As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.

Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

Exactly the movie you think it is, but not the movie you want it to be.

This movie feels like it was made purely to piss off people who want good shows

It's not funny. It's not nostalgic. It's not anything, really.A spectacular example of hipster counterproductivity, this outrageous waste of time is really just a feature-length showcase of how much money & online hype can be flushed down the toilet by the utterly untalented.There's no plot to give away, because nothing happens. It's just crap, stumbling from one nonsense "scene" to another, with a few little "nods" to the original along the way. I can't even think of words to describe the rest... bright colors? No attempts at continuity either, unless a small parade of lame cameos qualifies as such.Maybe the most tragic - yet interesting - thing about this project is the increased appreciation this pile inadvertently lends to that first movie. At least Samurai Cop stumbled into accidental charisma here & there! That Amir guy must be turning in his grave.I'd like to further skewer this trainwreck, but it's frankly just depressing.Don't watch it. It blows.

Let's get this out of the way right at the start; Samurai Cop II is far too self- referential for its own good. And that's not really a good thing overall. It lacks the thunderingly inept, yet earnest appeal of the original. On the other hand, it is not quite the schlock-by-numbers knowingness of Asylum releases like Sharknado, Mega Shark, Sharktopus and (surely some time soon) the Sharkshank Redemption or maybe Sharks & Recreation. Guys, if you read this, help yourselves to those last two suggestions gratis.However... Matt and Mark are back together as partners and they seem to be genuinely enjoying themselves. There are nods to fans of bad movies and the riffing thereof, in the casting of Tommy Wiseau and Joe Estevez. There's even a character called Officer Z'Dar, in an affectionate tribute to the late B-movie legend who was the bad guy in the original 'Samurai Cop'.Otherwise, it looks like everyone's family and drinking buddies were invited to fill out the cast, along with young women willing to take their tops off at the drop of an Eighties cliché. There is a welcome sprinkling of original cast members, some of which have aged better than others.But overall, this is a garbled and gratuitous mess. Maybe a proper sequel could never really be made in the modern era, where every trope is extensively discussed and laughed at online. These days, genuinely bad films are made by the likes of Michael Bay or feature characters like Jar-Jar Binks... and they're not fun-bad. I hope I'm wrong, but the movie world seems to have lost an innocent something; the "heroic failure" factor. People who aimed for the epic, but achieved magnificent wretchedness.

Like many of you reading this review, I am one of those special individuals who enjoys watching bad movies because of the non intentional hilarity factor involved. A movie which has a cast and director who actually try to make a good movie but are not aware nor can cope with their lack of expertise, budget or comprehension of a proper film can have gut wrenching laughs.Now enter the Samurai Cop 2. Building up from its cult following and the internet movement of glorifying old bad movies, it invested some money into creating a sequel to satisfy rabid fans. Now the problem is that the movie is too self aware about what's going on. The first film had an amateur director with big dreams leading a cast of actors who where desperately trying to build their acting portfolios and then suddenly everything crashed and burned. The second seems like it was trying too hard to re-create the tragic magic it had from the first film and instead of making a movie so bad its good, its just a terrible film. The cast and crew came into this movie knowing it was nothing special and it ends up being just that.First off we can talk about the story. I have yet to figure out what the hell was going on. At first it seemed to make sense. Losing a loved one caused samurai cop to go into hiding. There's a clan war between two large gangs and they need him back to stop the impending chaos. After that you get random scenes of flash backs, poorly executed action scenes and reused meditation sequences of samurai cop on the beach. I know the story wasn't the main attraction but it created this vortex in which the more you tried to follow it the more you got lost in what was going on. It got to the point where you couldn't focus on the jokes because your brain was too warped from the messed up information it just received.The actors that were in the film weren't great either, which is to be expected because they brought back many of them that were in the first film. The new characters consisted of porn stars and Tommy Wiseau to cater to those who enjoy gratuitous nudity and The Room. I am one of those people so that's where one of the stars from my rating is derived. I enjoyed Kayden Kross' performance and it's quite sad that her acting was better than most on set. Her black wig made her look like Jill Valentine...mmhhhmm...anyways back to the review.The interior sets were poorly done consisting of reused basement rooms and decorated basement rooms to simulate places such as bars, clubs and building complexes. The colour scheme they used was really bright which almost rivaled tron for its neon use. They said they used the kickstarter money for special effects but it looks like basic animations and sfx that come free with a low end video editing software. They really screwed kickstarter backers if they spent 50k on elementary school cgi work.The music was the other reason for the second star for this review. I enjoyed it and it set the mood quite well and hit the right notes to move you through the poorly acted scenes.All in all I give this movie a 2 out of 10 starz rating. I would not recommend this film. They ruined perfectly good memories of the first bad film and didn't even try hard to make a good film which would end up being unintentionally bad. They should have used the budget and kickstarter money to make a porn parody as they could've used the same cast, been more entertaining and cost less money.

SAMURAI COP was among the wave of martial arts movies during the early-nineties and despite being one the worst of them all it had no pretensions. It reveled in its own awfulness and rightfully earned itself a loyal cult following over the twenty-four years that followed. It was a film that certainly didn't deserve a sequel and yet here we are...SAMURAI COP 2: DEADLY VENGEANCE is the long-awaited follow-up that sees Matt Hannon & Mark Frazer reprising their roles and kicking ass as though their last exploits were only yesterday. The film is the result of a dedicated crow-funding campaign and the devotion of director Gregory Hatanaka. Fans owe him a lot of gratitude because the film is an outstanding combination of nostalgia, action, satire and self-awareness.Frazer's detective character is still punching the clock and finds himself investigating a string of Yukuza assassinations. He tracks down his old partner, Harron, who has been off the grid for two decades and the two of them team up to take down a ruthless organization of clichéd samurai killers.Honestly? The storyline is irrelevant. SAMURAI COP 2 is an intentionally contrived throwback film that recreates the aesthetic of the original with a full comprehension of what made that film so bad, as well as an understanding of precisely what fans loved about it. Having Hannon and Frazer reprise their roles solidifies the intended sarcasm and lends the movie a constant hilarity.Harron and Frazer are fantastic. In a case of life imitating art Harron had fallen off the grid prior to the production. He had changed his name and left the industry and it was only when he was tracked down and discovered at the last minute that the script was re- written for his return. He steps back into the game as though he never left. He commands the screen and delivers a hysterical performance that makes it hard to imagine the original script without him. Frazer is great too. He had also stepped away from the camera many years ago and seeing the two of them kick ass again is so damn good.The script is smart and the production values are fantastic. It is a much more controlled and artistic film than the original with strong textures and well handled cinematography. In fact it couldn't have come at a better time with creative outfits such as Astron-6 already laying the way for this particular brand of self-referential nostalgia. Gregory Hatanaka has proved to be a savvy filmmaker with a clear vision and comprehension of the genre. His handling of the action and use of night serves as a clever contrast to the first film, which was shot entirely in daylight with underwhelming action sequences.Enjoying SAMURAI COP 2 doesn't require your knowledge of the original, but I would stress that it cannot be truly appreciated without seeing it. This is a movie packed with throw-back references, as well as countless nuances that serve as a wink to the audience, and newcomers wont recognize the elements at the very heart of the film. Track down the original. Watch it and then enjoy this wonderful sequel that deserves an even bigger cult status!FAKESHEMP.NET