78/52

7.3
2017 1 hr 31 min Documentary

The most famous murder scene in movie history comprises 78 camera settings and 52 cuts: the shower scene in Alfred Hitchcock's Psycho. 78/52 tells the story of the man behind the curtain and his greatest obsession.

  • Cast:
    Emilie Germain , Osgood Perkins , Peter Bogdanovich , Guillermo del Toro , Eli Roth , Jamie Lee Curtis , Aaron Moorhead

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Reviews

Tedfoldol
2017/10/13

everything you have heard about this movie is true.

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Console
2017/10/14

best movie i've ever seen.

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Doomtomylo
2017/10/15

a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

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Nicole
2017/10/16

I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

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Jackson Booth-Millard
2017/10/17

The shower scene in Alfred Hitchcock's Psycho is considered one of greatest, definitive and most ground-breaking in both horror and in cinema, this documentary look at its enduring legacy, and how it was achieved. Basically the scene in the film, where Marion Crane (Janet Leigh) is murdered by Norman Bates (Anthony Perkins), took a week to film, requiring 78 set-ups and 52 cuts (hence the title of this film). This film really examines and deconstructs all aspects about the film, leading up to the murder, including things the audience would never have noticed or thought about before. This includes feeling empathy towards Bates rather than perhaps Crane, a painting specifically chosen to feature in the study scene, the iconic violin music score by Edward Herrmann, the audience using their imagination (the knife is never seen puncturing the body, only the noise (a knife piercing an apple), blood (chocolate sauce) and the stabbing), and the voyeurism (the shower being like a witness, and the plughole becoming Marion's eye). It references to Hitchcock's other works that led up to and followed Psycho, how this pivotal scene has inspired other works in horror and cinema (including homages and spoofs), and how early and continuing cinema has terrified audiences. With contributions from Peter Bogdanovich, Jamie Lee Curtis (who paid homage to her mother, Janet Leigh, recreating the shower scene in the TV show Scream Queens), Guillermo del Toro, Danny Elfman (who recreated Herrmann's score for the crap Gus van Sant remake), Sir Alfred Hitchcock (archive footage), Janet Leigh (archive footage), Eli Roth, Leigh Whannell and Elijah Wood. If you have always wanted to know how the famous scene of Psycho was achieved, what filmmakers and experts think of it, how it has maintained its legendary status, and how it has become so important in terms of how it arguably changed the course of cinema, then this is definitely a worthwhile documentary. Very good!

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zkonedog
2017/10/18

Considering that "Psycho" has long been a "top movie of all-time" in my book, I knew I would be watching this documentary when I first saw the trailer. Considering how many times I've seen the movie and how many stories I've already heard from it, perhaps the most impressive thing I gleaned from "78/52" was how it was able to approach the topic from such a new, fresh perspective.Basically, this documentary looks at "Psycho" from the perspective of its now-infamous "shower scene". While other topics are discussed and other stories are told, the narrative always shifts back to the construction of that sequence, which was truly momentous both in its time and even today. It completely changed the game of American cinema forever.I really liked how this documentary was basically just a whole bunch of film geeks and/or industry insiders sitting around watching/talking about certain scenes. I mean, that's what it's all about, right? As movie fans, a large part of the fun of the experience is to discuss it with others after the fact, and that is the tone that "78/52" hits on. I felt like I was sitting around discussing the shower scene and everything that springs forth from it with family or friends.So, I highly recommend "78/52" to any fans of "Psycho", obviously, but also for those who just love to discuss movies! It's technical enough to be enlightening, but not technical enough to keep it from being a great discussion/history of certain aspects of the scene, "Psycho" as a whole, & Hitchcock (and Co.) in general.

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gavin6942
2017/10/19

An unprecedented look at the iconic shower scene in Alfred Hitchcock's "Psycho" (1960), the "man behind the curtain", and the screen murder that profoundly changed the course of world cinema.While it might seem like quite a feat to devote 90 minutes of coverage to a one-minute segment of a film, this documentary pulls it off. By exploring every possible angle -- the sounds, the editing, the casting -- we see just how much went into getting the notorious shower scene just right. Most interesting is how many clues are in the film leading up to this moment that may not be obvious, but were sprinkled there by Hitchcock with a knowing wink."78/52" is playing on July 20, 2017 at the Fantasia International Film Festival. In this golden age of documentaries, this film still stands out as the cream of the crop.

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Will Jeffery
2017/10/20

A 91-minute analysis of the famous shower scene from Hitchcock's 'Psycho' and how it changed the course of cinema. The first of its kind, a feature length documentary on one scene. The film gets its name '78/52' from 52 shots in a 78 second sequence. It's very entertaining and incredibly rich with goodies you never considered went into the making of the famous scene. I loved the archival Hitchcock commentary they recovered. Though, as I personally feel the movie horror scene has drastically changed (you can decide for the better or for worse), to have young horror film makers (of some damn awful films) and irrelevant actors interviewed to share their thoughts in quite enthusiastic ways suggests that Hitchcock's achievement is less pioneering than the film makes it seem. That aside, I'm surprised they pulled it off, you can tell the director (who is obviously a massive Hitchcock nerd) adores the content and it really shows.

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