Duel at Diablo
While crossing the desert, a frontier scout, Jess Remsberg, rescues Ellen Grange from a pursuing band of Apaches, and returns her to her husband, Willard Grange. He is contracted to act as a scout for an Army cavalry unit. Willard, Ellen, and her infant son are along for the ride, as is horse trader Toller, a veteran of the 10th Cavalry. The party is trapped in a canyon by Chata, an Apache chief and grandfather of Ellen's baby. Willard is captured and tortured. Jess sneaks away and brings reinforcements just in time to save the day. Jess learns that the man he has been hunting is none other than Willard Grange.
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- Cast:
- James Garner , Sidney Poitier , Bill Travers , Bibi Andersson , Dennis Weaver , William Redfield , John Hoyt
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Reviews
Beautiful, moving film.
It’s an especially fun movie from a director and cast who are clearly having a good time allowing themselves to let loose.
One of the most extraordinary films you will see this year. Take that as you want.
This film is so real. It treats its characters with so much care and sensitivity.
This exceptionally hard picture deals about Jess (James Garner) who frees Ellen (Bibi Andersson)from Indians, she's married to mean trader (Dennis Weaver). Meanwhile lieutenant McAllister (Bill Travers) along with Toller (Sidney Poitier) are ordered transport ammunition throughout Apache territory where ravages an Indian chief named Chata (John Hoyt). Jess seeks revenge on the man who murdered and scalped his Indian wife. Then Ellen mysteriously flees again to unite them.This violent Western and hard on racial themes is full of noisy action, thrills , chills and results to be quite entertaining. The gratuitous violence and tortures brought worldwide queues and much criticism in the newspapers, though Nelson declared that it was utterly necessary. However it was severely cut in some countries. Good duo protagonist as James Garner and Sidney Poitier, director's usual. Appears uncredited Richard Farnsworth and the filmmaker Ralph Nelson as Colonel Foster. Rare and non appropriate score for an Old West movie is composed by Hefty. Stark and atmospheric cinematography by Charles Wheeler. The motion picture is well directed by Ralph Nelson. There were no half measures in this filmmaker. He would make sentimental movies or violent and gore films . Failure alternated with hits through the 1960s, though Nelson's direction was more than successful in ¨Lilies of the field¨with invaluable help of Sidney Poitier who won an Oscar as an African-American helping a group of German nuns to build a chapel. And of course his greatest success ¨Soldier Blue¨, also with cruel massacres and and blood fountained all over the screen. In the 7os Nelson went on to making strong movies , however, his films themselves were doing less successful at the Box office , numerous of those being barely seen outside US . As a violent Zapata Western titled ¨Wrath of God¨ with Robert Mitchum, as ¨Tick..Tick..Tick¨ in which the racial tensions arise when a black man being elected sheriff, ¨ The Wilby conspiracy¨ about the apartheid and again with Poitier and a Sci-fi movie titled ¨Embryo¨with Rock Hudson. Rating : Acceptable Western , Poitier fans will enjoy their idol.
Its absolutely amazing to me how badly a movie can age. I saw this one in the theaters when new. I remember thinking it was acceptable at the time. There was an actress that I knew from Bergman. There was the surprise of the Indian baby, which I saw in the segregated South. It had what seemed to be explicit torture scenes. But most of all I actually thought the setups made sense: the mirroring of the miscegenation, the mirrored revenge, the dual showdown.Seeing it again now, I have no idea how I could have been that person.This time around I noticed the amazing shot at the beginning, of some Utah landscape. But everything else was flat. The acting and script are worthy of Ed Wod. Even the Swedish actress was lost. The score is from the studio library. The dialog is dubbed. The narrative devices seem artificially constructed. The interesting thing though, was how engaged I got in my own narrative about the horse cruelty. There are many Indian fights, and most of the effects depend on tripped horses among the dubbed whoops. Its a parade of horror that got more and more disturbing: the fake deaths and torture fading, the blond woman bringing back the "Seventh Seal."Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.
What we have here is a b western whose messages are probably of more value than the film. This is not shot well, with a script that does not stand out and the action set pieces are obviously cheap, but well ahead of it's time we have no real good and evil here with flaws in both sides and it is here that the film excels. James Garner is the anti hero who is only persuaded to come along on the quest to see his ex-army colleagues through territory filled with hostile Apache because he is looking for revenge on the man who killed his Indian wife. Sidney Poiter is in the unusual position of an empowered black man who despite his statements has loyalty to his ex-army colleagues. In fact all the characters are multi faceted and I feel this movie could actually be remade extremely easily to great effect. Not a great film that I would not really go out of my way to view again but well ahead of it's time in terms of message.
this is one of my top 5 favorite movies of all time. i saw it at the movies in my youth. garner,the grizzled frontier scout, poitier, ex calvaryman, now supposed money hungry civilian, have the biggest parts. they're ably supported by bill Travers, and Dennis weaver. weaver's part is the most complex, as the bigoted freighter, will grange. on one hand, he wants to restart his relationship, but on the other he can't accept what happened to her. yet in the end as terrible as weaver is you still sympathize with him. garner is also sympathetic due to his understanding why the Indian problem exists in the first place. i never was particularly enchanted by Bibi andersson's performance in this movie. however it doesn't detract from the movie. garner and weaver's performances though are better than in their second partnership in A Man Called Sledge.