Highly Overrated But Still Good

Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.

Funny, strange, confrontational and subversive, this is one of the most interesting experiences you'll have at the cinema this year.

As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.

Quality Concept, Quality Writing, Quality Directing, Quality Acting, Quality Soundtrack! If this movie doesn't win an Academy Award the Hollywood establishment is simply beyond hope!Whenever I see Richard Jenkins' name on a production I stop and take a close look. He's the sort of actor who is so good at his job that it doesn't seem like "acting" at all. Thus when I noticed that he was part of the cast in Lullaby I pressed enter on my Apple TV control and settled back to enjoy the ride.And what a ride it proved to be!Terms like Gut Wrenching only hint at the roller coaster ups and downs of a script beyond excellent and words like "real" are so spot on that even the most rabid cliché hater must of needs use that descriptor... One wonders how anyone could survive the writing of this script, or the directing of this movie, or the acting out of these roles.Difficult conundrums faced with hesitancy but ultimately depicted with brutal honesty and yet delicate sensitivity! The sort of movie everyone can be proud of being involved in...and that includes even the act of watching it.Bravo, and thanks to all involved!

This film tells the story of a dysfunctional family, who is reunited by the terminally ill father's decision to pull himself off life support."Lullaby" is named quite the opposite of what it really is. It is a dark film with a lot of arguments and dysfunctional interactions. It is not easy to watch. The pacing is very slow, and I think the film can be a lot shorter, especially by cutting out the music scenes that are unnecessarily long. Jennifer Hudson is memorable as a nurse with attitude, I am quite unsure if nurses in the States really act like that! The ending speech by the daughter is very touching, but it is still not enough to save "Lullaby" as a tedious film.

Trigger Warning(s): Deals with death of parent and children with cancerWith top billing belonging to Amy Adams, the familiar face of Jessica Brown Findlay from Downton Abbey, and a sad topic which seemed like it would lead to a good cry, what other reasons would you need to see the film?Characters & StoryAfter leaving New York to pursue music in California, Robert's (Richard Jenkins) son Jonathan (Garrett Hedlund) returns only a day or so before Robert, after 12 years, is ready to die. Something his daughter Karen (Jessica Brown Findlay) refuses to let happen. But, with only a day, or so, until Robert's Dr. (Terrence Howard) is to perform an assisted suicide of sorts, Karen doesn't have much time to convince her dad to stick around much longer.PraiseThe more and more media I watch when it comes to people having cancer, dealing with family members dying, and other similar themes, I must admit I have built a sort of tolerance. Yet, with this film I found myself getting a bit emotional throughout. For while neither of my own parents are sick, nor anyone I personally know, the performances by both Hedlund and Findlay do bring you to that possible point where you realize that the natural way of the world, unfortunately, is for children to bury their parents.But, it isn't just Hedlund and Findlay, with of course Jenkins being front and center, that get you when watching this film. A side story with Jon dealing with this 17 year old cancer patient named Meredith (Jessica Barden) I think damn near matched the emotional impact of Robert's sickness. Which perhaps is weird to say since Meredith is a stranger to Jon in comparison to his dad, but what Meredith brought to the movie was a more unique, if not rare, angle to dying. For, to my media knowledge, there aren't too many movies or TV shows which focus on kids dying of cancer, and while arguably there is The Fault In Our Stars, I do feel Meredith gave us a more realist depiction of cancer than the optimistic, and arguably romanticized, view The Fault In Our Stars had for most of its movie. In fact, I sort of wish that Jon's sole side story was simply his character developing through hanging around Meredith and his sister more than anything else.CriticismNow, being that this film has a depressing subject matter, naturally it feels long. But being that it is nearly 2 hours, it feels so long that honestly I had to walk away sometimes. What doesn't help things though is as much as it was nice to get to know Jon, I felt the addition of Emily (Amy Adams) wasn't fully necessary to the story and could have been cut. For, after watching the film, I think the sole reason she is included is because she a recognizable name and not because her character really adds to the movie. For as Jon's ex she may let us know how bad he is with expressing his emotions, but with his dad dying it does make you wonder why they needed to go into Jon's love life?Also, I must admit that I felt bored at times when it was just Jon and Robert in a scene together. For while they certainly had chemistry, and issues between them, I just didn't feel that invested in Jon's life overall. Be it because he is a spoiler rich kid who just seemed a tad aimless, or because he seemed only devastated about his dad's death, at first, because he wasn't getting any money. Either way, the only thing which made his character interesting was when he was with the rest of his family, with Meredith, or one of the few scenes he had alone with his sister Karen.Overall: TV ViewingThis is one of those movies which start off strong, but as time goes on it wears out its welcome to the point you start looking at your watch a bit. For while the story will probably affect you emotionally, especially the one with Meredith, I just felt that after a while there was too much focus on Jon's life and not enough on either Robert's suffering, and decision, or how it affected his wife and daughter. Because of that, I am labeling this as "TV Viewing." For if the film wasn't so damn focused on Jon it could have been "Worth Seeing," but be it that the decision was to make Jon center of the universe, it gave the film a serious flaw.Collected Quote(s)"You have to listen, and share, which are two things you suck at. (And) I'm not talking about your bed and your tooth brush. I'm talking about life things, like real things, things that move you, things that make you feel, like a dream or a song." — Lullaby"Even death is not to be feared by one who has lived wisely." — Lullaby"I hope some day you become proud of your heritage, that you treat it as a lifeline and not a sentence." — Lullaby

Andrew Levitas makes his screen writing and directing debut in this little film LULLABY and for a first time effort, despite all the rough unfinished edges of the canvas, he gives notice of a man with a fairly keen perception of the complex interrelationships of dysfunctional families.Jonathan Lowenstein (Garrett Hedlund) lives in Los Angeles attempting to become a singer of note and has been estranged from his wealthy New York family for years, always feeling as though he was unable to live up to his father's expectations. One day, he suddenly receives word that his terminally ill father Robert Lowenstein (Richard Jenkins) wishes to be taken off life support after a 12 year struggle with lung cancer and has 36 hours to live. When he agrees to visit his father, he unintentionally sets up a family conflict with no easy resolution. His mother (Annie Archer) has been caretaker of Robert and is happy to have the family reunited: Karen (Jessica Brown Findlay), the younger sister in law school, struggles with resentment for Jonathan, Jonathan detests the fact that he must observe the dying wishes of Robert (including setting up Seder when Jonathan has a history of disregarding his Jewish heritage), cope with Karen's acerbic flairs, deal with a stranger Meredith (Jessica Barden) who is 17 years old and dying of bone cancer who shares her needs with Jonathan and he with her, and re-encountering his lost love Emily (Amy Adams). Some of the best moments are provided by Jennifer Hudson as the potty mouth bitchy nurse, Terence Howard as the attending physician who is to aids Robert's 'assisted suicide', and Daniel Sunjata as a policeman who joins in the Seder. Though there are funny moments the story hangs on the subject of death and end of life situations, sharing the manner in which we evaluate our lives and our purposes in this life at that transformative moment of death of a loved one. Though falling frequently into the overplayed anger/grief/sobbing triad the actors are very fine and they make the film worth watching. Grady Harp, July 14