Sunflower
At the end of World War II, Giovanna, a war bride living near Milan refuses to accept that her husband, Antonio, missing on the Russian front, is dead. There's a flashback to their brief courtship near her hometown of Naples, his 12-day leave to marry her, ruses to keep from deployment, and the ultimate farewell. Some years after the war, still with no word from Antonio, Giovanna goes to Russia to find him, starting in the town near the winter battle when he disappeared. Armed with his photograph, what will she find?
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- Cast:
- Sophia Loren , Marcello Mastroianni , Ludmila Savelyeva , Galina Andreeva , Anna Carena , Germano Longo , Glauco Onorato
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Reviews
Too much of everything
Great Film overall
This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.
There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.
I just finished watching the stunning Blu Ray of the original Italian English-subtitled version of this film--the best version available. I do not understand all the naysayers reviewing this film. If you are a fan of Loren and Mastroianni, if you are a fan of DeSica, if you enjoy a good old-fashioned melodrama that will tear at your heart, you MUST see this film! To dismiss this film as Soviet propaganda, or as unrealistic, is like criticizing "The Little Mermaid" for having a singing mermaid and talking fish. It utterly misses the point. This movie contains one of the very best, if not THE best Sophia Loren performance on film. Henri Mancini's score is unforgettable. This film makes you care about the plight of both characters. It is available as part of the new "Sophia Loren Collection" box set, and for me, this, along with "Marriage Italian Style," is the "jewel" of the set. See it!
Having focused on post-war Italy in "The Bicycle Thief", Vittorio DeSica focused on the war - and many years later - in "I girasoli" ("Sunflower" in English"). I had never known about the Italian contingent that fought the Soviet Union, so that part was certainly new to me, and I thought that Sophia Loren and Marcello Mastroianni did well in their roles. I don't know whether or not I would recommend the movie for any kind of class. As it was, the DVD kept skipping over scenes, so I may have missed important parts of the film. Overall, I don't know specifically whether I would call this a really good movie or just an OK one. I didn't find it sappy, if that's the problem that some people have with the film.Whatever the case, I consider the movie worth seeing, if only once.
There are few scenes more moving or more powerful than the scene where Sophia meets her husband in Russia.The scene is at a train station: he's on the arriving train and she's waiting on the platform. A huge number of people get off the train and she's looking at everyone through the chaos of moving bodies. She doesn't really expect to find him, but hope is still alive.She sees him through the throng, he sees her.The wordless communication between them as she gets on the train to leave and he stays on the platform watching her go is nothing less than thrilling. It's a great cinematic moment - a great moment of acting for Loren.It is, perhaps, the single scene for which I shall always remember her.
The director Vittorio De Scica directed one of the best films depicting the tragedies and sorrows of those involved in wars against their will. Both Sophia Loren and Marcello Mastroianni were superb in performing their respective roles as commoners living a peaceful life and who had their destiny changed all of a sudden into misery and agony. This film may be rated one of the best antiwar movies in the 20th century. I have seen this picture on my own DVD many times and each time I am deeply touched by the story. The most impressive scenes of the film are Sophia Loren's reunion with her husband who was now living a seemingly happy life with a Russian woman who had saved his life --- the reunion which was just the beginning of her tragedy. The outstanding script and the direction of De Scica as well as the superb acting of both Sophia and Marcello render "I Girasoli" a masterpiece in Italian realism in cinematography.