In truth, there is barely enough story here to make a film.

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

This film is so real. It treats its characters with so much care and sensitivity.

This movie is quite typically French—lots of talking, little actually happening. But within this framework it starts out quite well, is well directed, well acted, and the story is initially good and interesting.In the second half of the movie the two main figures plan an ingenious plot that makes the viewer curious about how it would work out. However, just when the movie becomes most interesting and things are actually happening, the plan abruptly fails in a rather concocted, unlikely way, frustrating the viewer and rendering the rest of the movie uninteresting.What a pity! This could have been one of the better French-style movies, if only the story author would have got his act together.

Just saw this movie this afternoon and loved it. A light fare, excellent music, wonderful plot with a twist in the tail at the end. You certainly leave the theater on a high. My favorable impression might be clouded by the fact that I am a admirer and lover of French cinema. Do not expect high drama, superb acting but some wonderful moments that will entertain and amuse every aficionado of modern cinema. Loved the use of color to highlight moods an emotions, with the clothes of the actors and the background of the sets complementing each other wonderfully. The acting as said is not spectacular, however all characters are brought to life and made very personable and likable.

I saw this last month at the 2009 Palm Springs International Film Festival and of the 36 films I attended this would be in my top three. Not because it is skillfully executed art film or a masterfully crafted film with dynamic acting performances or with stunning art direction and cinematography and sound but simply because it so simple, original and extremely funny. I really enjoyed this romantic comedy farce from writer/director/actor Emmanuel Mouret who cast himself in one of the principal roles of Nicolas. It could be a stage play and maybe that's what Mouret had in mind when he wrote it. The story starts with Gabriel (Michael Cohen) and Emilie (Julie Gayet) who are strangers and have met by chance and enjoy an evening together as Emilie relates a story of how an innocent kiss can lead to unintended consequences. In Emilie's story told in flashbacks, she illustrates her point with that of Nicholas who confides in his friend Judith (Virginie Ledoyen) that he is addicted to physical intimacy but is afraid to start a new relationship with someone. Judith is married to Claudio (Stefano Accorsi) and doesn't want to be in a relationship with Nicholas so they come up with a plan to help Nicholas. The simple plan quickly goes wrong and escalates the problems and complications it develops throughout the story as told by Emilie. Fredrique Bel is also in the ensemble cast as Caline. The film of course a story within a story and both are delightfully spun. Mouret has delivered an absolutely charming, smart, fresh and witty film here that I would highly recommend and give it a full 10 out of 10.

Emmanuel Mourcet is quietly carving out a niche as a master of the bittersweet love story, not only writing and directing but also starring and anyone who saw his last effort, Changement d'addresse, will want to catch this follow-up. Playing opposite him are two of the loveliest actresses in current French cinema, Julie Gayet and Virginie Ledoyen with Frederic Bel - who was also in Changement d'addresse - thrown if for good measure. Not a lot happens; Gayet asks directions from a stranger, accepts first a lift then a date but refuses the goodnight kiss she longs to accept. By way of explanation she tells a story of how another girl, Viginie Ledoyen, DID accept a kiss from Mouret that ultimately changed both their lives and it is, of course, more than possible that Gayet is using the 'a friend' ploy to speak about herself. You may not go that far to find a more charming and delightful movie but certainly farther than the corner drugstore, even a corner drugstore in the next town. If I were you I'd catch this one when it plays a cinema near you.