hyped garbage

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

This movie feels like it was made purely to piss off people who want good shows

Exactly the movie you think it is, but not the movie you want it to be.

I saw this film soon after it came out back in the 1990s. I had never seen a Bergman film, and it was by fate that I saw this one, the result of a hastily made decision to see another film when the one we had intended to see was sold out at the Innwood in Dallas Texas. I don't even recall what we had gone to see. Once inside, we found out it had subtitles, much to my consternation. Little did I know that I was going to possess one of my favorite films of all time.Some have suggested that the title Best Intentions automatically implies that there will be disappointment. I couldn't disagree more. Perhaps it is because I grew up hearing this phrase 'good intentions' all of my life, indicative of some failures but not wholly lost or irredeemable. For this film, I entered with no prejudice, not knowing anything about it or its writer/director.It is the story of two lovers in northern Sweden in the early 1900s. Henrik Bergman, a poor theology student who was befriended by Ernst Akerblom, was invited to dinner with the large family of Akerbloms. He is late and almost, but for the insistence of Anna, turns around to leave in embarrassment. She encouraged him to come in and he reluctantly obeys. Anna introduces him to the family one by one and he is seated to table for dinner. His discomfort is apparent as he, at first, began to tuck his napkin into his shirt collar, but notices everyone else keeping theirs in their laps. The family engages him in polite conversation, being quite welcoming in all. This is the first meeting of Anna Akerblom and Henrik Bergman, who would find love together.Best intentions proliferate in the saga: Henrik is conflicted about his obligation to Frida. Anna's mother, Karin, dislikes Henrick and tries to prevent her daughter from pursuing this love. bAnna becomes ill with tuberculosis and goes to a sanitorium, but she never forgets Henrik. When she recovers Anna's mother takes her on a trip to Italy, thinking that she will forget Henrik. She even intercepts, reads and disposes of a letter Anna writes to Henrik, against her husband's advice. After weeks of being away, Anna longs for home, and for Henrik. A telegram arrives and announces to Karin, that her husband, Johan, Anna's father has died. In her grief Karin reveals to her daughter that she had taken the letter to Henrik and burned it and begs her forgiveness. Yet we know that she had good intentions for her daughter, even though she had hurt her deeply.During the separation of Henrik and Anna, he becomes depressed misses Anna. Frida, proves a rare wise woman, knowing that Henrik loves Anna and will never be happy without her, meets secretly with Anna to implore her to rescue Ernst by taking him back. Finally, the lovers, together again, visit the small parish that Henrik is being called to serve as minister. Anna is not deterred when she sees the state of quarters this church offers as the parsonage, in disrepair and inadequate. Together, she and Henrik visit the abandoned looking chapel where Henrik will preach, when it suddenly occurs to him that they could be married here, instead of the big wedding Anna had already planned. Anna objects, almost insulted that her fiancee would suggest such a thing and their worst argument ever ensues. They both say terrible things they quickly regret. Henrik realizes his error, and agrees once more to the wedding Anna had planned.The remainder of the film continues to support the title. I highly recommend this film!

In 1909, poor, idealistic theology student Henrik Bergman falls in love with Anna Åkerbloom, the intelligent, educated daughter of a rich family in Uppsala. After their wedding Henrik becomes a priest in the north of Sweden. After a few years Anna can't stand living in the rural county with the uncouth people. She returns to Uppsala, Henrik stays in the north.After a long and successful career, Bergman wrote this script: essentially the story of his parents, who were second cousins, who fell in love despite some obstacles. And he did not just write it as a throwaway, he passionately threw himself into it and it became a three-hour epic.I do love that directing duties fell to Bille August. I would think with a story so personal, Bergman himself would want to have complete control. But no, he distanced himself. And that was a brave, bold move. His family's story as told by a third party.

It is the very honesty and intelligence that I find so beguiling and compulsive about the now, late Ingmar Bergman, and this being the life- story of his parents. Sounds great, doesn't it? Like the vast majority I was veered toward the Great Swede director via The Seventh Seal and it surprises me still, that not only did I find time for all his lesser, more ordinary and sometimes rather depressing films, I was after everything he made and associated with. The only other three directors I have vowed to do this for are/were Federico Fellini, Stanley Kubrick and Billy Wilder.'Normal' period drama i.e. British, probably because it's so commonplace and accepted and even pushed upon us - if we didn't watch Downton Abbey on TV, we felt almost chastised! doesn't move me much, possibly because by now, most of the popular novels and adaptations have been re-done so many times. However, I find it rather calming and enjoyable to look through the eyes of 19th C Swedish middle-class family life and as such, Bille August's direction and period detail is never less than 100% convincing.The picture quality of the DVD is excellent, subtle yet full of life and texture. The ratio fills a standard widescreen format, so you get all of the picture. Compared to the rather poor transfer I have of Bergman's Scenes From A Marriage, this is near perfect. The score is simple yet sympathetic, too.Bergman stalwart Max von Sydow is perfect as the grandfather and Permilla August (the director's wife) as Anna Bergman, to be Ingmar's mother. In some ways it helps to know of - and appreciate - the genius, yes, genius, that the couple went onto bear, but not essentially so as the story of young love but disapproving parents and society is a such a universal one that in fact it can be enjoyed by everyone.Lastly, whilst I'm not complaining, my DVD is clearly marked as a 'PG' yet there is female topless nudity and subsequent mild sex scenes that's quite prevalent, especially near the start. Whilst children are very unlikely to watch this, especially alone, parents should know of this and whilst '15' is possibly too strong, especially for a more relaxed European film, a '12' would be more appropriate.

As a big fan and admirer of Ingmar Bergman, I was not disappointed at all in The Best Intentions. Of Bergman's resume actually, there were only two movies I didn't care for and they were All These Women and The Serpent's Egg. The Best Intentions may start off a little too slow, but once it gets going there is so much that makes for truly riveting drama. Billie August directs superbly, and the film is beautifully photographed with striking scenery. The script by Bergman himself(he's only writer here) evokes so much thought, giving the film such a powerful and poignant tone, while the story while deliberately paced constantly had me compelled. I know of people who are indifferent to the characters of many films directed by Bergman or with his involvement, but the lack of likability of some of his characters is more than made up by the realism of how they are written. That is precisely the case with The Best Intentions. The acting is superb, especially from Max Von Sydow, with him even the simplest of gestures or expressions are telling of so much. Pernilla August is equally telling for exactly the same reasons. All in all, an intensely beautiful film, though, while one of the best of his later movies, not quite up there among Bergman's finest. 9/10 Bethany Cox