So much average

It's entirely possible that sending the audience out feeling lousy was intentional

I really wanted to like this movie. I feel terribly cynical trashing it, and that's why I'm giving it a middling 5. Actually, I'm giving it a 5 because there were some superb performances.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

Whatever the reason, once you enter into a 'secret' affair you've really broken the relationship, and from all the signs this woman is evidencing, contrary to her declarations of 'love,' she truly wants out of the stifling situation with her husband and child. Proclaiming to 'love' him, but then deliberately and cruelly humiliating him time and again, paints her in a very despicable manner. She says it's necessary for her to choose herself or him, and like all adulterers, she selfishly chooses 'me.' It would be nice to see the sequel, if she were to reach the much needed psychiatrist's couch, and if it could help save her, for she is now doomed for a breakdown with the 'path' she has presently chosen. It's completely delusional, no one would survive for long the current choices she is making. It's a troubling storyline (with an ending that is confusing and senseless), and the acting overall is good. A lot rests on her shoulders, and outside of a misstep or two, she does fairly good work. It would have been nice with more explanation as to why, and a bit more dialogue, but that was not the creators intention. It definitely benefits from additional viewing.

Le secret is not only an emotional exploration of relationships, both marital and extramarital, but also provides a stark reflection on one woman's search for a life of perfection and fulfilment. This focus and move away from the traditional marriage narrative is what renders Le Secret different from other films of its genre. Coesens plays Marie, a confused mother who turns to American Bill for what to the spectator seems to be mainly for adventurous sex. Le Secret's narrative holds back much of the emotional drive resulting in Marie's affair and without Coesen's subtle yet telling acting the viewer would be lost in her intense personal struggle. To an extent, the ambiguous nature of Marie's emotions towards her husband and lover give the viewer a certain freedom to interpret her relationships for themselves. Even the end of the film, in which Marie and Francois seem to reunite carries an ambiguity and uncertainty with it. The often reserved nature of the script and acting provides a welcome change and challenge in a genre which is often overly predictable and simplified. Much of the dialogue between Marie and her lovers is refreshingly realistic in its uncertainty and honesty.

The 3 stars I give this are for the performances - little else is worthy of respect. The direction and cinematography are completely flat, and the script is a mixed bag.Where the film really falls apart though is in the behaviour of the central character. We begin with a woman who has apparently spent 12 years happily married (at least the couple appear happy at the start of the film), and who remained faithful during that time, save one brief kiss with a neighbour. She begins an affair with a man she meets whilst working, and instantly becomes an entirely new character - one that feels no guilt or sympathy towards her husband, in fact who seems to actively seek to humiliate him, and who almost allows her child to fall to its death. No explanation for this U turn into an amoral narcissist is even hinted at, and the character's own explanation consists of little more than a brief burst of existentialist waffle at the end of the film. Ultimately, the character is completely unbelievable, as her actions are irreconcilable with her history.

"Le Secret" is a fairly mediocre French film which focuses on a woman's attempt to find some existentialist truth, or some such crap, through the exploration of rather graphic sex. In that sense it is a little like Brellait's "Romance" but it seems to lack that film's intensity of design. So for the most part it seems distanced and closed. There is an expectation of the conclusion which is not met and the film is to some extent redeemed by this (unexpected?) ending but what has come before makes the film as a whole unbearable. Also, the acting and writing is pretty average.