A Masterpiece!

The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

The first 40 minutes of the films are in live action where Robin Wright plays a version of herself who's promising acting career didn't really flesh out after her success in the 80's and 90's while her while taking care of her family and the film industry is revolutionizing itself by using scans of actors to make films. Then for the next hour, it turns into an animated film which stays close to the novel The Futurological Congress, a completely surreal experience.The first stands as a commentary on how the film industry is exploiting artists and the fascist standpoint of the studios along with all the ethical and moral conundrums. But it's when the animated section starts that we understand that it's actually a much wider problem we are seeing here, it's not just the film industry but the whole world that is forgetting the true nature of being human and is embracing the virtual world of lies.Although it throws some of its concept on your face and may feel a little over ambitious to some it's an epic journey that is truly a unique experience. Ari Folman is definitely a genius helming films like this one and Waltz With Bashir

After reading so many complaints posted on the web about the lack of originality in modern movies, one would think there would be a lot of support and praise towards a film that tries to do something different and unique, but it seems that complex (or merely unconventional) narratives are loathed here on IMDb. But then again, this is the same website that gives extremely inflated ratings to a lot of generic superhero flicks. It is also the only website where a show like "Mr. Pickles" could be rated so high.Anyway, "The Congress" is a wonderful film. Of all the movies that combined live-action with animation through the history of cinema, this might be my favorite. Plot-wise, "The Congress" might be closer to movies like "Inland Empire" rather than "Who Framed Roger Rabbit". And the balance between the live-action parts with the animation is simply excellent.Some people say that it would have been better if the "Hallucination" parts were done in live-action, but I disagree: The animation sequences (Which make a marvelous combination of psychedelia with an art style reminiscent of the work of Max Fleischer) not only gives the story a proper dream-like feel to the story (Opposed to a dry and forgettable portrayal of dreams as it was seen in movies like "Inception") but also serve as a subtle commentary about modern-day obsession with escapism: It's something admirably subtle the way the thin line between fantasy and reality fades away as the plot of the film progresses, until the bitter reality is finally showed in a rather heartbreaking manner. Like at the end of "Waltz with Bashir", when the animation changes into live-action, we as viewers are forced to confront a harsh reality that cannot be ignored, and that reality is that living with our backs turned to the problems of today only will have dire consequences in the future, and we will have to deal with those consequences in one way or another. I guess that a message like that could be hard to swallow for many viewers, but I personally think that in this day and age, a message like that it's more necessary than ever.I hope "The Congress" gets eventually vindicated by history. Maybe in the future, people will be able to appreciate more its daring qualities. For now at least, the future of cinema seems bleak, with all the same generic stuff making billions at the box office while the actually challenging movies are perpetually ignored. A shame, really.

The Congress is one of those art projects that are definitely out there, but contain just enough plot, character development and story so as not to devolve into a straight stream-of-consciousness acid tripping – though there's definitely a lot of that present as well.The movie stars the talented Robin Wright, playing a fictional version of herself as she finds her career slowly but surely dwindling as the years pass and take their toll. But then an offer comes to digitize her. Or, at least her likeness. To immortalize her in a manner of speaking. Plus a boatload of money, but that goes without saying.The movie follows Wright throughout the years as she deals with the consequences of her choice and with a world that's slowly adapting the technology to digitize and animate pretty much the entire human population. Everyone can become a cartoon character and follow rules of their own making. Think Who Framed Roger Rabbit, but as an art house film, with a more artistic vision and more abstract themes.It mostly works, would be my way of summing it all up. The animated segments are certainly pretty enough and the film takes good advantage of the fact that it can do pretty much anything it wants with them. Robin Wright is a very good actor, though her character is written to be a bit more passive than I would have preferred. She's the observer, the one things happen to, but this leads to her simply wandering around, staring at things with wide cartoon eyes.Still, it's worth a watch if you want something to really sink your teeth into. The world and story are both very interesting, it's well-made and has some really good moments. Not my personal cup of tea, if I'm being honest, but I enjoyed it just fine.

It is an absolute shame this movie didn't just stick with it's original premise. Great actors in this! Robin Wright is steady, graceful, beautiful, emotionally vulnerable and thoughtful. You really bond with her as almost everyone in personal sphere says very intrusive and unflattering things about her. Things that she obviously feels about herself. Harvey Keitel gives a great performance as Robin's agent, long time friend, confidant and champion. Danny Houston is smarmy and easy to detest as the crass studio head. Paul Giamati is also here and good as usual. This movie promises an emotional and intellectual catharsis about the nature of art, individuality, mortality and immortality. I thought at first it might be an Able Ferrara picture and paused it to check. It wasn't and it's a damn shame. If the movie had stayed with it's emotional core and thought provoking theme it could have been something special. Instead, with no set up, it takes this bizzaro, forced and unnatural turn into Toon Town, without the live action. I'm mean it actually throws out all the big questions and the real Robin Wright is replaced with an animated one in an animated environment. There is no amount of suspension of disbelief that can save this ham handed transition. And the incredible level of pretentiousness that happens after this 'twist' is nauseating. I mean like bad community college creative lit class bad. The resolution of it all may just as well be, 'And then she woke up... It had all been a dream...' This is the type of movie where YOU KNOW if you were involved your hand would be up and you'd be screaming 'STOP! Let's just keep with the original premise!!!' and you wonder how someone didn't. I saw a production cost of 34 million which is very hard to believe. I can understand the the budget for the actors but for the animation??? Though some of the imagery is good, the animated sequences are incredibly average in quality and they totally take you out of the movie. This should of and could have been a great character piece. As it is, it's a mess and looks like all the big name actors were doing a very untalented filmmaker a favor. He sure didn't do them or us one. Damn shame. SMDH...