Very well executed

Such a frustrating disappointment

Don't listen to the Hype. It's awful

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

I only gave this movie a 2 instead of a 1 because Dustin Hoffman is still such a great actor at the age of 80. He is in top form.Sandler and Still are good too but the story is disjointed and often times not believable, most of all about 20 minutes in when the director gets one of the young actresses naked and gets her to curse repeatedly in a sexual way.Not sure if Noah Baumbach did so for his own amusement, enjoyment or if this was a desperate attempt at sensational shock value but it made me want to throw up.What a cheap way to ruin a movie.

I literally don't understand how this can be called "good." It's pretentious nonsense. The roles of the women are almost as meaningless & shallow as the plot. What was the purpose of us seeing a father watch his daughter's bizarre porn films like it was normal? Was it suppose to be funny? Were we actually suppose to see it as art? Or was it to have a worse movie inside this movie to trick us into this this was actually good? The entire film was just a boring waste of time.

Boring, not sense no story just c*ap not interesting stupid stupid story painfully to watch, I have feelings that this good actor wanna make movie..like they desperate for earning money and promote yourself...absolute wasted potential of them!

Plant an academic-artistic Jewish-American family in contemporary Manhattan, and you have neurotic conversation, bruising relationships, and repentance all learned from Woody Allen if not for real. Even more than Woody's endearing situations, this one is bloodier but more forgiving. Noah Baumbach's Meyerowitz Stories (New and Selected),a Netflix original, is touchingly funny about two Meyerowitz sons, musician Danny (Adam Sandler) and financier Matt (Ben Stiller) celebrating their mediocre-sculptor-professor father, Harold (Dustin Hoffman), and their constant jockeying for position with him and themselves. It's not a hilarious comedy, but the nerdy-New-Yorker motif shows it is still satisfyingly amusing.Baumbach perfectly tunes us to Danny's alienation from Dad and Matt's clueless realization of his role as favored one. Danny's opening sequence trying to find a parking spot in the East Village is an emblem of his consistent failures and the disintegration of the fractured family holding on to hopes about the deed for Dad's apartment.Most of what happens is off-center from the truth of things, as is probably true of most families whose perception of each other is skewered by family culture and parental politics. The dialogue is both banal and profound, just the way we all live except that few of us are Jewish or live in Manhattan, two invaluable elements that provide subtle hilarity. When feelings are exposed, the dialogue turns almost Eugene O'Neill-like.Most touching about these stories, which are chapters partly devoted to the three males, are almost seamless revelations about the family and their unspooling in a leisurely but sometimes devastating way. About the daily dialogue, Baumbach can't be bested, maybe except for Allen in his prime and Baumbach's girlfriend, Greta Gerwig, whose wispiness is gone from Baumbach here, but all the better for this urbane grit: "Brian and James, who you've met..." Matthew "Very charming interracial, homosexual couple, and smart about the work. They were familiar with Gilded Halfwing [Harold's prized but ignored sculpture]." Harold