As Good As It Gets

The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.

Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

This is a gorgeous movie made by a gorgeous spirit.

While the film generally manages to avoid the worst pits, it still falls to some of them. The absolutely best thing about the film is, that it does not attempt to establish one side as the good side and the other as bad. The sentiment is fairly neutral, though it may be seen leaning more to Franco's side than to the Republican. It is also stated in the opening credits, that wars start long before the battles, and will end only long after those. Also true.The main characters appear to be fighting for both sides, and especially Kurylenko is doing a fine job. Other main characters include a good-willing Catholic priest who has to testify atrocities committed against the church. That the church is depicted as a victim, could be to some a 'refreshing alternative' in this contemporary context at least.This maybe sounds good to some, but unfortunately it does not seem that good. Many scenes are shot in dark, and at least I was totally confused what was going on then. Maybe it was a fault of my DVD and television set, but maybe it was not. Another annoying thing was the soundtrack that seemed to live its own life regardless of what was happening on the screen. I also wished that the film language had been Spanish and not English. Using English was a big loss of immersion for me.

Nice cinematography. Weak script, Weak special effects. some dark scenes that didn't have to be.The music, oh my horror, what can I say about the music. The swelling crescendos,everywhere, the loud volume, drowning out the dialog, and the most inappropriate music at the most inappropriate times, oh my horror, the most horrible music. After a half hour, I was left to myself to watch the thing, the music chased all the others away. Did I mention the music, oh my horror, the miserable horrible music, wrecking what could have been.In the last half of the movie, I could see the actors were all tired of this, their efforts were drawn and tired, they had succumbed, they had had enough, long before the audience collapsed.I'm sure the cutting room floor was littered with performances that were absolutely horrible, the actors were sick of this project and just wanted, no needed, to run away.In Blu-Ray, at a cost of $2.99, cheaper than a bad movie at the theatre and I could at least drown myself in beer.

Not sure what the other reviewers have been smoking for rating it so low but I loved this film. I mean were people seriously that bothered by the title? Seriously? Really? It's a metaphor and of course the title of the movie was explained within the first fifteen minutes of the film if you were paying attention. The scene where the grandmother was telling stories to little Manolo and Josemaria. Pay attention people! Ugh.The film had the right amount of everything, drama, suspense, adventure, maybe a little overboard on the tragedy side but that's life right? What I respected the most besides of course the great directing, cast and acting was that for 80% of the film, there's a war going on but you don't have to be transported to the battlefield Michael Bay style to realize that. The fine acting by the excellent cast including but not limited to Charlie Cox, Wes Bentley and Dougray Scott ensured that while the film at times was slow-paced, it never got boring. The fact that this was inspired by true events just blew me away because so much happens in this movie that is very hard to take and just when you want to chuck it all up to entertainment, you're reminded by the fact that these scenes have been excerpted from the lives of people who really lived them.

This is a movie that has been well-endorsed by the Catholic Church here in our country. It is supposed to deal with the life of a saint, St. Josemaria Escriva, the founder of the controversial organization, the Opus Dei. I must admit that even if I had friends who were members of Opus Dei, I do not really know much about them or about their organization, only what I hear from the outside. I am mostly interested to learn the historical milieu of this film that is why I wanted to watch this.The story is told in flashbacks from the point of view of one Manolo Torres as his estranged son Robert interviews him about his friend Josemaria Escriva (who was then already on his way to becoming a saint in 1982). Manolo and Josemaria were childhood friends. Class differences broke up their friendship as the kids grew up. The outbreak of the Spanish Civil War broke them up even more, as Josemaria went into the priesthood and Manolo went with an anti-clerical militia group. Important revelations about Robert himself would also surface as his father begs for forgiveness for his past.It felt ironic that Escriva was not exactly the central character of this movie since all the publicity was about him. We do see the beginning of his organization of lay workers who lived together, much like today's Opus Dei centers. But other than that, Escriva was merely a side character in the main story of Manolo and his efforts to find redemption for his terrible decisions in his life. You will not really learn much detail about Escriva by watching this film, but you may be inspired to learn more about him. In fact, during the latter third of the film, the character of Escriva was not even on screen until the epilogue.The story was admittedly very slow to unfold (nearly two hours), but we are treated to some masterfully beautiful cinematography. I was excited to see the name of Roland Joffe as the director. It had certainly been a very long time since he gave us classics like "The Mission" and "The Killing Fields," and you can really see his classy touch here. For a film with heavy religious undertones, I was surprised to learn that Joffe was an agnostic. That may actually have been good for this film, as it did not go overboard with religious propaganda. The acting of the leads Wes Bently (as Manolo) and Charlie Cox (as Escriva) were proficient though a bit wooden. I also welcomed the unexpected presence of exotic Bond Girl Olga Kurilenko as Ildiko, the tragic woman in Manolo's life. I think this movie is worth the time to watch, and maybe even re-watch.