Ruby & Quentin
After hiding his loot and getting thrown in jail, Ruby, a brooding outlaw encounters Quentin, a dim-witted and garrulous giant who befriends him. After Quentin botches a solo escape attempt, they make a break together. Unable to shake the clumsy Quentin Ruby is forced to take him along as he pursues his former partners in crime to avenge the death of the woman he loved and get to the money.
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- Cast:
- Gérard Depardieu , Jean Reno , Richard Berry , André Dussollier , Jean-Pierre Malo , Leonor Varela , Jean-Michel Noirey
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Reviews
You won't be disappointed!
best movie i've ever seen.
This movie was so-so. It had it's moments, but wasn't the greatest.
It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.
In the delicious "le Dîner De Cons" (1998) by the same director Francis Veber, Pierre Brochant (Thierry Lhermitte) says to his doctor on a dogged tone: "I've got a damn fool of world class tonight!...". The viewer who discovers "Tais-toi!" for the very first time could attribute as well this opinion to Quentin from Montargis (Gérard Depardieu) in this film. The IQ of this character is so low that the wardens in prisons and the male nurses in psychiatric hospitals can't stand him until one day, he makes the acquaintance of a taciturn inmate Ruby (Jean Reno) and thinks he's his friend because unlike all the ones Thomas met in his life, Ruby never tells him to shut up. The two men escape in a preposterous way and are soon tracked down by the police and the underworld...For many French viewers, Francis Veber is the guarantee of a quality entertaining movie. Throughout the years this respectable scenarist gained a large reputation thanks to a recognizable comic recipe: the mismatched duo of men. Two men with a very different disposition who have to be and to face together unexpected situations. This formula gave laugh-filled works like "la Chèvre" (1981), "les Fugitifs" (1986) when it wasn't pure genius with "le Dîner De Cons" I mentioned earlier.With "Tais-Toi!", he remains faithful to his cinematographic writing and coming after the dismaying "le Placard" (2001), it is a few notches above his precedent work. Of course, it never reaches the pinnacle of "le Dîner De Cons" but the Veber touch can be felt here and there. This man is a mastermind when it comes to depict the persona of his duo of men between the grouchy, ominous Ruby and his partner, the silly, simple-minded Quentin or to put verbal wit in hilarious dialogs. And it would be hard to resist taut, droll moments.If the 2003 vintage is more palatable than the 2001 one, that doesn't make a great film for all that. Apart from indisputable assets, Veber's scenario is plagued by a humdrum imagination and a lackluster directing to weave an immaculate story for our maladjusted duo of men. Most of the film consists in a chase with fights, shooting and stunts a little lazily filmed during which the director doesn't appear to be at ease in spite of the fantastic steps his tandem goes through. What also hampers the venture is its ultra-mapped direction and a patchy direction of actors. It would be hard to resist the blissful ignorant Gérard Depardieu but Jean Reno is a more debatable choice for he's unable to shade his acting even if Veber wrote him some witty lines.I would be tempted to write that this film showcases Veber's strong points and his limits. When he stays confined to the grounds of comedy, Francis Veber is in his element. But when he tries to make a foray into other cinema territories or to incorporate his comical gifts in it, laughter are too scattered even rare. Even if "Tais-toi!" isn't to be hammered, it will be soon forgotten after the screening.
I saw this film when it premiered in the U.S. and have been waiting, waiting, waiting for it to get into distribution so I can see it again. Jean Reno and Gerard Depardieu are such an odd and wonderful pairing. I think only French actors and a French director could have done such an unlikely thing so well. These are two of the finest actors each in their own right; but they manage to put egos aside while coming up with odd little nuances that had me crying with laughter.Personally, I found it refreshing to see a story that I haven't seen a thousand times already and especially a comedy that does not rely on stale or embarrassing humor. Thumbs up for Francis Veber (Writer/Director) for an original and engaging film! The film is sophisticated, touching and endearing. I am genuinely surprised that it never hit the U.S. market.
I had the pleasure of seeing this film on a select showing in Glasgow Film Theatre, mid last year."Tais Toi!" is without doubt, THE funniest film I've ever watched.The writing and timing are just superb. I consider this to be one of Jean Reno's finest parts. Gerard Depardieu is up to his usual fantastic standard. Anyone with doubts as to how good this film is should just sit back, watch, and reserve judgement till the credits have finished rolling. It's proof that if you've got a good actor (actors in this case) or actress on board, you can play any part you want without being concerned that it departs from what roles they've done in the first place.An absolute treat, watch it when you need picking up and want to see the zany side of life.
I've always been delighted with Gérard Depardieu's performances, so, even though "Tais-toi!" ("Shut-up!" to me, and aptly titled!) was aired in French, (and, since I'm in Argentina, with Spanish sub-titlesalso a language beyond me!), I had to watch it. Armed with my French/English dictionary, which I barely needed, I was in hysterics from the onset! Gérard Depardieu paired with Jean Reno's deadpan was just too muchboth superb actors! Ignoring my phone ringing, and the doorbell, I was simply on the floor with laughter! So, the next time I found it was to be aired, I had a French- and Spanish-speaking friend translate the sub-titles for me; and the script turned out to be as brilliant as the performances! My recommendation thus is, regardless of whether or not you understand French, don't miss this gem of a production! Albert.