in the vintage footage. A real feat to find these people so many years later.Sure you may think you've seen this all before, both in fiction films and in various documentary ones. But this still packs a punch, perhaps even more so since you will think you already know all there is to know. I've spent a lot of my life studying WW2 and I was still blown away by this film. I'm also a Hitchcock fan, and his name is being used to "sell" this film and the restoration and completion of the original documentary.A point made in this excellent film is that the intention was to make a documentary that was a warning that unless what happened in Germany is seen and understood that 'night will fall' again and these type of large scale inhumanity will re-occur. Of course you can argue that does in fact happen.This film shows footage not used in the original documentary and is as much about those who made the film as it is about everything else. Interestingly it talks about Hitchcock's input to help make the film convincing. The horrors of reality being so unreal that they might seem created for effect. You can also see in some of the dead faces some dead faces that will appear in Hitchcock's own fiction films after this one.This film also contrasts the film which was suppressed with the film that did get finished and released--that version being supervised by Billy Wilder. The makers of this film obviously preferring Hitchcock's version.And fans of both great directors will see their hand in how they shaped material shot by others. The camp footage was shot by army camera men without a director being there.The graphic concentration camp footage is very graphic but focuses on the horrible expressions on the faces of the dead that is what makes it overwhelming and gripping.Very little music is used, the voice over work is first rate as is haunting sound effects work. Part of what Night Will Fall does, by being a behind the scenes making of film is help to show just how real and unstaged these horrors of war were. It is hard to watch this film and come away thinking somehow all this was made up just for the sake of the Jews. In fact its impossible to believe that after you see this film.Once more let me say this is not the so called Hitchcock film, though portions of that are shown within this film. That you have to seek out elsewhere and see for what it is, it has different things to show and say. This is almost an extended preview and background that helps viewing that film.