A bit overrated, but still an amazing film

I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

It is encouraging that the film ends so strongly.Otherwise, it wouldn't have been a particularly memorable film

Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

Whilst looking round for easy-going French Comedy titles,I stumbled on a Comedy starring François Hollande's "mistress" Julie Gayet!,which led to me getting ready to meet my friend.The plot:Going to a dinner with art dealing business partner Catherine, François tells a story of going to a funeral where only a few people turned up.Picking up his comment,Catherine says that she thinks no one would attend his funeral,(what a class act!) due to François not having any friends. Wanting to push things a bit,Catherine challenges François to a bet,where he must introduce her to his best friend,or she gets to take a valuable vase of his.After accepting the offer, François starts looking round for a "new" best friend.View on the film:Keeping the mood light and sweet with gliding tracking shots,co- writer/ (along with Patrice Leconte and Jérôme Tonnerre) director Patrice Leconte & cinematographer Jean-Marie Dreujou sweep along François's search for a "best friend" with wide shots that allow one liners to dart across the screen. Surprisingly leaving out any romance in the movie,the screenplay by Leconte/Dazat and Tonnerre instead takes the quirky buddy Comedy route,with the dialogue between François & Bruno cleverly being balanced to keep the Comedy sparks lit,whilst also moving their friendship forward.Despite going a bit left-field with the game show final,the writers do largely keep the title on its feet,by making Bruno and François's very funny conversations in Bruno's cab be a sweet mix and match of off- beat and natural. Unexpectedly not being the romantic lead, Julie Gayet gives a very good performance as Catherine,with Gayet's sass allowing Catherine to keep François busy on his toes. Looking everywhere for a pal, Daniel Auteuil gives a great performance as François,thanks to Auteuil making François look ruffled at ever attempt he makes to get a friend,whilst Dany Boon shines in a heartfelt performance as Bruno,who meets (My) his best friend.

My Best Friend is the sort of fluffy, inconsequential comedic concept movie one needs to be in a set mood to enjoy. It's absolutely harmless, but then that's part of the problem; it's predictable and a tad slight, but then we pretend we don't realise exactly where it's heading from a relatively early point and just try to go with it. Its politics are all in working order, but it sticks so much to the straight and narrow that it's difficult to get involved in a film that's so adept to staying in neutral. It's the sort of film that feeds off a nonsensical quirk of fate during its finale purely for the dramatic effect and so that it's central character arc may reach a natural conclusion in the most un-natural of ways. It's trite and difficult to like but I'd be lying if I said I hated it; a film with one of those really Americanised concept comedy sensibilities in that depicts two ordinarily oddball people thrust together into a chain of cause and effect that you come away from feeling you should have disliked more. Not every film needs to bite from a particular cherry akin to that of Before Sunrise, but with no invention; little visual flair and that annoying cut-'n'-thrust approach to its material on top of a screenplay playing it safe, it's little wonder there is very little about which to get excited in this mainstream French comedy.The film first and foremost revolves around a wealthy middle aged art dealer named François, played by Daniel Auteuil. I like Daniel Auteuil. We all do. Here, he plays someone who we're meant to entrust is ruthless enough to attend someone's funeral, not out of the fact he's grieving for the fellow, but because there is business and such surrounding said event, while failing to attend would be bad for business. The problem being that even if for a second we thought François was the kind of guy with a ruthless streak, who casually speaks down a cell phone during a guy's last rites, it's DANIEL AUTEUIL we're talking about here – that likable actor whose been in some pretty decent films in the past playing some pretty decent chaps. A similar issue was the bane of 1999's The Lost Son, wherein he played a private investigator who we were supposed to believe snapped Jack Carter-like upon uncovering a kiddie prostitute ring. Not for one SECOND do we believe Auteuil as the "ruthless art dealer", or some kind of opportunist with an eye on a cash prize at the end of a good business slog.François, aside from anything else, is a loner when away from work. He loiters with some folks already in their social circles, but is so out of touch with them he wasn't even aware one of them was homosexual. While they're all out at dinner with each other, François' social situation of not really having any bonds with anyone is raised. Thinking that clients count as mates, it's pointed out that knowing OF people and working WITH people is not the same as being their friends. The funereal from the opening arises, and the straw that breaks François' apparent back is when he realises that very few people will likely come to HIS funeral. François agrees to a bet with his accomplices: that he can find and maintain a healthy friendship with someone within ten days. Not nine, or eleven – not seven days (one week). Ten.The catalyst is a little weak, but the issue the writers face reads something like: why would someone of François' nature and stature agree to a bet of this nature instead of just laughing off what these people are saying to him and walking away to resume whatever successes he brings to himself? Meanwhile, meet the nicest damn cabbie in the world: Dany Boon's Bruno, a softly spoken; smiling trivia enthusiast who ferries people around without a fuss but bores his customers with his endless talk of fun facts and trivial information. Like François, he speaks and engages with his "clients" but it seems mistakes what they say to one other for genuine conversation and that sense of 'getting to know someone'. He is ultimately friendless all the same, and it is François who happens upon his taxi in the space post-bet. Throughout, there is supposed to be this ambiguity over whether François is genuinely interested in building a friendship or if he's just got his eyes on the large prize at the end of it should he blag a mate in a week and a bit. No worries, for come the end..... Well, need I go on?Those who liked 2003's "Apres Vous", more than I did, wherein Auteuil proceeded down similar routes in loitering with someone under madcap circumstances, might enjoy it but that film was a pretty decent love story and lent its comedy more towards farce which worked better than it had any right to. We don't buy Auteuil as who he is, and we're not a hundred per cent on Boon as a Parisian taxi driver who hasn't been this madcap or scatty since Samy Naceri tore up said city's streets in his converted Peugeot all those years ago. The film is bland and harmless, and I did not take to it.

There is no wonder that François (Daniel Auteuil) doesn't have any friends. He arranges to see an antique with the widow at a man's funeral. He can't even wait a respectable time. He only thinks of himself when he overbids on a Greek vase with the gallery's money.His partner Catherine (Julie Gayet), who he didn't even know was a lesbian, bets he has no friends. She bets the vase and gives him 10 days to produce a friend.He quickly finds out that no one likes him.Auteuil was fantastic in last night's The Closet, and he has the same hound dog expression in this film. He was boring in that film; here he is just self centered. He even resorts to Dial-a-Friend.He resorts to getting lessons from a cabbie, Bruno Bouley (Dany Boon), who makes friends easily, but he even blows that, his one chance at friendship.He makes up for it secretly, and the two end up as friends.Writer/director Patrice Leconte had a great film, and I certainly want to see more of his work.

This frenchman(Daniel Auteuil) is just amazing in his way to convince in almost any kind of emotionally role. Here he plays the distant and at the same time so kind person with a natural attitude as if it was reality. A year ago i watched the film "La fille sur le pont" (aka. The girl on the bridge), today that is my favorite film of all times. That is the only reason for me for only giving a 9 to this one. I've now seen all his films that i could get with subtitles, as I don't speak french. I am very sorry because of the ratings so far. Due to my opinion this film is a little pearl. It is not a big masterpiece, but so well made and perfectly acted that it, due to my opinion, has deserved more. I think the whole theme friendship is more important then ever in this busy world, so it leaves a little bit to think about after watching it. For those who haven't seen the film, I would like to say: just lean back and enjoy it!