The Hunchback of Notre Dame
Paris, 1482. Today is the festival of the fools, taking place like each year in the square outside Cathedral Notre Dame. Among jugglers and other entertainers, Esmeralda, a sensuous gypsy, performs a bewitching dance in front of delighted spectators. From up in a tower of the cathedral, Frollo, an alchemist, gazes at her lustfully. Later in the night, Frollo orders Quasimodo, the deformed bell ringer and his faithful servant, to kidnap Esmeralda. But when the ugly freak comes close to her is touched by the young woman's beauty...
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- Cast:
- Gina Lollobrigida , Anthony Quinn , Alain Cuny , Jean Danet , Damia , Marianne Oswald , Danielle Dumont
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Reviews
Overrated
Good concept, poorly executed.
All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.
The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.
This is a movie that has all the trappings of an epic, but isn't. But it is still a credible rendition of the Victor Hugo classic, with Gina Lollobrigida giving a strong performance as Esmeralda. The weak part of the movie is Anthony Quinn's performance as Quasimodo. Mr. Quinn's portrayal is not believable. Quasimodo is supposed to generate feelings of pathos; that does not happen in this movie. As a result, the plot becomes flat. The intensity of the relationship between Quasimodo and Esmeralda is lacking. Between Mr. Quinn's mumbling of his lines, and the treatment of the poet Gringoire as a buffoon, the movie teeters on the brink of cinematic collapse. Yet, it is saved by staying faithful to the original story and by good performances by some of the supporting cast, as well as by the essential power of the original story. The story of the hunchback and the gypsy girl is classic; read the book.
In 1482, in the Feast of Fools in Paris, the deformed bell ringer Quasimodo (Anthony Quinn) is elected the King of Fools. After the party, the evil alchemist Master Claude Frollo (Alain Cuny), who has a repressed lust for the kind gypsy dancer Esmeralda (Gina Lollobrigida), orders his servant Quasimodo to abduct the beautiful youngster. However, she is rescued by Captain Phoebus (Jean Danet) and Quasimodo is sentenced to be whipped in the square of Notre Dame and Esmeralda gives water to him. Later Esmeralda goes with Captain Phoebus to a room in an inn to spend a night of love together. However, Frollo is stalking her and uses her stiletto to stab Phoebus on his back, and Esmeralda takes the blame and is sentenced to be hanged. But Quasimodo brings Esmeralda to the sanctuary of Notre Dame and expresses his love for the gypsy."The Hunchback of Notre Dame" is one of the cruelest romances of the literature and cinema history in a dark age in French history. In this version of this sad tale of injustice, Anthony Quinn is awesome with a memorable performance and Gina Lollobrigida is perfect in the role of the seductive gypsy. My vote is seven.Title (Brazil): "O Corcunda de Notre Dame" ("The Hunchback of Notre Dame")
In this third version of The Hunchback of Notre Dame we get a story far closer to the truth of Victor Hugo's classic novel. Unlike the productions done starring Lon Chaney and Charles Laughton, this one was done in France by the French who took pains to remain faithful to the version Victor Hugo wrote. Note the title in the original French and note it's the cathedral not the hunchback who is the center of the story. That allowed Italian film star Gina Lollobrigida to be billed first and then Anthony Quinn as the hunchback. No doubt about it Lollobrigida is the sexiest Esmerelda going, she makes both Patsy Ruth Miller and Maureen O'Hara look like nuns. Then again she was who the movie going public was paying to see.This is not to take anything away from Anthony Quinn who seems to extend his role as the brutish strong man in La Strada into his portrayal of Quasimodo. Although Charles Laughton's performance is my favorite, this does not denigrate Quinn in any way. The rest of the cast is made up of players from the French cinema. I particularly liked Jean Tissier as the 'Spider King' Louis XI. It's a subtle piece of acting and you can see why this was no man to trifle with.The Hunchback of Notre Dame is a tale of innocence. Quasimodo's to be sure, but even the sexy and voluptuous Esmerelda. She may know all about sex, but she's pretty ignorant in the ways of the political world. Both protagonists are used by forces and people they cannot comprehend.This version of the Victor Hugo classic has its supporters and they should support this great retelling of a classic tale.
Depending on how you look at it this is either the best "Hunchback" or the worst; for my money Lon Chaney will always be the Quasimodo for me but before I discount this version too much, I'll review its good points.1) It does remain faithful to Hugo's novel; 2) We get to see Quasimodo in color.Now the bad points:1) Quinn acts as though he'd rather be anywhere than making this movie; 2) The dubbing is terrible in some spots; 3) Quasimodo doesn't appear to be hunchbacked; 4) Esmeralda is more sex pot than innocent 16 year old; 5) The musical score leave a lot to be desired.You've got to wonder about Quinn's patience in the make-up chair. His incarnation of Quasimodo isn't really that ugly and does not even come close to the description given by Hugo in his novel. In fact, Lon Chaney and Anthony Hopkins are the only actors that came close to Hugo's description. I kinda thought Quinn's incarnation of Quasimodo resembled a punch drunk boxer --- his Quasimodo just appeared dumb. Beyond Quasimodo and Esmeralda the other characters just never developed.This movie could have been good but everyone from the director to the producers to the actors dropped the ball. Watch this one if it comes on TV but save your money for the Laughton, Chaney or Hopkins version.Here's how I rank the versions of the "Hunchback"1. Chaney (The Master!) 2. Hopkins (Make-up job superb - just like Hugo described him!) 3. Laughton (Brilliant acting job - most powerful flogging scene.) 4. Quinn (It's in color.) 5. Patinkin (This ranking is not necessarily a knock on Patinkin's Quasimodo, it's a knock on the production & writing which does not follow Hugo's novel at all; the sequence of events is all out of order.) 6. Clarke (A BBC Turkey. Shot on video tape with a lower than low budget. I got the feeling I was watching some drama students put on a play their friend recorded.)