Very very predictable, including the post credit scene !!!

Good films always raise compelling questions, whether the format is fiction or documentary fact.

Exactly the movie you think it is, but not the movie you want it to be.

This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

Great documentary. Very informative and enlightening (not for the Pixar crowd). Very honest and surprisingly propaganda-free. The film maker went to great lengths to find credible, knowledgeable and highly qualified people to interview for this topic. Kudos."To make a documentary on such a complicated, far-reaching subject and maintain a common-sense perspective requires formidable organizational skills and a steady narrative hand to keep the movie from straying into any number of theoretical byways. It takes the imagination of a science- fiction writer to make it coherent and entertaining enough to hold your attention. Mr. Gibney has demonstrated all of these qualities..." Stephen Holden, The New York Times.

Zero Days is my latest review. It begins with a car exploding and a creepy, modulated voice speaking (hello "lawnmower man"). That's the vein of its excitement. At nearly two hours, this is a overly talky documentary, bent on chronicling the Stuxnet computer virus and how it posed a threat to Internet access all over the world. Stuxnet was a malicious worm. It involved the nuclear proclamations of the U.S. and Iran. Sadly, an insurance seminar is "Zero's" equivalent. A college disquisition is its symposium. This is painstakingly educational stuff. Director Alex Gibney takes his account all the way from 1979's Iranian flag burning to said Stuxnet Trojan Horse in 2010. His docu skills aren't sloppy yet his flick crawls around in circles. Zero Days is very thought-out, very calculated, soberly streamlined, and intelligent to a fault. It gets to the point where Gibney makes Michael Moore, Morgan Spurlock, and Steve James out to look like slipshod artists. In truth, you wonder if he actually required multiple takes with the real-life experts he was talking to. Now does Alex keep his audience alert to his conspiracies, his swift ending, his relentless use of news archives, and his barrage of uniform, cinematic techniques? That remains to be seen. Does his methods channel his elongated film to accrue true greatness? Not exactly.Alex "I'm taking vigorous notes" Gibney fills the screen with lots of interviews (people are either not revealing much or hiding their faces), locales all over the world, slight visual storytelling, and images of code with Matrix-like tendencies. He goes off on tangents, even projecting an ocular segment akin to Blade Runner's cityscape. Ugh. In jest, there's almost too much information to take in. I'm no dummy but I was a bit addled. The eerie musical score helps a little but whatever entertainment value exists, it could only satisfy hardcore, cyber geeks. Oh and I almost forgot, Hillary Clinton, Ronald Reagan, Barack Obama, and George W. Bush are all in the cast credits. Too bad you never really hear from them based on their scattershot, newsreel appearances. Rating: 2 and a half stars.

This two-hour documentary released Friday, July 8, and playing in selected theaters and streaming online, traces the history and consequences of Stuxnet, a sophisticated piece of malware unleashed on the world in 2010. Before you yawn and click away, there's an important feature of the Stuxnet worm and others like it that makes this story of vital interest to you. Stuxnet was not designed to invade your home or office computer, but to attack the industrial control systems that manage critical infrastructure. These systems make sure trains and airplanes don't crash, control car and truck traffic, maintain oil and gas production, manage industrial automation, ensure you have water to brush your teeth with and electricity to run the coffee maker, keep life-saving medical technology operating, and, of course, give you access to the internet. Cyber-attacks on these systems cause real-world, physical destruction, even widespread death. Behind the Computer Screen The Stuxnet story—still highly classified, but revealed over time—began with an effort by the United States and Israel to thwart Iran's ability to produce nuclear weapons by destroying centrifuges at the country's Natanz uranium enrichment facility. The software was diabolically clever, virtually undetectable, and essentially untraceable. In theory. The fact that it was a Zero Day exploit--that is, that the attack would begin before the software problem was discovered and attempts made to fix it or shut it down--and that the Stuxnet code contained not one, but four zero day features, was remarkable. Once it was inside, it worked autonomously; even the attacker could not call it back. The Israelis, apparently, were impatient. They assassinated Iranian nuclear scientists, and they changed the Stuxnet code, and it spread. It ended up infecting computers worldwide, at which point it was no longer secret, people were looking for it, and the Russians and others found it. "Israel blew the (malware's) cover and it could have led to war," the film says. Another consequence is that the day when something similar can be unleashed on us grows ever closer. It will come from one of three sources: • Cybercriminals, in it for the money • Activists, intent on making a political point or • Nation-states seeking intelligence or opportunities for sabotage. U.S. security agencies are not complacent. While they talk publicly about our cyber-defenses, in fact, there is a large (unexamined) effort to develop offensive cyber-weapons. There are reports of an even more draconian cyber-weapon embedded throughout Iranian institutions. Warding off its activation is believed a primary reason the Iranians finally struck a nuclear agreement. Certainly it prompted the rapid development surge in Iran's cyberarmy. In putting this story together, writer and director Alex Gibney interviewed former high-ranking U.S. and Israeli security officials, analysts from Symantec who teased the code apart, personnel from Russia's Kaspersky Lab, and many others, including CIA/NSA/DoD officials unable to speak on camera. "Fear Does Not Protect Us" The documentary makes a persuasive case for who holds the smoking Stuxnet gun, but it also suggests that finding fault is not the primary issue. The climate of international secrecy around Stuxnet—and the inevitable clones that will follow—makes an open discussion about them impossible. Nor does it allow development of rational strategies for managing the risks, regardless of how urgently needed those strategies are. Cyber-risk management will never be easy, but as one of the film's experts points out, "it will never happen unless you start." The subject is "hideously overclassified," says Michael Hayden, former director of both the NSA and CIA. (The climate of secrecy is so extreme that even the U.S. Department of Homeland Security cyber team was unaware that Stuxnet originated across town and spent countless resources trying to track it down.) We, of all nations, need this debate, because there is no more vulnerable country in the world, when it comes to systems' connectedness. "Evil and good live side by side," says an anonymous agent of the Israeli intelligence agency, Mossad. Keeping secrets is a good way to prevent being able to tell one from the other.

This documentary about the Stuxnet worm that attacked Iran's uranium centrifuges tries to get at the truth about who was behind the attack. The movie shows interviews with a lot of high-ranking people who either won't talk or who will only comment about very public information. The facts are that Stuxnet was a large and very sophisticated computer virus, ultimately capable of infecting any Windows PC but it only activated inside of very specialized equipment: one brand of programmable logic controllers attached to a very specific configuration of machines. The target pattern matched Iran's uranium enrichment facility.The movie's point is that, like the Trinity atomic test in New Mexico in 1945, Stuxnet has let another genie out of the weapons bottle. This genie is cyber weapons that can strike anywhere on the planet essentially in an instant.If that makes you nervous, then the movie has met the filmmaker's objective.