Strong and Moving!

If you don't like this, we can't be friends.

It's not great by any means, but it's a pretty good movie that didn't leave me filled with regret for investing time in it.

Fanciful, disturbing, and wildly original, it announces the arrival of a fresh, bold voice in American cinema.

What would YOU do, seems to be the central question here. In America, there's a waiting list for organs... And it's a VERY long one. Your daughter needs one desperately, and thanks to a certain illicit trade going on in Mexico, you may have the opportunity of saving her life. But there's a catch... you may have to suspend your moral compass, and turn a blind eye to conduct which is inhumane to say the least. Could you live with yourself knowing what had happened, if it meant your child got a second chance?I am being deliberately oblique here, as there are secrets I would dare not reveal. But sufficed to say, many people would come away from this film thinking that they'd made a different choice to the main character... Me included. But I could understand why he went along the path he did, and I respected that. I'll stop there, and just add that this was a competent thriller for the most part... nothing special but with enough action and drama to last you until you reach the finish line.This is the point where EVERYTHING that has gone before is overshadowed by the key dilemma. Like one of the Choose Your Own Adventure books I used to like so much, it is a real head-scratcher. Sometimes, there are no easy answers... 6/10

Every now and again a film comes along that you watch as a "matter of course" and get blown away by. This is such a film. I did not expect a great deal from the back of the DVD but figured it was worth a watch.The premise sounds corny but the cast really pull it out of the bag. I found myself immersed in the film which doesn't happen very often. The last time I was this engrossed was Schindlers List which I think says it all.Watchitsoon!

In this new thriller from Icelandic director Baltasar Kormakur (The Sea), Santa Fe District Attorney Paul Chaney (Dermot Mulroney) and his wife Diane (Diane Kruger) has a daughter, Chloe, who is on a long list for a lung transplant due to a rare degenerative condition. As Chloe's health worsens, Paul becomes desperate for a donor and forgoes the usual channels to seek out a mysterious surgeon named Dr. Novarro in Juarez, Mexico, who may be able to help her. Things get complex when he finds that Dr. Novarro may have connections to a criminal underworld.The film starts off with a text on the screen about the increasing needs in the world for organ donors, similar in style of a documentary or a fact-based drama. We are soon introduced to Chloe, Paul and Diane's daughter with severe lung problems, establishing the motivations of the parents. While I first expected something more akin to a medical drama, majority of the film is actually closer to a thriller. It is a decent, if conventional, thriller.Majority of the film follows Paul (Dermot Mulroney) who goes off by himself to Mexico, searching for a "Dr. Novarro", a surgeon who apparently has access in finding a donor for his daughter. Paul, a white, upper-class gentleman with graying hair, sorely sticks out in this new and unfriendly environment. He is soon mugged by thugs and taken advantage of by street kids for snooping around in the wrong area. Many of the thugs are typically two-dimensional. Paul eventually makes some headway by enlisting help from one of the kids. I found it surprising that a District Attorney couldn't hire a language-friendly guide or bodyguards to get by in this type of environment, but I suppose that would make it less "edge-of-your-seat." AdvertisementDermor Mulroney is competent as Paul, who is constantly in the worst of places. Majority of the people he bumps into are unfriendly. Strange, extreme situations follow this character around--actually, it's more like he throws himself into these situations. Beyond that, his character is a fairly typical white collar character. Diane Kruger has a supporting role as Diane, Paul's wife. After Inglourious Basterds, Diane Kruger has become even more recognizable. She is underused here, and is away from most of the action, looking concerned in much of the film. Rosanna Arquette also has a small role as Dr. Rubin, which isn't developed. Most of the street characters in Mexico aren't developed beyond the obvious.The cinematography is well done. The film makes good use of its unfriendly, harsh environment with saturated colors and sharp contrasts, emphasizing the gritty, urban areas of Juarez, Mexico. The streets are filled with sharp greens, reds, and yellows. The thugs, the poor, and the children in the streets complete the whole mood. They are often more part of the environment than individuals. Many of them aren't too friendly. I'm curious how Mexicans would view this film. The hand-held camera shots, edits, and angles are all effectively done--the whole stylistic direction has a certain Tony Scott feel.As for the story, it's nothing too new, especially when it focuses on the events in Mexico. It works like a simple detective story--one clue leads to another. There are a good amount of violence and sexually explicit situations, many of which seem to exist purely for shock value than to further the theme or the plot. While the film regains its focus down the line, there are many things going on that seem sensational--shady politicians, conspiracies, and exploitation of the poor. Some parts were implausible, if well-intended, which took me away from the film. Overall, I did appreciate the theme of this film, which was driven home fairly effectively near the end. Still, I don't think the film's message was helped by all the clutter--clichés, shocks, and stylistic chases. You can also follow my movie reviews on twitter.com/d_art

The basic premise of this film does not give reason for very high expectations --- dedicated parents with child in distress, how far are they willing to go, and what do they need to do in order to save their child. In this case, the child needs an organ transplant, and as the usual channels do not seem to be able to save her, the parents need to get creative about procuring a suitable organ in some other way.This is fertile breeding ground for loads of cheese, contrived story lines, and emotional vignettes. And even though you can see the end coming from quite a bit away, and even the movie isn't entirely free of cheese, it's a dark and gritty movie that explores its subject without too much sentimentality and isn't afraid to look where standard Hollywood fare might not.The solid story is helped along by a strong cast led by a great Mulroney (who seems to be expanding his range with every work I see him in), and it pains me to say that even Diane Kruger (whom I otherwise enjoy to slam) turns in an excellent performance, as does the interesting supporting cast (Arquette appears somewhat underused, it wouldn't be surprising if a good deal of her material ended up on the cutting room floor).At some point in the film you realize that no matter which way things go, the ending won't be a very happy one. To me, that is where I see the true strength of this movie, and I find it much more important than the particular road the story ends up taking (and which seems to have made many viewers rather unhappy judging from the discussion boards). To be sure, I like the ending, and much prefer it over its conceivable alternatives, but the real point remains that our protagonist had arrived at a situation that no longer admitted a 'happy' resolution.Definitely worth seeing.