Let's be realistic.

Amazing worth wacthing. So good. Biased but well made with many good points.

This film is so real. It treats its characters with so much care and sensitivity.

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

The title of this film alludes to it possibly being a sequel and the only film I could think of that it could be a sequel to is one of the two good Jean Rollin films, 'The Living Dead Girl'. This film actually has nothing to do with said film and has no relation to it beyond also being French; but Pierre B. Reinhard's film is at least bad enough to have been made by Jean Rollin. Like Rollin's other good film, The Grapes of Death, this one focuses on a food supply being contained, except instead of grapes it's milk. Three girls fall victim to the contaminated milk and end up dead. Then, the same company that infected the milk pours toxic waste on their graves and the trio returns from the dead for revenge. The plot is thoroughly amateurish and ridiculous and this is carried on throughout the whole film. The only real reason to see it is for the gore and sleaze and the film does feature plenty; culminating in scenes that feature eye-gouging and necrophilia. The zombie make-up is terrible and the make-up department either couldn't be bothered or was doing the effects badly on purpose. The film is slightly original on the zombie front, as the ones featured are your average lumbering corpses; but that's hardly enough to make up for the rest of the pitiful film. This one comes highly not recommended.

Simply excruciating French "Zombie" film, badly dubbed(with horrendous dialogue), sleazy(plenty of full frontal nudity..but not erotic, just boring), & cheap(the zombie get up, face mask and hand gloves are easily recognized as rubber). It's about supposed living dead girls, who were former employees of a chemical factory with corrupt toxic waste disposal practices using an idiotic outside contractor, who seek revenge for those responsible for poisoning them with toxic milk. The zombies even rape a prostitute vaginally thrusting her with a sword! The protagonist is a scientist with a "diseased" hand, whose wife's bulging pregnant belly opens to expose a dead child! In the film's finished product, the villainess of this flick, the assistant to the chemical plant executive who is drowned by the zombies(in his pool, no less, we notice that the zombie girls' skin is proper pigment exposing the so-called rotted flesh that is so dormant on their faces and hands..just rotten effects), actually is shown picking up the zombies in her car after stealing money from the place of her employ. Shortly afterward, as we never understand why she'd stop for the zombie girls and why they would not attack her, the villainess and undead die in a car fire set off by the police who wanted the violence and bloodshed to end.Now there was an alternate ending(..which is infinitely better than the one placed in the film)which explains why the villainess picks up the zombie girls and why they do not attack her. This ending explains a lot of things, ESPECIALLY why the zombie girls are rotting on the face and hands, but not throughout the rest of their bodies. Still, the film as it stands is amateurish, badly edited, with messy resolution and inept characters.

This is one of those films that "irresponsibly" intermixes extreme sex and violence. This doesn't bother me, however, because the two things are like drinking cold beer in a hot tub--both are enjoyable but for completely different reasons. And just as no sane person is going to start bathing in cold vats of beer or drinking hot tub water, these kinds of movies aren't going to make gore erotic and sex repulsive, however much they mix the two. The real problem with THIS movie though is that it fails miserably both as a sex movie AND as a splatter movie.Three nubile young girls die and come back to life as zombies either because some misguided environmentalists poisoned their milk with chemical stolen from a chemical company OR because the same chemical company is pouring toxic waste in the graveyard--the incompetently plotted movie never quite makes up its mind on this. The zombie girls have dessicated faces and hands but perfectly firm young bodies when they disrobe (which is very often). They are thus neither very sexy nor at all scary. Maybe this was meant to be an absurdist comedy, but I sure wasn't laughing. The non-zombie girls aren't much more appealing (how do you say "sleazy skanks" in French?). They kind of look like refugees from "Traci, I Love You" (Traci Lord's French-made, only-legal porn flick) except that their acting is not quite up to the level of 80's Euro-porn.The splatter scenes are very puerile in their attempts to shock the viewer, resembling more the shot-on-video, sold-to-suckers-over-the-internet efforts of modern-day amateur filmmakers than the European horror masters like Argento and Fulci (or even the European horror hacks like D'Amato and Mattei). The director, another hardcore-porn refugee, apparently went on to helm the "French Lolita" (hardly a necessary film in the "zank 'eaven, for leetle girlss" French cinema).Not a good film in any sense of the word , but if you're still interested contact me--I'll sell it to you, CHEAP.

A terrible ultra soft core porn / horror, exploitation film. Deserves attention because it is so bad. Thrill to the awful camera work! Be amazed at the end car stunt sequence which defies all logic! Be shocked at the sequence where an actor looks directly at the camera and laughs, flouting the rules of continuity! Love the wretched story line!