Best movie of this year hands down!

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.

The film never slows down or bores, plunging from one harrowing sequence to the next.

In 1920s and 1930s New Zealand, Janet Frame grows up in a poor family with lots of brothers and sisters. Already at an early age she is different from the other kids. She gets an education as a teacher but since she is considered abnormal she stays at a mental institution for eight years."An Angel at My Table" was the first film from New Zealand to be screened at the Venice Film Festival, where it received multiple standing ovations and was awarded the Grand Special Jury Prize despite evoking yells of protest that it did not win The Golden Lion. I respect that this was the film that really got New Zealand on the film map, but beyond that...At no point did I care for the heroine. I feel like they exaggerated the main character's hair and appearance to the point where it was humorous and just not believable. I don't know Janet Frame, but nothing about this film made me want to go out and read her books.

Most biopics are usually pretty average, because they attempt to pack in every important moment in someone's life into 2 hours. This is a rare exception. It's a tragic tale of mental problems on the one hand, family problems, and yet also a rather optimistic and positive tale of success.I think the script made Frame more vulnerable than she really was in real life. For instance, in the love scene, according to the book, she says she made up a host of previous lovers, which isn't in the movie.The movie is colourful, delicate and very humorous. It's a rarely perfect blend of humour and tragedy, done to perfection. I much preferred this to The Piano. It's a long film, but you won't notice.

Campion's work throughout the years has been inspirational, dark, moving, and powerful. Her ability to bring characters alive through words, actions, and emotions cannot be matched by many directors in Hollywood today. For this critic, her work is reminiscent of a female Lars von Trier, in which her ability to bring these larger than life characters out of their shell transforms them into darkened characters which evoke inspiring (yet saddening) events. As I watched "An Angel at my Table", I was reminded of Bess' journey with her husband, and consequentially her life, in Trier's "Breaking the Waves". Campion, without a doubt, is a director that stands on her own two feet and this film is pure example of that. To begin, Campion's direction is flawless. This is nearly a three-hour long biography of Janet Frame's life from young girl to the author she became. For some directors this may create an opportunity to enhance other characters, to trivialize smaller events so that we can do bigger things, or to just push along, very slowly, until we all nod off from boredom. Believe me; I have sat through my fare share of stunningly dull biopics. Campion proves she is better by breaking the film into three segments (three parts of Frame's autobiography), giving us amazing imagery coupled with a brisk pace that doesn't loose any of its translation or excitement. Her use of colors, the boldness of Frame's red hair, the powerful background of New Zealand (and eventually Europe) challenges us to pay closer attention, giving us not just a story worthy of our minds, but also our eyes and heart. The colors also provide a vivid counterpoint to the harsh realities of what Frame faces, her fears and her erroneous placement into hospital.I thought this film was flawless, thus I can continue to babble on about how much I enjoyed Campion's film technique and style. She allowed us to make our own decisions on Frame, but also filmed in a style that never cramped our viewing space. We were never forced to just focus on Frame, but we did because Kerry Fox gave us this pure, uncut portrayal of Janet Frame. Due to this originally being filmed for New Zealand television, I can only assume it eliminated Fox from being nominated for an Academy Award, but she 100%, who heartedly, hands-down deserved it. Her performance, from someone I had never seen before, was phenomenal. She literally transformed herself into this character, every step that Fox took on screen she was taking it in the way that (we can only assume) Frame would do it as well. What I am trying to say is that while I never saw Janet Frame herself, Fox never went out of the character we were first introduced to. Fox's Frame grew with each frame, exposing herself differently to us and giving us a new side of her each time. Again, I am drooling on myself, but "An Angel at my Table" is one of those films that should be watched by film students eager to learn how to get into the mind of their characters. This would prove to them that there is more than just what is written on the page, and fully demonstrating how to bring a soul into a man-made story. Kerry Fox was everything you wanted to see on screen, she was emotional, sensitive, caring, unquestionably curious, scared, and yet completely and utterly human. Coupled with Campion's direction, the two take what could have been a bland film and transformed it into one of the greatest performances over the past 20 years.For what other reasons should you watch this film? If you aren't as impressed with the direction or Fox's performance, Criterion packs the DVD with plenty of bonus features, but as well as an amazing transfer. The sound, the music of Frame's life, is breathtaking. It accompanies the vision and Fox's actions perfectly. The song sung by the sisters on the beach of New Zealand still remains with me today, nearly four days after my viewing of this film. The other actors are very good in this film, alas; I cannot say anything further because my focus was entirely captured on Kerry Fox. Yes, she was that amazing. The bonus features on this disc, as mentioned before, are great to learn more about how Campion directed this film as well as her thoughts via an audio commentary. In essence, the Criterion release of this film is the only way to watch this. It is a flawless disc for a flawless film. I am excited and proud to have this within my catalogue of films.Overall, in case you haven't been paying attention this entire time, "An Angel at my Table" was nothing short of perfection. When I raise this film up to other biography based films, there isn't one that compares. Campion's work continues to impress as she grows, developing her strengths in other genres, and pushing actors to new limits beyond what we expect, i.e. though battered by critics, see Meg Ryan's performance in "In the Cut". "An Angel at my Table" has a perfect blend of score, outstanding visuals, enthralling storytelling, and again, this powerful ability to control her actors and expect nothing less than their best. Kerry Fox should be studied by students in this film, Campion's direction glides this actor from scene to scene, but Fox carries it all on her shoulders, with pride and with power. This was not an easy film to create, but with Campion and Fox behind the helm what could have been a very dull, overly dramatic biography on the great Janet Frame, transformed into this staple of modern cinema, a map (so to speak) for others who wish to create films based on real people – "An Angel at my Table" would lead you straight to the gold. Watch it. Be impressed. Than watch it again. Rinse, wash, repeat.Grade: ***** out of *****

I loved this movie! i saw it in 1991 in Amsterdam while on vacation in a little dingy movie house that sold beer and it had dutch subtitles so it was quite an emotional and memorable feeling all the way around. I remember falling in love with everything about it. so heart wrenching. Some of the best acting i have ever seen.All of the performances are amazing, but Kerry Fox should have won an Oscar! She was nothing short of brilliant. The little chubby red head girl (Alexia Keogh) was also outstanding and i was surprised no, shocked seeing she has no other credits on IMDb. She was better than any child star working in Hollywood today.There are moments in the film that transcend motion picture film-making. Jane Campion is a serious artist as was Frame and it's truly a shame that so few people seem to know about it judging from the few user comments. I consider this film true cinematic art. I remember leaving the theater with my friend and not being able to speak it moved us so much. It haunted me in a way no film ever has before. Maybe it was being in Amserdam? Maybe it was the beer? No, it was the film.