Sorry, this movie sucks

Fantastic!

It's complicated... I really like the directing, acting and writing but, there are issues with the way it's shot that I just can't deny. As much as I love the storytelling and the fantastic performance but, there are also certain scenes that didn't need to exist.

A movie that not only functions as a solid scarefest but a razor-sharp satire.

On the surface, this is deeply flawed; there's some awkward dialogue, Harvey Kietel is OK, not amazing, the female characters are thin. But it's so damn full of breathtaking images, brave cinematic choices, multi-minute long shots, and a heart rending climax, that the flaws don't seem important some how. The story: A Greek film director caught in his own mid-life artistic and personal crisis goes on an odyssey to find lost footage by Greece's first filmmakers, traveling through the Balkans and revisiting his own life in the process. I can certainly understand the mixed reviews. This isn't an easy film, and if watched in the wrong mood, or without knowing what you're getting into (a slow, thoughtful 3 hour rumination on life, the past and art) could be very off-putting. But accepted on its own terms, warts and all it's an amazing odyssey; visual, emotional and thematic.

This is one of the most boring movies I have ever seen, probably THE worst. A friend had rented it even though we'd never heard of it because of a lot of praise on the cover but my only explanation is that in fear of being accused of not understanding the artsy-fartsy deepness of it, they praise it. After about an hour we were both ready to give up in order to kill time some better way like playing monopoly or watching girls in infomercials for exercise equipment, but we decided to stick with it. After all, it COULD pick up and it had been praised, but most of all we didn't want anybody to tell us we couldn't criticize it because we hadn't seen all of it and we REALLY didn't have anything better to do. I was horrible. There's one scene 15 minutes long (really, we checked) with almost nothing but mute shots of a gigantic Lenin statue being transported on a barge down some river. "Almost" because for 30 seconds there's a short dialog between the PA system on the boat and the border patrol's PA system. The images don't move for this duration.I must say there are many movies that are pretty good even though they are slow, but Your lives will be better if you don't see this movie.

Justly famous for being one of the last remaining directors still doing extraordinary cinema, in this film Angelopoulos celebrates the end of Communism in Eastern Europe, while, at the same time, looking with touching sensitivity into the lives of people molded by recent (and less recent) History. Some of the scenes related to History have already become classic, but, personally, I was more impressed by the description of the way this History affected individuals and families. Although the media has covered so amply the tragic events in the Balkans and (to a lesser extent) the external aspects of people's life, very little has been said about more human aspects which, after all, will keep affecting them for many, many years to come. In my opinion, this film offers the most complete, convincing and respectful take on the affected people's emotions, memories and relations among the (few) films, documentaries and books touching on the theme.The scale is epic both geographically and chronologically and since Angelopoulos manages to move easily between dream and reality (one of the biggest problems facing cinema directors), the personal stories are nicely interwoven with History. Angelopoulos' characteristic long takes, in this instance serve more than giving the film a poetic atmosphere. It is necessary for his goal of looking carefully on individuals' lives and describe their joys and sorrows. In terms of execution, there were some flaws (especially in technicalities of directing of actors) but, frankly, I don't mind that, if the alternative is perfectly executed films but lacking interesting ideas.

Before seeing this film for the first time, I was already familiar with the brilliant CD of the music. I had some idea through the music of what the film portrayed, but was somewhat put off by the three hours devoted to a movie about the Balkans. I just wasn't ready for a drama about this violent and troubling history although I had adored the wonderful film "Before the Rain." Now after viewing the compelling and stunning "Ulysses' Gaze" I can highly recommend both the music and the film. The music and the movie are exquisite partners. The cinematography is truly breathtaking. I was taken with the intense yearning and empathy of Harvey Keitel as the Ulysses of the quest, but especially struck by Maia Morgenstern as the female focus of the film. She is brilliant. And the great Erland Josephson is wonderful to watch. Although the movie is quite long, its richness and unusual perspectives are impressive, thought-provoking, and profound. I think that by the end, as is the main character, the viewer can be wholly changed by this experience.