Nine Lives
Captives of the very relationships that define and sustain them, nine women resiliently meet the travails and disappointments of life.
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- Cast:
- Kathy Baker , Amy Brenneman , Elpidia Carrillo , Glenn Close , Stephen Dillane , Dakota Fanning , William Fichtner
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Reviews
Very very predictable, including the post credit scene !!!
Very best movie i ever watch
So much average
Don't listen to the negative reviews
The Nine Lives is a memorable movie. The powerful images it presents will keep circulating in your mind for some time. However, if I try to dig deeper into the imagery, I find very little what I could call 'profound'. The lives and situations that the film presents are just too mundane.Garcia tells us 9 short stories of ordinary people and he tells it with style. The camera work is stunning and effective at the same time - I read about it before I saw the film - I was afraid it would be a gimmick, but I was really impressed. The acting is probably the most important part of the film. It's what carries the film and makes it so memorable. However the situations themselves, while emotionally charged through the top notch acting and the direction, are just banal. People not getting over old relationships for years, people disagreeing, people living their lives. Some may enjoy watch a sketch of ordinary lives of ordinary people. For me it was simply not interesting enough. I am already living an ordinary life and I don't need to go to the movies to watch people disagreeing and people crying over their ex-es.
This movie contains nine small movies, each done in one take. The situations are very ordinary and although this idea is splendid, the unfolding of most of the stories are boring to watch as there is little or no point to them. There simply is too little progression or development in these short-stories and we never get really involved. Some of the stories are connected but never in a way that adds anything to a meaning. It is only coincidental.Mediocre is the word I find most suitable to describe this movie which means that I can't recommend it. If you like to see movies that deals with everyday life then I would recommend the movies done by Mike Leigh, who is dedicated to description of everyday life, to you (especially "life is sweet").Regards Simon
one who want to see what it's mean "clean acting art" has to see this movie. I am sure that this movie will be one of the best example of how close can the cinema be to the theater (in the good aspect). the movie bring to us nine short stories about women in relation to their daughters, old lovers, fathers, and husbands. the power of this movie coming from the quality of the actresses who play their rules so naturally, so you believe that it is a real their own story. there is no different the age of the actress: all of them present great acting skills, and show us all the personal feeling woman have, until the most intimal senses they feel. I have notice that the common mood this movie show is sadness about the female world. there is no one joke in the film neither a relief thought about the price they have to pay in our world.
In a question and answer session with director Rodrigo Garcia and a handful of the film's cast members (available as a special feature on the DVD release), Garcia says that the motivation behind "Nine Lives" was the idea of looking into people's windows and capturing a moment of their lives in real time, without formal beginning or end. If that is the case, tell me what street these people's houses sit on, and remind me never to live there.This relentlessly sombre film gives us nine vignettes, each focusing on a moment in the life of a woman. Characters from one segment will appear in another, a gimmick that ties into the film's theme of connectedness but that otherwise has become one big mighty cliché in this day of Tarantinos, PT Andersons and Innaritus (who serves as producer on this film, by the way). The biggest flaw is that this gimmick remains just that -- it forces a structured narrative on a film that doesn't need one, but it doesn't bring any additional nuance to the film. For instance, in a segment featuring Lisa Gay Hamilton as a deeply disturbed woman who comes home to settle scores with her father, we find that the character of the father has already appeared in the film's first segment, as a prison warden, but the connection doesn't tell us anything about him, his daughter or their relationship. Hamilton appears as a nurse in a later segment in which a woman (Kathy Baker) is being prepped for a mastectomy, but again, there's no continuity of character -- we don't know how to relate this calm and sedate nurse to the frantic young woman we saw earlier, and Garcia offers no help -- Hamilton could be playing completely different characters.Worst of all, Garcia's vision of life is unnecessarily gloomy and sad. Each woman deals with her own private demon, whether it be lost love, fear of death, loss of a loved one, murderous rage, guilt, regret, bitterness. But the movie is seriously lacking any message of hope. According to Garcia, life is a struggle, but he never illuminates what makes the struggle worthwhile.In any movie like this, the selling point is the acting, and it's no surprise that the performances are what make this film most worth watching. Robin Wright Penn, Kathy Baker and Glenn Close, in particular, do smashing work, and Close's segment, which closes the film, may just take your breath away.Nice try, but not an unequivocal success.Grade: B-