Highly Overrated But Still Good

Absolutely Fantastic

I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

It is good that this picture exists. Don't get me wrong. John Cazale was one of the purest "character" actors of his generation. But Cazale is due something much longer and more comprehensive than the mere 40 minutes he is allotted here. It covers just enough in 40 minutes but it will undoubtedly leave any viewer wanting more--quite a parallel to a fantastic life and career cut short.

This is a must-see for any fan of 70s movies, or anyone who, like me, grew up in 70s and saw Cazale's films when they first opened. The walk down memory lane provided by the footage of the Godfather films, The Conversation, Dog Day Afternoon and Deer Hunter alone make it worthwhile. But the real treasure, of course, is the chance to revisit Cazale's performances. It sounds clichéd, but there really is no actor like him. It's also marvelous to see the host of the mega-talented actors and directors, including every luminary he worked with, participate & pay tribute to this singular talent. It's a shame there isn't more footage of him, and that he apparently never did a recorded interview. We only see Cazale through the lens of his characters - we never get to see him as just himself.

In the days before the internet a popular question to film magazines was: 'Whatever happened to John Cazale?'People who first saw him in The Godfather films and then saw him pop up in Dog Day Afternoon, The Conversation and The Deer Hunter were flummoxed that this brilliant, distinctive looking actor came out from nowhere, appeared in the great films of the 1970s and promptly disappeared.If John Cazale were still alive now he would be a celebrated actor and likely to have Oscar and Tony awards under his belt.Unfortunately Cazale died of cancer in 1978. He left a legacy in movie history of five performances in five films that were all nominated for the Best Picture Oscar, three of them actually winning the Best Picture Oscar.Actors, friends, family, collaborators discuss John Cazale, his life on screen and stage where he was also a celebrated performer. For the first time you get to find out a little more of John Cazale the man and performer. Meryl Streep, Robert De Niro, Al Pacino and for his first appearance on screen in several years, Gene Hackman all reminiscence about him.

John Cazale was a lanky and sad-faced character actor who specialized in portraying weak guys and wasn't afraid to dig deep into the pain, anguish, darkness, and vulnerability that defined these guys. He only acted in five movies, but they are all uniformly superb pictures that are now correctly regarded as classics: The first two "The Godfather" films (in which Cazale is simply astounding as the hapless and pathetic Fredo), "The Conversation," "Dog Day Afternoon" (he's both funny and scary as the volatile Sal), and, his cinematic swan song, "The Deer Hunter." The middle of three children born to a wholesale coal salesman and a homemaker, Cazale made his debut debut in the amusing comedy short "The American Way" and acted in various Off-Broadway plays prior to securing the choice role of Fredo in "The Godfather." His peers Al Pacino, Gene Hackman, John Savage, and Robert De Niro remember him as an intense and diligent actor who was a great inspiration, asked a lot of questions, and gave a good give and take. Playwright Israel Horovitz notes that John was one of those rare individuals with absolute integrity and reads a beautifully poignant and eloquent eulogy about his untimely passing from lung cancer at age 42. Meryl Streep relates some especially touching stories about Cazale and stuck right by him to the very end (Cazale was terminally ill when he acted in "The Deer Hunter" and died prior to the movie being completed). Admirors Steve Buscemi, Sam Rockwell, and Phillip Seymour Hoffman are all quite warm and generous in their appraisal of Cazale's extraordinary work. First and foremost, John was the sort of remarkable transformational thespian who elevated the quality of all those fortunate enough to work with him. Moreover, we also learn that John had beautiful girlfriends, chainsmoked cigarettes excessively, and had a really raunchy sense of humor. An excellent, affecting, and illuminating tribute to a consummate actor's actor.