Absolutely the worst movie.

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

The best films of this genre always show a path and provide a takeaway for being a better person.

It's easily one of the freshest, sharpest and most enjoyable films of this year.

THE PREY is yet another example of the riveting action thriller that the French have been putting out lately. The originator of the genre was Fred Cavaye's ANYTHING FOR HER, which really picked up in terms of intensity in the second half, while the recent likes of SLEEPLESS NIGHT, POINT BLANK, and MEA CULPA have shown that the French are head and shoulders above British or American attempts at the genre.Like those movies, THE PREY has a lean, pared-down plot which is basically a chase thriller. I won't spoil the storyline too much, suffice to say that the protagonist is a petty criminal who must escape from jail to go after an even greater foe. The narrative is chock-full of stunt sequences, intense and suspenseful chase moments, and even some brutal fight scenes which really propel things along.Albert Dupontel is really great as the put-upon lead but Alice Taglioni and Sergi Lopez are also particularly good among a solid supporting cast. The best things about the film are the direction and the cinematography which combine to deliver a realistic and gritty thriller and one that the viewer can thoroughly get caught up in. An eye-popping prison fight is the highlight here. The ending is a little lacklustre, but it's no matter when the rest of the film has been so fantastically engrossing.

One of the best tense thrillers seen in a long time though be also prepared to witness the terribly sick side of the human mind so well depicted. The film is packed with superb action, chases, suspense and tension and yet never feeling over the top as the scenario painted is so very plausible. Albert Dupontel plays the role of the fugitive prisoner with such realism, one gets the impression one is watching a docu-drama.Where good many films content themselves with ensuring the viewer is left in a pleasant frame of mind as the story finally unfolds, this one has the courage to portray events more akin to reality, perhaps this may explain the film's low IMDb score and why even the critics may have found the movie hard to stomach?

This is a well made well written (the key!) French crime thriller that keeps you entertained.I enjoyed the French prison part (are they really like this?) with what looked like private bathrooms pillows and desks pens and books etc... The inmates are entertained by cello and harpsichord chamber music (that was funny).Anyway there are surprises which I love. I even liked the chases up to a point the escape from massive police operations seemed too impossible crack a whip over the writers a little harder there. Also by the time of denouement at the villa I was tiring of the movie...maybe because the first part was so good. And the ending with the letter wasn't needed just adds gimmick to this good movie.I watched the movie Blood and Wine with Jack Nicholson and Michael Cain last night and the comparison couldn't be starker...this movie was 100 times more entertaining and better shot and directed. I speak French but makes no difference use the subtitles anyway so I don't miss anything.RECOMMEND!

I am not, as many movie-goers, a fan of all French movies, especially not these days, when every French movie-maker tends to "ape" the Hollywood stream.Yet, said that, occasionally, there are some tiny gems that stand out from the rest, and this is just the case with "La Proie" (English - The Prey).It starts very slowly and at first it seems your common jailbird caper. A prison, two convicts and confined rooms pervaded by harsh conditions, but soon things start to happen which turn everything upside-down.The question then is, who is the Prey and who the Hunted.In a very tightly knit thriller, action upon action, cut upon cut, the story unfolds in front of our eyes and keeps us biting our nails to see what happens next.Suddenly, nothing and nobody is or stays what he or she once was. The innocent is guilty and the guilty is the innocent, but who and when and how they turn to be like that is just a matter of turns in the storyline.The end of it all is also a surprise. Not your usual Happy Ending a la Hollywood, but rather a "staccato" ending, in which one tends to say, "well, it's a French movie and therefore it has to end tragically", ah... but wait, there is a surprise, an Easter Egg if you want and you leave with a sense of satisfaction after an intense ride on the edge of a razor blade.Granted, some scenes could remind us to a certain pace in the famed James Bond movies, in which certain characters jump from bridges and land unharmed on a platform, yank themselves out of a window on the third floor only to land unscathed on a minivan's rooftop, but this is just a movie and we can easily forgive such heroics, even if a bit unreal (everyone else would brake a bone, strain a muscle or rip a tendon).Still harm comes to everyone and no one is really a super-hero here. It is probably the Adrenalin pumping that keeps our characters doing what they do.Yet, unlike so many other action capers these days, there is even space for some solid good acting by everyone involved. The direction is competent and skillful, but the real secret as always, lies in the excellent editing of this movie.One suggestion though. If you want to really enjoy the movie, try to watch it in its original French language with perhaps, English subtitles to help you out, because the dialogue is important to fully understand the mind-frame of the characters. A competent dubbing could also do the trick, but alas, in my experience, dubbing depends on the translation and the translator, and one can seldom rely on a faithful transliteration of the original text.Therefore, since this is one of those rare cases of movie enjoyment, with a solid and interesting story, expert acting and directing and a considerable amount of thrills I have added it to my list of films that have to be seen and perhaps even collected.For you to judge whether the effort was worthwhile or not, but I can guarantee you that you won't be disappointed. But then again, taste is taste and we all have different parameters for this.Oh, and by the way, the German title has been changed from "On the Run" to "Traue Niemandem" (Trust No One). In fact there are so many movies called "On the Run" that one could get easily confused. But in view to the fact that the Main character states many times that he doesn't trust anyone, this seems indeed to be the appropriate Title for the movie.