Truly Dreadful Film

Slow pace in the most part of the movie.

How sad is this?

A story that's too fascinating to pass by...

I watched this on cable late one night. I knew it was going to be low budget but boy I was in for a surprise. This has got to be one of the funniest movies I have ever seen! I (assume) the filmmakers were trying to make a legitimate movie but it actually SO bad it is good. The dialogue is unintentionally hysterical. The acting is either tongue in cheek or just plain awful.Have you ever watched something where you almost peed your pants? This is it! Poor Kelly Lynch. She went from being a knockout sexpot (Cocktail, Road House) to looking like she needs a transfusion.I would be glad to talk to anyone about this film. Call me 727-735-7976

The Plot.Laine, a young woman on the run from the law, turns up at the Frontier, an isolated desert diner and motel. She is offered a job by Luanne, the owner, and, hoping to lose herself in the obscurity of the place, accepts the job. But soon Laine realizes she has stumbled into an even bigger and more dangerous situation. Firstly, i like the Twin Peaks look of the film. But it's very slow and the female lead is not a particularly good actress. She brings the movie down.The dialog is second rate. It's hard to emulate Lynch because he's genuinely quirky and knows how to make it work. In fact, the more I watched this film, the more I felt it was just a Lynch rip off thank anything else.

Laine is on the run from the law.turning up at the Frontier, an isolated desert diner and motel, she is offered a job by Luanne, the owner, and, hoping to lose herself in the obscurity of the place, accepts the job. But soon Laine realises she has stumbled into an even bigger and more dangerous situation, with the most eclectic and bizarre of clientele........The frontier is a really odd film that cannot decide what genre it belongs in. Is it a Western? It sure has the setting and the elements to place it in that genre, but the surrounding narrative almost turns the film into some sort of hazy fantasy where nothing is what is seems.This turns the film into something a little Lynchian, as when we are in the titular eatery with our bizarre group, it almost feels like its riffing on Twin Peaks, but not as bonkers or as clued up as that masterpiece.All the characters have these strange traits that are nothing more than maundering when it comes to the third act. The film questions if Laine is in some sort of purgatory, because it feels like she cannot leave the place, much like everyone else, but it isn't properly explained, and this is where it starts to feel like Identity, an equally unnecessarily baffling film about people stuck in a place, which also has a disappointing ending.It's never really clear what time the film is set. I thought at first it was in the present, but halfway through the film, a character spins a yarn about Hollywood, placing it firmly in the forties, but this is never confirmed, again suggesting the film has some sort of afterlife feel to it.The conclusion is as disappointing and baffling as the previous ninety minutes, and despite the good intentions of the cast, whom all put in decent performances, it just adds up to nothing and ends with a 'what was that all about then' rather than a nicely wrapped up conclusion.

A gritty American Southwest flick, The Frontier manages to capture a western outlaw atmosphere in a rustic wind blown environment.A pretty, mysterious girl named Laine driving across the Arizona desert becomes temporarily employed at a diner to make up for food & lodging. The residents and customers therein are a motley lot, each with their own disturbing secrets, and each sharing a collective one as well. There's Eddie the rebel {a brash leather-clad young man reminiscent of Jim Stark/James Dean}; couple Gloria & Flynn are a British gentleman & a Jayne Mansfield-type girlfriend; Luanne, an eccentric former showgirl {diner owner, glamorous yet quite neurotic}; Lee is a stony bearded professor-like gentleman; & Officer Gault comes and goes, reminding one of a William Shatner character*, who takes a shine to Laine, especially evident in the end. Incidentally, despite a very close call with The Reaper, Laine merges with the unlikely crew of malfeasants awaiting their ill- gotten reward, utilizing venomous trickery to gain her own deadly remuneration.With various unexpected twists and turns, the dangerous path throughout The Frontier leads to surprise lethal treasures awaiting those with a ruthlessly lawless disposition, where few survive. ∞_____________ * i.e., Mark Preston of The Devil's Rain, Rack Hansen of Kingdom of The Spiders.