That was an excellent one.

Sadly Over-hyped

Captivating movie !

Absolutely brilliant

As an actor myself, you see films where you just don't care about the obstacles and challenges of the characters'. With Copenhagen, one of those little gems you find every so often on Netflix (NZ in this case), I was emotionally invested in all the main characters'. Self discovery in abundance here, particularly with Will (Gethin Anthony), who succumbs to the charms of 14 year old 'Effy', touchingly portrayed by Frederikke Dahl Hansen. I'm sure she has a bright career ahead of her. Poignant moments' of familial connection (or lack of) draws the viewer in against the picturesque backdrop of Denmark. A real discovery to find the principal males', Will and Jeremy (Sebastian Armesto) are both English. I am so glad I stumbled across this beautiful piece of film-making. It is a piece of hope, regret and ultimately, a reminder of how life is too short and that sometimes, it takes someone else to open our eyes to the possibilities.

I had high hopes and expectations when I first found this film on here, that I watched on the very same day (which I never do). My expectations were so high that I was convinced this film wouldn't meet them but boy, I was wrong.The city of Copenhagen turned out to be the best setting for this romantic film. It was refreshing to see a movie filmed somewhere other than the usual filming locations and this one made me appreciate Denmark a little bit more.The directing, the casting, the cinematography and the music, all add up and lead to the most majestic experience you could ever gain by watching a film. It made me want to travel abroad and date a foreigner, learn about their culture and gave me a very feeling of wanderlust.It's true that, in the beginning, I thought Frederikke Dahl Hansen was not a great actress, but that proved to be just the way her character is supposed to act because she feels kind of guilty, kind of naive as a 14 year old. Gethin Anthony was very sexy and very romantic at the same time, in his own ex-douche bag way but both actors delivered a wonderful performance.I also liked the fact that this film features a big age gap, let alone an age gap between an adult and a teenager. Needless to say, dating an underage person is a controversial topic but this film handled it very well.10/10 though I wish I could give it more. It's a must see.

It took me a few days to process the movie Copenhagen, which took home the Director's Choice Award for Best Feature – Drama from the Sedona International Film Festival. The movie held my interest and piqued my curiosity but left me feeling a little dirty.It tells its story from the perspective of 20-something American tourist William. After a buddy trip to Europe is sabotaged by his friend's manipulative girlfriend, he finds himself in the Danish capital alone and angry.There is only one thing on his "to-do" list – find his grandfather, about whom he knows nothing, and deliver a letter from his late father. It's not a done deal, either. All he has is a very old address.Played by British actor Gethin Anthony, William is not looking forward to this errand. For him, the trip always was about getting laid. While he stews in the hotel lobby, he spies a blonde walking outside. The next morning, she winds up being his waitress in the hotel café.Things get messy when she spills coffee on the envelope, blurring the address. He berates her until she says she got a look at the address and remembers it. Suddenly, he needs her help, but it's hard for him to shift gears from nasty to nice.He pays the price, as Effy (20-year-old Copenhagen native Frederikke Dahl Hansen) sends him on a wild goose chase. Later that day, he finds her hanging out near the hotel and confronts her. A bit sheepish, she says she'll take him to the correct address. When they get there, they find not William's grandfather but the man's brother.It's not a happy homecoming. Uncle Peter is hospitable enough but tells William that his grandfather was a terrible man – a Nazi collaborator who was imprisoned after the war and later disappeared. His wife, shunned in Danish society, had emigrated to America with her young son.The uncle gives William some black-and-white photos of his father as a boy. Over the next couple of days, Effy leads William to the places where the photos were taken, snapping pictures of him striking the same poses as his father. Over the course of the visits, we find out that William's father had abandoned his family when William was a boy.The Baby Elephant in the RoomHow does Effy find so much time for William? She describes her hotel job as a sort of internship, part of her school's curriculum. He assumes – or at least tells himself – that she is a college student, yet he doesn't try to bed her instantly as he has every other nubile woman since we met him.Despite her frequent claims that she needs to get home, she never actually goes. One starts to get a creepy feeling. Is she hiding from a hellish home life? Does she even have a home? (She never seems to change clothes.) She does make a vaguely negative reference to her mother's boyfriend; is he forcing himself on her or pimping her out?Eventually, she reveals that she's only 14 years old. That's when things get really creepy, because by this time moviegoers are invested in their developing relationship.Confronting RealityAround this time, the voice of reason arrives when William's erstwhile travel buddy, Jeremy (Sebastian Armesto), returns to Copenhagen, having been dumped by the girlfriend in London. The attention Effy gives to Jeremy makes William jealous, leading to an argument during which Jeremy learns the truth about Effy and calls them out.To William: "Nobody likes you. You connect with teenagers."To Effy: "He's that stranger you're not supposed to talk to."When the men start to scuffle, Effy flees. Jeremy storms off, leaving William alone once again.After a couple of pathetic conversations with Effy's voicemail, William heads out to a nightclub, where the film takes on a shadowy, race-against-the-night quality. He's about to score a threesome with two American girls – a home run for pre-Copenhagen William – when Effy turns up, having finally listened to his messages. He walks away from the Americans to focus on Effy. Is this a sign of progress for William?Some of the club staff greet Effy with familiarity, raising more questions about her lifestyle now that we know her age. Another man at the bar recognizes her and drags her out. William pursues and forces the man to let her go. As they flee, Effy tells William it was her mother's boyfriend.A brief stop at Effy's home to get her laptop reveals little, though the darkened apartment certainly doesn't convey a happy home life. Effy's mom emerges when her boyfriend arrives, but they are too focused on each other to notice Effy and William sneaking out.By this point, William and Effy have admitted their romantic feelings for each other. Back in his hotel room, they begin to act on their hormones.With a normal movie romance, the audience usually roots for the couple to … couple. But given the characters' ages, we are left to squirm as they start disrobing. Will they ignore the elephant in the room and consummate their fantasy relationship? Or will William acknowledge that, as the movie's website puts it: "When the girl of your dreams is half your age, it's time to grow up."There are two epilogues to Copenhagen, both of which take place in the light of day. William makes a final effort to locate his grandfather and learn why the males in his family are so screwed up. We see Effy, looking and behaving very much like a teenager, waiting in class to present a report including photos she took of William – and curling up with her mother on a couch at home.

The first thing I should say outright is that the performance of Frederikke Dahl Hansen was completely enrapturing - and ultimately, she was the star of the film. Far more likable in character than her co-star, to the point you almost feel like the film would have been better centred with the main plot around her, rather than Gethin Anthony's character. I feel like the plot itself was OK, with family ties being sought by two very different characters midst the beautiful backdrop of Copenhagen. The problem was that the male lead's character was fairly detestable, and that led to a lack of sympathy from me as the viewer with his back story. Towards the end there were signs of some redemption in his own behaviour as he starts to care about Effy. However I think the writers should have softened his character more to make the audience feel a bit more connected to him. This is why I have scored a 6 as he is a key part of the film and I truly think that his characterisation was off beam. I understand his lack of maturity is one of the key elements of the character (to fit in with his relationship with Effy), but this needn't have been done in such a coarse way.The above said, the film is absolutely worth watching. Dahl Hansen produces a superb performance combining both a wisdom beyond her 14 yr old life, with a hint of teenage naivety that sees her attach to William. I also think whilst Gethin Anthony's character isn't very likable, he does gel well with Dahl Hansen and we see some great scenes that are very memorable; the Karaoke scene, the awkward discovery of her age and the theme park ride among them. There is a gorgeous scene when we see them cycling the streets of Copenhagen (with the possibly underused Jeremy character) that is verging on euphoria. I've not been to Copenhagen, but seeing this film has definitely made me want to go.So 6 out of 10 is my final score. With a better written lead male, this could have been a 9 or 10. On the topic of the underage aspect, the film addresses this fairly well and shows that it is not unduly bypassing it. We are somewhat led to believe that their companionship has transcended their ages, with the dangers of that relationship highlighted well in the row scene between William and Jeremy - one of the more interesting scenes with the two male characters involved. So go see it, but see if like me you feel one half of the critical relationship just needed re-configuring.