Nixon
A look at President Richard M. Nixon—a man carrying the fate of the world on his shoulders while battling the self-destructive demands from within—spanning his troubled boyhood in California to the shocking Watergate scandal that would end his Presidency.
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- Cast:
- Anthony Hopkins , Joan Allen , Powers Boothe , Ed Harris , Bob Hoskins , E.G. Marshall , David Paymer
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Reviews
Good , But It Is Overrated By Some
To all those who have watched it: I hope you enjoyed it as much as I do.
Funny, strange, confrontational and subversive, this is one of the most interesting experiences you'll have at the cinema this year.
It really made me laugh, but for some moments I was tearing up because I could relate so much.
I loved this movie when I saw it in theaters in 1995, and I was thrilled to order the Blu-Ray "Election Year" version (with tons of commentaries and documentaries) for just ten dollars from Amazon. Having re-watched the three hour director's cut over three nights, I was more impressed than ever. Yes, NIXON takes the man many hated as a one dimensional villain and turns him into a poignant, tragic hero. But the greatness of the film goes beyond Anthony Hopkins' performance. What I loved best about NIXON was the supporting cast, many of whom seemed much more comfortable in their historical roles than Welsh Hopkins as the All-American Nixon. I loved Joan Allen's fragile sexuality, her poignant loneliness, the subtle class and sophistication she brought to First Lady Pat Nixon. James Woods was born to play H.R. Haldeman. A superb character actor, Woods exudes not only sleazy corruption but brutal menace and a genuinely shrewd understanding of politics as jungle combat. Ed Harris as E. Howard Hunt portrays a very different sort of lowlife -- a Joseph Conrad style mercenary and man of action who has broken the rules for Nixon time and again and feels a genuine rage at being betrayed by his boss. Even Paul Sorvino, best known for playing Italian mob types in Mafia classics like GOODFELLAS, is surprisingly effective as the cultured, genial, yet unmistakably brutal and unscrupulous Henry Kissinger. The thing that makes this movie such a fascinating failure is the immense scope of what Oliver Stone wants to accomplish. It's not just a story of the Watergate break-in and the infamous cover-up. It's not just a study of American power during the Cold War. And it's not just a character study about a ruthless, powerful, but deeply insecure man who rose to power and was destroyed by his own character flaws. NIXON tries to be all those stories, all at the same time. Some elements work better than others. Brutally effective political drama, and spine-tingling suspense and intrigue, are frequently interrupted by unintentionally funny "character" moments. Oliver Stone never did have much of a sense of humor, and while that doesn't hurt the political scenes it's deadly in the personal moments. The horrible dying brother scenes go on too long, (the boy Nixon watches his big brother spit up blood with a Darth Vader like lack of compassion) and college boy Nixon remembers being knocked on his ass on the football field a few times too many. There are also some disastrous casting choices, i.e. sweet Mary Steenburgen as Nixon's ice-cold witch of a mother, Hannah Nixon. The movie never seems to decide whether Nixon's mother was every bit the saint he pretends, or whether she was just one more person who let him down. Oliver Stone seems to think that the mere presence of the mother is some sort of startling insight. Like watching the young Nixon getting knocked down on the football field. The flashback scenes are by far the weakest thing about Nixon. NIXON is not a perfect masterpiece like THE MALTESE FALCON or even JFK. Whole scenes are disastrous, and whole performances fall flat. You never will figure out just what happened during the Bay of Pigs, what Nixon really knew about that day in Dallas, or even what was on those tapes! But if you have the patience to sit through it you will be richly rewarded by an amazing panorama of talent.
Like other reviews, I have never been fond of Oliver Stone movies, but this is an exception. Anthony Hopkins is nothing short of amazing in the film. Hopkins plays the role of the late Richard Nixon. The film has a great perspective of the psychological issues Nixon went through from his days as a boy to his resignation as president.The movie shows many of these issues and how they manifested themselves to Nixon's fall from grace. First, we see the threatening nature of his father combined with the "saint"-like qualities of his mother and how they affected him. We see Nixon later feel haunted by the Kennedy family and the success John and Bobby had rising up the political ranks until their lives were tragically ended. We see Nixon's overwhelming desire for the presidency tests his marriage to Pat, brilliantly played by Joan Allen. In addition, we see a man who feels he is above the law during the late part of his first term. In summary, all of his demons haunt him and this is brilliantly displayed in the film.I also liked to see the drama inside the White House. The statesman Henry Kissinger, played by Paul Sorvino, was great and his accent was very similar to the real Kissinger. We see Bob Haldeman (James Woods) portrayed as anti-Semitic with his cruel comments about Kissinger's background. David Hype Pierce of Frasier fame plays John Dean, a man who vowed to not take the fall for the Watergate scandal. As the movie develops, we are intrigued with the drama and how the administration fell apart. Hopkins' outrage in the Oval Office after a conference telling of the withdrawal from Vietnam is great acting. We see Nixon feel appreciated by the people. He then blames Ted Kennedy for the press' questions about Watergate.Joan Allen's role has been criticized by some others but I thought it was top-notch. She plays Nixon's wife who stands up to her husband upon losing in the California governor race in 1962. She threatens him with divorce and he says to the press core "you won't have Nixon to kick around anymore." After LBJ decides to not run, he changes his mind and runs in 1968. Pat at first is upset but then allows him to run. However, during his presidency, Pat calls out her husband as they don't vacation together and he changes as the quest for power and control seriously damages the marriage. She plays the loyal wife but does get her two cents in.The rest of the cast is top-notch to say the least. Bob Hoskins plays the manipulative J. Edgar Hoover who has a major grudge against the Kennedys. Powers Boothe plays Alexander Haig, the man who finally convinces Nixon that he is in severe trouble and peril with impeachment looming. E.G. Marshall plays the bitter John Mitchell. Mary Steenburgen plays Nixon's mother whose life and influence overshadow her son's life in several occasions through the film. Larry Hagman plays Jack Jones, a Texas man (reminds me of his role on Dallas) who once was an ally to Nixon but their alliance falls apart later in the film. A great line from Hagman "Mr. President, do you forget who got you where you are?" Nixon: "The American people did." Hagman:"Oh really? That can be changed."I have seen the movie three times and intrigued by it every time. I wished I had seen when it first came out. If you love history or intrigued by the crucial period of the late 60's and early 70's, you will love this movie! Highly rated!
The most alienating of Presidents Nixon did very little to be the Leader of America. He steadfastly and without hesitation, apology, or even a slight understanding of what was dividing the Country, was a classic egocentric. His way was the only way and the only way you were going to be a bona-fide Citizen of "His" Nation was to follow him or get out ("love it or leave it"...remember that?).That may be a tough and simplistic analysis of a complex Political Figure but it is in the opinion of many, True. The Film displays this as Fact and it is probably not too far off. Here we see a consistently troubled (even in pre-Watergate times and Childhood) Personality that was most likely doomed the minute he became dependent on the Public for success.This is a mesmerizing and dazzling Picture with all the Oliver Stone touches. The familiar Stylist flourishes with abandon and Pride as he presents a "Biography" ultra-dramatized for effect and intent. It sweeps like a vacuum and not a broom as it powerfully draws in and upon a large amount of unsettling History and Psychological diagnosis.Overall, it is compelling and interesting, riveting and revolting, as we watch a National Figure lose his soul, as quoted at the beginning of the Movie, and it is not a fun thing to observe. This is a forever dark and brooding affair much like the title "Character". For it seems, for the most part, Richard Nixon was more like a Characterization of a Person than a Person, both here on screen and in Real Life. The Human Nixon always seemed to be in noncompliance with the "Third-Person Nixon" that he liked to refer to. (the President states..."I would like to apologize for the murdered students at Kent State...but Nixon can't")
Nixon was a great movie. Hands down. Oliver Stone really was able to paint a picture of a real man. A man with his demons, ambition, love, anger and power. It really was quite something to see such a masterpiece on a DVD. I would highly recommend this movie to anyone who enjoys learning about American History and human beings, as the American president, Dick Nixon was an exceptional human being. I can see how he got tangled in everything. I can see how he got in over his head without even knowing it. It was like watching someone swim out to sea and not having enough energy to swim back (an idea from the movie "Gattaca" 1997).Nixon, as a person, was really quite an intriguing man. I loved the way Oliver Stone was able to capture human weaknesses, such as emotional flashbacks, hallucinations and the feeling of human pain. The combination of Oliver Stones' directing combined with Anthony Hopkins' extra-ordinary acting ability really brought up the best of describing who President Nixon was.I liked how this movie focused on the president instead of the Watergate Affair. It really gave an accurate account of the turns of power, the politics and the complicated systems the president of The United States of America has to abide by in order to retain his high position of power.