Nice effects though.

Good concept, poorly executed.

Good films always raise compelling questions, whether the format is fiction or documentary fact.

The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

it is an oasis. or, maybe, an isle. for memories and emotions and dreams. for a profound portrait of solitude who discovers the friendship as the great sense of expectations. a boy. and an egg. and the myth who becomes a lovely story who redefines CGI as tool, not as axis or purpose/cage. a film who must see. for small gifts. for delicate images. for the powerful emotions . for the return to the inner child. because, like many films for young public, The Water Horse is a film especially for adults. the first scenes are the basic pledge for this. the special end is the second reason . it is real simple. like the real good films. because it mix the flavor of a land, the situation of a modest family and the grow up of a child who discovers the meaning of life .

During World War II, young Angus finds an egg which hatches into an aquatic creature. He tries to keep it secret but, as it grows, this becomes more difficult. Adding to the complications is the fact that the army is based at the loch...This film draws on the Loch Ness Monster and related legends to tell a story which is a coming of age fantasy in the Free Willy mould. And it is absolutely fine - well told with a sound, if freckly, performance from Alex Etel as Angus, and solid support from the adult cast.It is beautifully filmed in gorgeous surroundings, with slick and convincing effects. The creature (and its interaction with water) are particularly well done.This is recommended as a family film.

A real family that deals with friendships in a realistic fashion. The Water Horse isn't just a cute little creature. It starts off that way, with a number of comical scenes involving a baby monster. It soon turns a lot darker, where the monster is truly a wild creature and capable of great harm. The film holds up as we wonder if the friendship between Angus and monster will hold up. A lot of the film was rather slow, as it took a while to get anywhere. We are given some repetitive scenes, such as baths for the monster, and at least 2 chases involving the monster and dog. I also wasn't a fan of the movie being told as a story. It gave off a creepy vibe from Brian Cox, like he just sits in the pub all day rambling on. The CGI creature is very consistent, and the action scenes do have some dread to them. A nice watch for families, that doesn't patronize nor embarrass.

Directed by Jay Russell, "The Water Horse-Legend of the Deep" is yet another in a long line of "E.T.-The Extraterrestrial"-wannabes (heck, even the two movies' titles sound the same) – only in this case the adorable alien from outer space has been replaced by the only slightly less adorable and certainly far more unwieldy creature known in folklore as the Loch Ness Monster. It's almost as if little Elliot had wandered into "Jurassic Park" instead of the forest near his house.The Elliot of this tale is one Angus MacMorrow (Alex Etel), a lonely lad living with his mother (Emily Watson) and older sister in a lakeside village in 1942 Scotland. Angus' dad is currently off serving in the war and the young boy counts the days till his planned return. One day, while playing in a local tide pool, Angus uncovers a mysterious giant egg which he takes home with him, only to discover that out of it has hatched a strange and heretofore mythological creature known as a water-horse. Angus goes through the requisite routine of making friends with the creature, trying to hide him from the others in the household, frantically trying to save him from the military-industrial-complex forces out to destroy him, becoming all teary-eyed and emotional at their inevitable separation - in short, just about everything Spielberg did so masterfully in "E.T.," and that has been so dishonored in the imitation.Luckily, the movie does improve a bit in the second half, when the script turns away from the "E.T." parallels and towards the wartime aspects of the tale. But even here the military characters are largely two-dimensional in nature, with only Angus' mom and a newly arrived handyman by the name of Lewis Mowbray (Ben Chaplin) providing any real human drama. The script by Robert Nelson Jacobs, based on the book by Dick King-Smith, also employs the cheesiest story-framing device of them all – the now-grownup character spinning the yarn to a spellbound audience in the form of an extended flashback – to tell its tale.The special effects are wildly uneven, with some of the CGI looking mighty convincing and some of it looking like badly processed rear-screen projection from thirty-some-odd years ago. Moreover, one scene, involving Angus' activities with the creature in the water, is so utterly implausible that even a movie as based as this one is on asking the audience to suspend its disbelief can't quite pull it off.Even with an original theme song written and sung by Sinead O'Connor, this aquatic a-boy-and-his-dog story is all wet.